[csaa-forum] FW: [cultstud-l] Popular Communication: International Journal of Mediaand Culture

[Buettner, Angi]

Apologies for cross-postings


-----Original Message-----
From:	cultstud-l-bounces at x94-249-29.ej1071.umn.edu on behalf of Jonathan Gray
Sent:	Fri 11/17/2006 3:06 PM
To:	cultstud-l at x94-249-29.ej1071.umn.edu
Cc:	
Subject:	[cultstud-l] Popular Communication: International Journal of Mediaand Culture

(apologies for cross-posting)

Call for Papers:
Popular Communication: International Journal of Media and Culture

As the newly named editors for Popular Communication, we would like to renew 
the journals’ open call for papers.  Please note the new subtitle to the 
journal as well as the new editorial board (below).

The journal provides a forum for the scholarly investigation, analysis, and 
dialogue on communication symbols, forms, phenomena, and strategic systems 
of symbols within the context of contemporary popular culture across the 
globe. Popular Communication publishes articles on all aspects of popular 
communication, examining different media such as television, film, new 
media, print media, radio, music, and dance; the study of texts, events, 
artifacts, spectacles, audiences, technologies, and industries; and 
phenomena and practices, including, but not limited to, fan, youth and 
subcultures, questions of representation, digitalization, cultural 
globalization, spectator sports, sexuality, advertising, and consumer 
culture. The journal welcomes diverse theoretical and methodological 
perspectives within the tradition of media, communication, and cultural 
studies as well as interdisciplinary research in and across related 
disciplines.

See http://www.leaonline.com/loi/pc for tables of contents of past and 
current issues.


Editors:
Cornel Sandvoss (University of Surrey, UNITED KINGDOM)
C. Lee Harrington (Miami University, USA)
Jonathan Gray (Fordham University, USA)

Editorial Board:
Mark Andrejevic (University of Iowa, USA)
Denise D. Bielby (University of California, Santa Barbara, USA)
S. Elizabeth Bird (University of South Florida, USA)
Duncan H. Brown (Ohio University, USA)
Lynn Schofield Clark (University of Denver, USA)
Robin R. Means Coleman (University of Michigan, USA)
Nick Couldry (Goldsmiths College, UNITED KINGDOM)
John Nguyet Erni (Lingnan University, HONG KONG)
Brett Farmer (University of Melbourne, AUSTRALIA)
Simon Frith (University of Edinburgh, UNITED KINGDOM)
Paul Frosh (Hebrew University of Jerusalem, ISRAEL)
Myria Georgiou (University of Leeds, UNITED KINGDOM)
Jostein Gripsrud (University of Bergen, NORWAY)
John Hartley (Queensland University of Technology, AUSTRALIA)
David Hesmondhalgh (University of Leeds, UNITED KINGDOM)
Matt Hills (Cardiff University, UNITED KINGDOM)
Henry Jenkins (Massachusetts Institute of Technology, USA)
Steve Jones (University of Illinois, Chicago, USA)
Aphra Kerr (National University of Maynooth, IRELAND)
Marwan Kraidy (American University, USA)
Shanti Kumar (University of Texas, Austin, USA)
Sharon R. Mazzarella (Clemson University, USA)
Matthew P. McAllister (Pennsylvania State University, USA)
Lothar Mikos (Hochschule für Film und Fernsehen “Konrad Wolf,” GERMANY)
Toby Miller (University of California, Riverside, USA)
Jason Mittell (Middlebury College, USA)
David Morley (Goldsmiths College, UNITED KINGDOM)
Andy Opel (Florida State University, USA)
Dominique Pasquier (Centre d’Etudes des Mouvements Sociaux, Ecole des Hautes 
Etudes en Science Sociales, FRANCE)
Norma Pecora (Ohio University, USA)
Michael Real (Royal Roads University, CANADA)
Clemencia Rodriguez (University of Oklahoma, USA)
Lynn Spigel (Northwestern University, USA)
Ted Striphas (Indiana University, USA)
Davinia Thornley (University of Otago, NEW ZEALAND)
Serra Tinic (University of Alberta, CANADA)
Angharad N. Valdivia (University of Illinois, Urbana-Champaign, USA)
Jyotika Virdi (University of Windsor, CANADA)
Janet Wasko (University of Oregon, USA)
Rosalia Winocur (Universidad Autonoma Metropolitana, MEXICO)
Barbie Zelizer (University of Pennsylvania, USA)
Liesbet van Zoonen (Universiteit van Amsterdam, THE NETHERLANDS)
Vera Zvereva (Institute for General History, Russian Academy of Sciences, 
RUSSIA)


