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<p class="MsoNormal"><b>Transformations 2024 Issue No. 37 – Idealism and Contemporary Film Theory: Subjectivity, Politics, Technics<o:p></o:p></b></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">The Editors of Transformations Journal are pleased to announce the launch of issue 37 - Idealism and Contemporary Film Theory: Subjectivity, Politics, Technics, guest edited by Corey Cribb (University of Melbourne), Laurent Shervington
(University of Western Australia) and Laurence Kent (University of Bristol)<o:p></o:p></p>
<p style="background:white;vertical-align:baseline"><em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Mihai Băcăran</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span><u><span style="color:#0070C0"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_01_Bacaran.pdf" originalsrc="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_01_Bacaran.pdf" shash="o3ET9hL1Zv04SyhtUtg42dKO24P/iEP9ZeNvQ7q20Bqho15WDUG1stY8APd/Vsomtkf47Wu1kMIzc1Xyx0IH23gfYh/pLTq5Ln3OD687p8KD1FVFAC6yOPg+oGUzfHBnyCMERVqYlYnoN7XM+O4NUwseDrFoIiryA09IKVy3U9w=" target="_blank"><em><span style="font-family:"Calibri",sans-serif;color:#0070C0;border:none windowtext 1.0pt;padding:0cm;font-style:normal">The
Mark of the Brief Night</span></em><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm">:
</span><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm;font-style:normal">Immanent Loss and Responsibility</span></a><o:p></o:p></span></u></i></p>
<p style="background:white;vertical-align:baseline"><em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Eric Coombs Esmail</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span></i><span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_02_Coombs.pdf" originalsrc="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_02_Coombs.pdf" shash="zrUX/2HYu6k8fW9K9+XjIAgOtdpMoBIy/AxPrLZtmYCosPeMkxuzZASUhL0B4wyiTXrzpTTihK+y7pfyw3qsABpUSk3oZs5I3PusshziwCeQuuHc9bsqapVWDeUnKUl2PNZWiYn6d3Uz0ThsenL12Oe5EnF7qt8LyvSEkYlV3m8=" target="_blank"><span style="color:#0070C0">Documentary
Intersubjectivity</span></a><o:p></o:p></span></span></p>
<p style="background:white;vertical-align:baseline"><em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Corey Cribb</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span></i><span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_03_Cribb.pdf" originalsrc="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_03_Cribb.pdf" shash="fxCL4pJB4dMgMaaKxpinaYPJvURi2VZG7nTy0THX7/CzkjBawTX6MmzHfhxNMV6rNDSMqXDeCwi1euXOCk8IlqymLT9LY9vLKsjLi0Di3c+6aV5s8Zrzs4ZcRZ0S3izujyOkfM50SbIJJSnRPxZS0AxaA1u5FMAMxatrGn5rSn0=" target="_blank"><span style="color:#0070C0">Maurice
Merleau-Ponty, Vivian Sobchack and the Materialization of Cinematic Sense</span></a></span></span><o:p></o:p></p>
<p style="background:white;vertical-align:baseline;margin:1.25rem;font-variant-ligatures: normal;font-variant-caps: normal;font-variant-numeric: inherit;font-variant-east-asian: inherit;font-variant-alternates: inherit;font-variant-position: inherit;font-stretch: inherit;line-height:inherit;font-optical-sizing: inherit;font-size-adjust: inherit;font-kerning: inherit;font-feature-settings: inherit;font-variation-settings: inherit;orphans: 2;text-align:start;widows: 2;-webkit-text-stroke-width: 0px;text-decoration-thickness: initial;text-decoration-style: initial;text-decoration-color: initial;word-spacing:0px">
<em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Sudeep Dasgupta</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span></i><u><span style="color:#0070C0"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_04_Dasgupta.pdf" originalsrc="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_04_Dasgupta.pdf" shash="xyLdgF3KnsSGW3F25MxRSo4p9Z55e9EjzqnsGjJvy2rc1nhpr7Bs3eiC3sftc01Jjn39hx/yd9cJyna9Q4l3BscF2pP+/yLoDSRXlnLymXJnStBBn8AyoBTzzzBmjhiM7t1o/yZ+zrxoUhuEby2eSW7bQ5PSfbffZDxKsfMNI4A=" target="_blank"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm">(Dis)locating
the Subject, Moving the Image and Reasoning with History</span></a></span></u><o:p></o:p></p>
<p style="background:white;vertical-align:baseline;margin:1.25rem;font-variant-ligatures: normal;font-variant-caps: normal;font-variant-numeric: inherit;font-variant-east-asian: inherit;font-variant-alternates: inherit;font-variant-position: inherit;font-stretch: inherit;line-height:inherit;font-optical-sizing: inherit;font-size-adjust: inherit;font-kerning: inherit;font-feature-settings: inherit;font-variation-settings: inherit;orphans: 2;text-align:start;widows: 2;-webkit-text-stroke-width: 0px;text-decoration-thickness: initial;text-decoration-style: initial;text-decoration-color: initial;word-spacing:0px">
