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<p class="MsoNormal"><span style="color:#212121">Kia ora koutou,<o:p></o:p></span></p>
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<span style="color:#212121">Please join us next week as part of the Media, Film & Comms Programme Research Seminar Series 2025, as we welcome Dr Katie Marcar from the University of Otago’s Theology Programme – Tuesday 6<sup>th</sup><span class="apple-converted-space"> </span>May
at 4pm NZT / 1pm AEST in Burns 4. Details and Zoom registration follow:<o:p></o:p></span></p>
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<b><span style="color:#212121">Title:<span class="apple-converted-space"> </span><i>Fecemi la Divina Potestate</i>: Theological Worldmaking in Hayao Miyazaki’s<span class="apple-converted-space"> </span><i>The Boy and the Heron</i><span class="apple-converted-space"> </span>(2023),
Dante’s<span class="apple-converted-space"> </span><i>Divine Comedy</i>, and Western Mythology</span></b><span style="color:#212121"><o:p></o:p></span></p>
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<b><span style="color:#212121">Abstract:</span></b><span class="apple-converted-space"><span style="color:#212121"> </span></span><span style="color:#212121">The words “fecemi la divina potestate” inscribed above the dark tunnel in Hayao Miyazaki’s 2023 film
The Boy and the Heron signal one of the important literary influences on the film, Dante’s masterpiece the Divine Comedy. In dialog with Denys Turner’s Dante the Theologian, this paper seeks to examine the influence of the Divine Comedy on The Boy and the
Heron as an opportunity to engage in a Christian theological reading of Miyazaki’s film. Both Dante and Miyazaki create fantastical worlds that are at times beautiful, breathtaking and frightening. These worlds are embodiments of their characters’ (and creators’)
psychological, anthropological, and spiritual belief systems. This paper seeks to bring these worlds into a constructive dialog that provides a deeper appreciation of the theological realities reflected in The Boy and the Heron and its diverse influences.
WARNING: This paper will contain SPOILERS!<o:p></o:p></span></p>
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<b><span style="color:#212121">Zoom registration</span></b><span style="color:#212121">:<span class="apple-converted-space"> </span><a href="https://docs.google.com/forms/d/e/1FAIpQLSex6NgrHn01G3H4N9LqEf-nbOWa30tSB4eAxwRstuqw66f7UQ/viewform?usp=sharing" title="https://apc01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdocs.google.com%2Fforms%2Fd%2Fe%2F1FAIpQLSex6NgrHn01G3H4N9LqEf-nbOWa30tSB4eAxwRstuqw66f7UQ%2Fviewform%3Fusp%3Dsharing&data=05%7C02%7Covero05p%40otagouni.mail.onmicrosoft.com%7C2b0c75ddeb7f4"><span style="color:#96607D">https://docs.google.com/forms/d/e/1FAIpQLSex6NgrHn01G3H4N9LqEf-nbOWa30tSB4eAxwRstuqw66f7UQ/viewform?usp=sharing</span></a><o:p></o:p></span></p>
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<span style="color:#212121">All welcome!<o:p></o:p></span></p>
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<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><a href="https://www.otago.ac.nz/mfco/staff/rosemaryoverell.html"><span style="color:#0563C1">Rosemary Overell</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Pûkenga Matua | Senior Lecturer<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Pâpâho, Whitiâhua, Pârokoroko | Media, Film & Communication Programme<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Ôtâkou Whakaihu Waka | The University of Otago<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Otepoti | Dunedin<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Aotearoa New Zealand<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">9054<o:p></o:p></span></p>
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<p class="MsoNormal"><b><span lang="EN-US" style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Latest publications:<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Overell, R. (2024). ‘<i>Don’t Worry Darling</i>: The anxious question of what women want after #MeToo’.
<i>Psychoanalysis, Culture & Society</i> </span><span style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><a href="https://doi.org/10.1057/s41282-024-00461-5"><span style="color:#0563C1">https://doi.org/10.1057/s41282-024-00461-5</span></a></span><span style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Millar, I., Nicholls, B., Overell, R., & Tutt, D. (2023). Power and politics in Adam Curtis'
<i>Can't get you out of my head</i>: An emotional history of the modern world. In C. Owens & S. Meehan O'Callaghan (Eds.),
<i><a href="https://www.routledge.com/Psychoanalysis-and-the-Small-Screen-The-Year-the-Cinemas-Closed/Owens-OCallaghan/p/book/9781032223223"><span style="color:#0563C1;font-style:normal">Psychoanalysis and the small screen: The year the cinemas closed</span></a></i>.
(pp. 163-189). Abingdon, UK: Routledge.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Overell, R. (2022).
<a href="https://lackorg.com/2022/08/26/methodological-masturbation/"><span style="color:#0563C1">Methodological Masturbation</span></a>.
<i>LACK: punctual musings</i>. 26<sup>th</sup> August.</span><span lang="EN-US" style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><a href="https://scholar.google.co.nz/citations?user=ZW7oyEAAAAAJ&hl=en"><span style="color:#0563C1">Google Scholar</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><a href="http://www.linkedin.com/in/rosemary-overell-047786222"><span style="color:#0563C1">LinkedIn</span></a><o:p></o:p></span></p>
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