[csaa-forum] ANIMALS IN ART AND PHILOSOPHY, with ANDREW BENJAMIN keynote lecture
phallacy at tpg.com.au
Sat May 5 15:06:41 CST 2012
The Centre for Ideas
'In Flesh and Blood: Animals in Art and Philosophy'
Part 3: Keynote speaker: Andrew Benjamin
FRIDAY 11 MAY
Time 10.30 – 5.30 pm
Venue: Federation Hall, VCA, 234 St Kilda Road and Grant Street, Southbank
Free event – no booking required
10.30 am to 1 pm: RESPONDING TO DERRIDA AND ANIMALS
Speakers: Elizabeth Presa, Keren Shlezinger and James Muldoon
• Elizabeth Presa (CFI), 'Skin deep'
Starting with Derrida’s discussion, in volume 1 of The Beast and the Sovereign, of a question
once posed to Levinas: “Does the Animal have a face?”, I explore through Levinas, Rilke and
others, how one might come to understand what a face can be and how such an
understanding may contribute to a more imaginative engagement with other beings in the
• Keren Shlezinger (Monash Univ.), 'The Shame of Being an Animal and Yet Not One'
In 'The Animal That Therefore I Am', Derrida recounts his embarrassment and sense of
exposure at being regarded naked by his cat. According an animal the status of one who can
look at me interrupts the humanist project and becomes the starting point for Derrida's
argument for the 'absolute singularity' of all living things. J. M. Coetzee’s 'The Old Woman and
the Cats' depicts a similar scene of shame. Like Derrida, the fictional philosopher Elizabeth
Costello is moved by a singular encounter with a cat to reconfigure her response to others in
general; however this response follows a markedly different path from Derrida's. Here I want
to consider the different kinds of shame we might feel before animals. How might one be
shamed (by others) or ashamed (for oneself) for having been, in the first instance, ashamed?
These questions will be explored via consideration of the Australian public's response to the
recent ‘exposure,’ via televised images from Indonesian slaughterhouses, of the ‘inhumane’
practices of the live export industry.
• James Muldoon (Monash University), 'The Figure of the Animal in Hegel'
Derrida argues in l’Animal que donc je suis that philosophy has been constituted since its
inception by a founding exclusion and subordination of the animal. Derrida's proposition allows
us to look back on philosophy and call into question that which distinguishes the 'being'
of human beings from other non-human animals. In this paper I will argue that Hegel's
Philosophy of Right is an attempt to purify human beings of their animal origin and produce a
universal political subject freed from instances of particularity and animality.
1 to 1.30 pm: CONCERT by the group The Donkey's Tail
2 to 4.30 pm: SESSION AROUND THE WORK OF ANDREW BENJAMIN
An internationally recognised authority on contemporary French and German critical
theory, Andrew Benjamin has consistently explored the relationship between philosophy and
the history of art in his work. Recently that relationship has allowed him to analyze what he
calls the ‘figure of the Jew’ and the ‘figure of the animal’ within both the history of philosophy
and the history of art. Both these figures have been constructed by philosophy as that which
needs to be excluded—with philosophy, as traditionally conceived, being founded upon such
a gesture of exclusion. Overcoming exclusion involves an undoing of these figures
and potentially a transformation of the philosophical itself.
In the first part of this session, an analysis of Benjamin’s book Of Jews and Animals
will be presented by:
• Adam Geczy (College of Art, University of Sydney), 'On Clothing and Interest. A short
supplement to Andrew Benjamin’s Of Jews and Animals.'
• Andrew Benjamin will respond to Geczy’s lecture, with discussion following.
There will then take place the keynote lecture:
• Andrew Benjamin (Professor of Philosophical Aesthetics at Monash), 'On the Taming
of Animals: Notes after Sophocles'.
Discussion will follow.
• David Shea (CFI), 'On Biomimicry in architecture and design: an overview'
Biomimicry is the examination and study of nature—its models, systems, processes and
elements—in order to emulate or take inspiration from them towards the solution of human
problems. I will look at this emerging field in its application to architecture, design, business
systems and sustainable city planning, to name just a few, as well as at the shift in belief
taking place globally in our relationship to animals and plants. Collaborations between
biologists with inventors, architects and designers have, over the past ten years, created new
architectural possibilities in our human relationship with animals and plants that can be applied
to solving 21st century post-industrial challenges.
Dr. Ashley Woodward
The Melbourne School of Continental Philosophy
Editor, Parrhesia: A Journal of Critical Philosophy
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