<em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Cristóbal Escobar</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span></i><span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_05_Escobar.pdf" originalsrc="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_05_Escobar.pdf" shash="lP2ImHUL/BEfiwYFOwWQ7oenA8pIf3zKwa+ITIUadnCqHcGfmMmd/lPuPqfhlB9kFLBKdGGanH7dTpqD8IUTZfjmzkxYAvU6tCFAPF63grxLl7EftqHaYmomWAMnLa3xfV3LtCc9yEbgWkaJkJu2RSPQSYxLn/KILXQZMcuwoLc=" target="_blank"><span style="color:#0070C0">The
Con·temporary in Cinema</span></a></span></span><span style="border:none windowtext 1.0pt;padding:0cm"><o:p></o:p></span></p>
<p style="background:white;vertical-align:baseline"><em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">John Hillman</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span></i><span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_06_Hillman.pdf" originalsrc="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_06_Hillman.pdf" shash="lTn2f2o6QPCvCKsZwQqZr1/gUOPC19lZ1TYE8Gq6Hi375pH+xpYtV31toFKQtqkVSW8gQ7nv8VI+ibDN7D1pw8IRUa146ulwTHf9yAIM7l8V1YvG6CE3uuRy3hbGUxMmW17fOW+dJRATOWFReWCG+Pw3kUc50y9izf5YrttdyMY=" target="_blank"><span style="color:#0070C0">Becoming
George</span></a></span></span><o:p></o:p></p>
<p style="background:white;vertical-align:baseline;margin:1.25rem;font-variant-ligatures: normal;font-variant-caps: normal;font-variant-numeric: inherit;font-variant-east-asian: inherit;font-variant-alternates: inherit;font-variant-position: inherit;font-stretch: inherit;line-height:inherit;font-optical-sizing: inherit;font-size-adjust: inherit;font-kerning: inherit;font-feature-settings: inherit;font-variation-settings: inherit;orphans: 2;text-align:start;widows: 2;-webkit-text-stroke-width: 0px;text-decoration-thickness: initial;text-decoration-style: initial;text-decoration-color: initial;word-spacing:0px">
<em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Andrew Jampol-Petzinger</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span></i><span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_07_Jampol-Petzinger.pdf" originalsrc="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_07_Jampol-Petzinger.pdf" shash="Wc+k8D6tMcxDGym9MkNbPvRDG1rEls+RJgVrbbudehkiD8JMu6YHXBNfcXJMSHNM5o98Y2aO8LtkGl3vov/UX2eRIbGqGyHBtyxni7a7HU2J85n/nr19i3vlqv5LMcxXq9uaWybjOHUq6wh15WzSuTfse1gWuqikGnVSz5z+8ps=" target="_blank"><span style="color:#0070C0">Deleuze,
Benjamin and the Deterritorialisation of Film Subjectivity</span></a></span></span><o:p></o:p></p>
<p style="background:white;vertical-align:baseline;margin:1.25rem;font-variant-ligatures: normal;font-variant-caps: normal;font-variant-numeric: inherit;font-variant-east-asian: inherit;font-variant-alternates: inherit;font-variant-position: inherit;font-stretch: inherit;line-height:inherit;font-optical-sizing: inherit;font-size-adjust: inherit;font-kerning: inherit;font-feature-settings: inherit;font-variation-settings: inherit;orphans: 2;text-align:start;widows: 2;-webkit-text-stroke-width: 0px;text-decoration-thickness: initial;text-decoration-style: initial;text-decoration-color: initial;word-spacing:0px">
<em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Lawrence Kent</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span></i><span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_08_Kent.pdf" originalsrc="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_08_Kent.pdf" shash="vfmq5HDiIPXdW3dRqN+idbnVK1EYWzX2fvWWJK/GSYxDs8uG2AoDGpx/9jj1n9ephAA9Q+mKe2lfKhXxUvAhCLZXhNqzZGlSqcviFaavUCtSUci3WM3ByyxT26eeq+zxJy99dsDtWAHZcN25ePIfk/v4dRhRgJ0Fg3zPbvwWmao=" target="_blank"><span style="color:#0070C0">Transcendental
Reelism</span></a></span></span><o:p></o:p></p>
<p style="background:white;vertical-align:baseline;margin:1.25rem;font-variant-ligatures: normal;font-variant-caps: normal;font-variant-numeric: inherit;font-variant-east-asian: inherit;font-variant-alternates: inherit;font-variant-position: inherit;font-stretch: inherit;line-height:inherit;font-optical-sizing: inherit;font-size-adjust: inherit;font-kerning: inherit;font-feature-settings: inherit;font-variation-settings: inherit;orphans: 2;text-align:start;widows: 2;-webkit-text-stroke-width: 0px;text-decoration-thickness: initial;text-decoration-style: initial;text-decoration-color: initial;word-spacing:0px">
