<html xmlns:v="urn:schemas-microsoft-com:vml" xmlns:o="urn:schemas-microsoft-com:office:office" xmlns:w="urn:schemas-microsoft-com:office:word" xmlns:m="http://schemas.microsoft.com/office/2004/12/omml" xmlns="http://www.w3.org/TR/REC-html40">
<head>
<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-2">
<meta name="Generator" content="Microsoft Word 15 (filtered medium)">
<!--[if !mso]><style>v\:* {behavior:url(#default#VML);}
o\:* {behavior:url(#default#VML);}
w\:* {behavior:url(#default#VML);}
.shape {behavior:url(#default#VML);}
</style><![endif]--><style><!--
/* Font Definitions */
@font-face
{font-family:Helvetica;
panose-1:2 11 6 4 2 2 2 2 2 4;}
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;}
@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{margin:0cm;
margin-bottom:.0001pt;
font-size:11.0pt;
font-family:"Calibri",sans-serif;
mso-fareast-language:EN-US;}
a:link, span.MsoHyperlink
{mso-style-priority:99;
color:#0563C1;
text-decoration:underline;}
a:visited, span.MsoHyperlinkFollowed
{mso-style-priority:99;
color:#954F72;
text-decoration:underline;}
p.msonormal0, li.msonormal0, div.msonormal0
{mso-style-name:msonormal;
mso-margin-top-alt:auto;
margin-right:0cm;
mso-margin-bottom-alt:auto;
margin-left:0cm;
font-size:11.0pt;
font-family:"Calibri",sans-serif;}
span.EmailStyle18
{mso-style-type:personal-compose;
font-family:"Calibri",sans-serif;
color:windowtext;}
span.collapseomatic
{mso-style-name:collapseomatic;}
.MsoChpDefault
{mso-style-type:export-only;
font-size:10.0pt;}
@page WordSection1
{size:612.0pt 792.0pt;
margin:72.0pt 72.0pt 72.0pt 72.0pt;}
div.WordSection1
{page:WordSection1;}
--></style><!--[if gte mso 9]><xml>
<o:shapedefaults v:ext="edit" spidmax="1026" />
</xml><![endif]--><!--[if gte mso 9]><xml>
<o:shapelayout v:ext="edit">
<o:idmap v:ext="edit" data="1" />
</o:shapelayout></xml><![endif]-->
</head>
<body lang="EN-AU" link="#0563C1" vlink="#954F72">
<div class="WordSection1">
<p class="MsoNormal"><b>Transformations 2024 Issue No. 37 – Idealism and Contemporary Film Theory: Subjectivity, Politics, Technics<o:p></o:p></b></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">The Editors of Transformations Journal are pleased to announce the launch of issue 37 - Idealism and Contemporary Film Theory: Subjectivity, Politics, Technics, guest edited by Corey Cribb (University of Melbourne), Laurent Shervington
(University of Western Australia) and Laurence Kent (University of Bristol)<o:p></o:p></p>
<p style="background:white;vertical-align:baseline"><em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Mihai Băcăran</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span><u><span style="color:#0070C0"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_01_Bacaran.pdf" target="_blank"><em><span style="font-family:"Calibri",sans-serif;color:#0070C0;border:none windowtext 1.0pt;padding:0cm;font-style:normal">The
Mark of the Brief Night</span></em><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm">:
</span><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm;font-style:normal">Immanent Loss and Responsibility</span></a><o:p></o:p></span></u></i></p>
<p style="background:white;vertical-align:baseline"><em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Eric Coombs Esmail</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span></i><span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_02_Coombs.pdf" target="_blank"><span style="color:#0070C0">Documentary
Intersubjectivity</span></a><o:p></o:p></span></span></p>
<p style="background:white;vertical-align:baseline"><em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Corey Cribb</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span></i><span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_03_Cribb.pdf" target="_blank"><span style="color:#0070C0">Maurice Merleau-Ponty,
Vivian Sobchack and the Materialization of Cinematic Sense</span></a></span></span><o:p></o:p></p>
<p style="background:white;vertical-align:baseline;margin:1.25rem;font-variant-ligatures: normal;font-variant-caps: normal;font-variant-numeric: inherit;font-variant-east-asian: inherit;font-variant-alternates: inherit;font-variant-position: inherit;font-stretch: inherit;line-height:inherit;font-optical-sizing: inherit;font-size-adjust: inherit;font-kerning: inherit;font-feature-settings: inherit;font-variation-settings: inherit;orphans: 2;text-align:start;widows: 2;-webkit-text-stroke-width: 0px;text-decoration-thickness: initial;text-decoration-style: initial;text-decoration-color: initial;word-spacing:0px">
<em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Sudeep Dasgupta</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span></i><u><span style="color:#0070C0"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_04_Dasgupta.pdf" target="_blank"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm">(Dis)locating the Subject, Moving
the Image and Reasoning with History</span></a></span></u><o:p></o:p></p>