Instructions to Contributors
Popular Communication publishes articles on all aspects of popular 
communication texts, artifacts, audiences, events, and practices. Popular 
communication is defined as popular culture that is mediated by or related 
to mass media including but not limited to the Internet, youth culture, 
representation, fandom, film, sports, spectacles, the digital revolution, 
sexuality, advertising/consumer culture, television, radio, music, 
magazines, and dance. The journal welcomes diverse theoretical and 
methodological perspectives within the tradition of media, communication, 
and cultural studies. A manuscript may not be sent out for review if it is 
deemed inappropriate for the journal. Submitted papers should be 5,000-9,000 
words in length (inclusive of all elements).

Submissions: Submissions should be emailed (as attachments) to Cornel 
Sandvoss, C. Lee Harrington, and Jonathan Gray, at 
popularcommunication at surrey.ac.uk. Only original manuscripts submitted to 
Popular Communication will be considered for publication. The cover letter 
should include a statement that the manuscript is not currently under 
consideration elsewhere, is not being submitted elsewhere, and has not been 
published elsewhere, in whole or in part.

Manuscript Preparation: Manuscripts should be prepared according to the 
guidelines of the Publication Manual of the American Psychological 
Association (5th ed.). Double space all material, including title page, 
abstract, text, quotations, acknowledgments, references, appendixes tables, 
figure captions, and footnotes. The title page should include the title of 
the manuscript; names and affiliations of all authors; contact information 
including address, telephone and fax numbers, and email address of the 
corresponding author; and a running head of not more than 48 letters and 
spaces. Only the title page should contain identifying information. The 
second page should include the manuscript title, an abstract of 100 to 150 
words, and a list of key words for use in indexing.  Manuscripts that do not 
follow this format will be returned to authors for re-formatting prior to 
being sent out for review.

Peer Review: Submitted articles undergo masked peer review. Authors should 
take care that the manuscript contains no clues as to identity. The normal 
review period is three months.

Permissions: Authors are responsible for the content of their work and for 
obtaining permission from copyright owners to use a lengthy quotation (500 
words or more), to reprint or adapt a table or figure published elsewhere, 
or to reprint photographs or other copyrighted or trademarked images. 
Authors should provide documentation from the copyright/trademark holder 
granting nonexclusive world rights in all languages for use in the article 
and in future editions.

Production Notes: All text files should be saved in Microsoft Word, and any 
visuals should be saved as separate files. Authors must submit camera ready 
copy for any artwork and non-text-based figures. Upon acceptance, copyright 
for the entire work must then be assigned to Lawrence Erlbaum Associates, 
Inc., Publishers. Once files are copyedited and typeset into page proofs, 
authors read proofs to correct errors and answer editors' queries.

Book Reviews: Popular Communication regularly publishes reviews of academic 
and non-academic books pertaining to popular communication and popular 
culture. Reviewers receive one copy of the issue in which the review 
appears. Additional printed copies are not available. Please direct all 
inquiries to:

Dr. Cornel Sandvoss
Subject Leader Media, Communication & Cultural Studies
Department of Culture, Media & Communication
University of Surrey
Guildford
Surrey GU2 7XH
United Kingdom
e-mail: C.Sandvoss at surrey.ac.uk

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