<em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Dominic Lash</span></em><br>
<span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_09_Lash.pdf" originalsrc="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_09_Lash.pdf" shash="gA/NrAyeS1fd07qbjtsNTjff2jdzdCms82/NVfg1vyp3DWaYxt6lALXIBOFIiGZCVb05qXfSuyWgM7bV/s47/8SHeiHSorzb1j3unht0yXymrBIXD9THALFKUDaWwMM+mnnSq/kev+89viFUWuBb93T4it70VRNxoz8zxDQIq1I=" target="_blank"><span style="color:#0070C0">Scenes
of Instruction: The King of Comedy</span></a></span></span><o:p></o:p></p>
<p style="background:white;vertical-align:baseline;margin:1.25rem;font-variant-ligatures: normal;font-variant-caps: normal;font-variant-numeric: inherit;font-variant-east-asian: inherit;font-variant-alternates: inherit;font-variant-position: inherit;font-stretch: inherit;line-height:inherit;font-optical-sizing: inherit;font-size-adjust: inherit;font-kerning: inherit;font-feature-settings: inherit;font-variation-settings: inherit;orphans: 2;text-align:start;widows: 2;-webkit-text-stroke-width: 0px;text-decoration-thickness: initial;text-decoration-style: initial;text-decoration-color: initial;word-spacing:0px">
<em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Warwick Mules</span></em><i><span style="border:none windowtext 1.0pt;padding:0cm"><br>
</span></i><span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_10_Mules.pdf" originalsrc="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_10_Mules.pdf" shash="ZVoPaV959pESbJ0wDCADFrJAzg2F//AdgMfn4cQ9jZzjV8p6iSdalEBptw5b8kg0xVjEtW5NKRyMKehWBe7R0ByaItD4qXwYihLxYiBF5hylntD9qB+Hwk4EWVy+xAaur+SA8WEjcHCEsPai1wyuyi0NplFFeYvnIn1j5NfYnjA=" target="_blank"><span style="color:#0070C0">Mechanical
Creativity in the Shift from the Absolute of German Idealism to Real Thinking: Towards a Transcendental Materialism of Film-Philosophy</span></a><o:p></o:p></span></span></p>
<p style="margin-bottom:12.0pt;background:white;vertical-align:baseline"><em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Laurent Shervington</span></em><br>
<span class="MsoHyperlink"><span style="color:#0070C0;border:none windowtext 1.0pt;padding:0cm"><a href="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_11_Shervington.pdf" originalsrc="http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_11_Shervington.pdf" shash="uTlaweati0UjFmIOFFQ2L5ksir0ivcBIENSSAdkAOp0q2yDNX2BwIz9i50FHEDktetsIYX2ArlVX8B/FekHRvypTwJymF+S8kKc0gF4ZyUfkobwRNZZehkfP9SekU8OR5AffKdBlzyHhLP9ybxx7U19zXla6E/ViyotAy3l5pbA=" target="_blank"><span style="color:#0070C0">Like
Spectator, Like Subject: The Cinematic Framing of the Dialectics contra Object-Oriented-Ontology Debate</span></a></span></span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:"Arial",sans-serif;color:#333333;mso-fareast-language:EN-AU"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:8.0pt;mso-fareast-language:EN-AU">Dr Erika Kerruish (she/her)<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:8.0pt;mso-fareast-language:EN-AU">BA Course Coordinator and Senior Lecturer<o:p></o:p></span></p>
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<p class="MsoNormal"><span lang="EN-US" style="font-size:8.0pt;mso-fareast-language:EN-AU">Southern Cross University<o:p></o:p></span></p>
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</span><span style="mso-fareast-language:EN-AU"><a href="mailto:erika.kerruish@scu.edu.au"><span lang="EN-US" style="font-size:8.0pt">erika.kerruish@scu.edu.au</span></a></span><span lang="EN-US" style="font-size:8.0pt;mso-fareast-language:EN-AU"><o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><span lang="EN-US" style="font-size:8.0pt;border:none windowtext 1.0pt;padding:0cm;mso-fareast-language:EN-AU">W<span style="color:black"> </span></span><span style="mso-fareast-language:EN-AU"><a href="https://www.scu.edu.au/about/contacts/staff-directory/staff/28326.php" originalsrc="https://www.scu.edu.au/about/contacts/staff-directory/staff/28326.php" shash="xe1V8HrPNAjzHUwWuSM+Sbf5P1RPwcDiFBLfK0kQ9SozoEV/SotdIxhCXutjoSUDkuNmuhpvor0ChWrGJSAaFVNXa6c9xDBXBxHDMH9YGdnTEovMiUomAXOUGZk03e0dZSSWL4m4CcQdvUiZ8LFcjYLtSSIMoIvcwsd3/y15bBg="><span style="font-size:8.0pt">https://www.scu.edu.au/about/contacts/staff-directory/staff/28326.php</span></a></span><span style="font-size:8.0pt;mso-fareast-language:EN-AU"><o:p></o:p></span></p>
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<p class="MsoNormal" style="background:white"><span style="font-size:8.0pt;mso-fareast-language:EN-AU">Latest publications:<o:p></o:p></span></p>
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