<p style="background:white;vertical-align:baseline;margin:1.25rem;font-variant-ligatures: normal;font-variant-caps: normal;font-variant-numeric: inherit;font-variant-east-asian: inherit;font-variant-alternates: inherit;font-variant-position: inherit;font-stretch: inherit;line-height:inherit;font-optical-sizing: inherit;font-size-adjust: inherit;font-kerning: inherit;font-feature-settings: inherit;font-variation-settings: inherit;orphans: 2;text-align:start;widows: 2;-webkit-text-stroke-width: 0px;text-decoration-thickness: initial;text-decoration-style: initial;text-decoration-color: initial;word-spacing:0px">
<em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Cristóbal Escobar</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span></i><span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_05_Escobar.pdf" target="_blank"><span style="color:#0070C0">The Con·temporary
in Cinema</span></a></span></span><span style="border:none windowtext 1.0pt;padding:0cm"><o:p></o:p></span></p>
<p style="background:white;vertical-align:baseline"><em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">John Hillman</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span></i><span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_06_Hillman.pdf" target="_blank"><span style="color:#0070C0">Becoming
George</span></a></span></span><o:p></o:p></p>
<p style="background:white;vertical-align:baseline;margin:1.25rem;font-variant-ligatures: normal;font-variant-caps: normal;font-variant-numeric: inherit;font-variant-east-asian: inherit;font-variant-alternates: inherit;font-variant-position: inherit;font-stretch: inherit;line-height:inherit;font-optical-sizing: inherit;font-size-adjust: inherit;font-kerning: inherit;font-feature-settings: inherit;font-variation-settings: inherit;orphans: 2;text-align:start;widows: 2;-webkit-text-stroke-width: 0px;text-decoration-thickness: initial;text-decoration-style: initial;text-decoration-color: initial;word-spacing:0px">
<em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Andrew Jampol-Petzinger</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span></i><span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_07_Jampol-Petzinger.pdf" target="_blank"><span style="color:#0070C0">Deleuze,
Benjamin and the Deterritorialisation of Film Subjectivity</span></a></span></span><o:p></o:p></p>
<p style="background:white;vertical-align:baseline;margin:1.25rem;font-variant-ligatures: normal;font-variant-caps: normal;font-variant-numeric: inherit;font-variant-east-asian: inherit;font-variant-alternates: inherit;font-variant-position: inherit;font-stretch: inherit;line-height:inherit;font-optical-sizing: inherit;font-size-adjust: inherit;font-kerning: inherit;font-feature-settings: inherit;font-variation-settings: inherit;orphans: 2;text-align:start;widows: 2;-webkit-text-stroke-width: 0px;text-decoration-thickness: initial;text-decoration-style: initial;text-decoration-color: initial;word-spacing:0px">
<em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Lawrence Kent</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span></i><span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_08_Kent.pdf" target="_blank"><span style="color:#0070C0">Transcendental
Reelism</span></a></span></span><o:p></o:p></p>
<p style="background:white;vertical-align:baseline;margin:1.25rem;font-variant-ligatures: normal;font-variant-caps: normal;font-variant-numeric: inherit;font-variant-east-asian: inherit;font-variant-alternates: inherit;font-variant-position: inherit;font-stretch: inherit;line-height:inherit;font-optical-sizing: inherit;font-size-adjust: inherit;font-kerning: inherit;font-feature-settings: inherit;font-variation-settings: inherit;orphans: 2;text-align:start;widows: 2;-webkit-text-stroke-width: 0px;text-decoration-thickness: initial;text-decoration-style: initial;text-decoration-color: initial;word-spacing:0px">
<em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Dominic Lash</span></em><br>
<span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_09_Lash.pdf" target="_blank"><span style="color:#0070C0">Scenes of Instruction:
The King of Comedy</span></a></span></span><o:p></o:p></p>
<p style="background:white;vertical-align:baseline;margin:1.25rem;font-variant-ligatures: normal;font-variant-caps: normal;font-variant-numeric: inherit;font-variant-east-asian: inherit;font-variant-alternates: inherit;font-variant-position: inherit;font-stretch: inherit;line-height:inherit;font-optical-sizing: inherit;font-size-adjust: inherit;font-kerning: inherit;font-feature-settings: inherit;font-variation-settings: inherit;orphans: 2;text-align:start;widows: 2;-webkit-text-stroke-width: 0px;text-decoration-thickness: initial;text-decoration-style: initial;text-decoration-color: initial;word-spacing:0px">
<em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Warwick Mules</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span></i><span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_10_Mules.pdf" target="_blank"><span style="color:#0070C0">Mechanical
Creativity in the Shift from the Absolute of German Idealism to Real Thinking: Towards a Transcendental Materialism of Film-Philosophy</span></a><o:p></o:p></span></span></p>
<p style="margin-bottom:12.0pt;background:white;vertical-align:baseline"><em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Laurent Shervington</span></em><br>
<span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_11_Shervington.pdf" target="_blank"><span style="color:#0070C0">Like Spectator,
Like Subject: The Cinematic Framing of the Dialectics contra Object-Oriented-Ontology Debate</span></a></span></span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:#333333;mso-fareast-language:EN-AU"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:8.0pt;mso-fareast-language:EN-AU">Dr Erika Kerruish (she/her)<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:8.0pt;mso-fareast-language:EN-AU">BA Course Coordinator and Senior Lecturer<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:8.0pt;mso-fareast-language:EN-AU">Faculty of Education<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:8.0pt;mso-fareast-language:EN-AU">Southern Cross University<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:8.0pt;mso-fareast-language:EN-AU">Locked Mail Bag 4
<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:8.0pt;mso-fareast-language:EN-AU">Coolangatta Qld 4255<span style="color:#005E86"><o:p></o:p></span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:8.0pt;mso-fareast-language:EN-AU">T 07 5589 3172
<b><span style="color:#005E86"><o:p></o:p></span></b></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:8.0pt;mso-fareast-language:EN-AU">E
</span><span style="mso-fareast-language:EN-AU"><a href="mailto:erika.kerruish@scu.edu.au"><span lang="EN-US" style="font-size:8.0pt">erika.kerruish@scu.edu.au</span></a></span><span lang="EN-US" style="font-size:8.0pt;mso-fareast-language:EN-AU"><o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><span lang="EN-US" style="font-size:8.0pt;border:none windowtext 1.0pt;padding:0cm;mso-fareast-language:EN-AU">W<span style="color:black"> </span></span><span style="mso-fareast-language:EN-AU"><a href="https://www.scu.edu.au/about/contacts/staff-directory/staff/28326.php"><span style="font-size:8.0pt">https://www.scu.edu.au/about/contacts/staff-directory/staff/28326.php</span></a></span><span style="font-size:8.0pt;mso-fareast-language:EN-AU"><o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><span style="font-size:8.0pt;mso-fareast-language:EN-AU"><o:p> </o:p></span></p>
<p class="MsoNormal" style="background:white"><span style="font-size:8.0pt;mso-fareast-language:EN-AU">Latest publications:<o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><span style="mso-fareast-language:EN-AU"><a href="https://link-springer-com.ezproxy.scu.edu.au/article/10.1007/s42438-024-00456-6"><span style="font-size:8.0pt;font-family:"Arial",sans-serif;background:white">Postdigital
Teaching of Critical Thinking in Higher Education: Non-Instrumentalised Sociality and Interactivity</span></a></span><u><span style="font-family:"Arial",sans-serif;color:#0563C1;mso-fareast-language:EN-AU"><o:p></o:p></span></u></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-AU"><a href="https://url6649.tandfonline.com/ls/click?upn=odl8Fji2pFaByYDqV3bjGMQo8st9of2228V6AcSFNq3t86qU90pAx-2BEad4OTI0D6RwPuf2TUB1XghhB9U0-2BKuDGzAaHdu9F5ElDblQpGszA-3Dt6aq_QuISWQjKKuMQibsDHimYNjsYgFnu68Mrhm6A-2FYpTAEGduqrtIitw-2FPUdEky5iT-2FCvTG2qdRTVKJvaWMfZxoxaRDueg9z7Z2pEdt3Xt2Wuh2Gyreal2FqyolEvS-2FXKSYb2BQkjGG1wn6HQjGSp8NplWFUeQU4qcQdhSJLgKkzY5jVNfzoYpkubfDpQEgRfmh-2Bzu0lzHqwbPDbvUua-2FIota-2FLfQS2uAuLZuL6AiVpW4NY-2B7WTHoZH7FXqi386a0t2Nbz3Bi0UhNl23pcNNFgyHrlvrectWTFaNBxAphLQUFPw-3D"><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#0070C0">Exploding the android:
encounters with social robotics in a science centre</span></a></span><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#0070C0;mso-fareast-language:EN-AU">
</span><span style="color:#0070C0;mso-fareast-language:EN-AU"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:8.0pt;color:#005E86;mso-fareast-language:EN-AU"><o:p> </o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:6.0pt;margin-left:7.9pt;text-indent:-7.9pt">
<span style="font-size:8.0pt;mso-fareast-language:EN-AU"><img border="0" width="131" height="51" style="width:1.3645in;height:.5312in" id="Picture_x0020_1" src="cid:image003.jpg@01DB166C.BC9DAA50" alt="email signature"></span><span style="font-size:8.0pt;mso-fareast-language:EN-AU"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:6.0pt"><span lang="EN-US" style="font-size:8.0pt;mso-fareast-language:EN-AU">CRICOS Provider: 01241G</span><span style="font-size:8.0pt;font-family:"Helvetica",sans-serif;color:#838383;mso-fareast-language:EN-AU"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#333333;mso-fareast-language:EN-AU"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:8.0pt;mso-fareast-language:EN-AU"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#333333;mso-fareast-language:EN-AU"><o:p> </o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
</div>
</body>
</html>