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<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt;mso-ligatures:none">Kia ora </span><span style="font-size:11.0pt;mso-ligatures:none"><o:p></o:p></span></p>
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<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt;mso-ligatures:none">Please do join us for a research talk by <b>Dr Anna Zsubori</b> of <b>Loughborough University</b> next <b>Tuesday 17<sup>th</sup> September</b> at <b>10am NZT</b> in<b> Burns
 4 </b>and on <b>Zoom</b> (register for Zoom link here: <a href="https://forms.gle/QqqWHhJjdb3hbmix6" title="https://forms.gle/QqqWHhJjdb3hbmix6">https://forms.gle/QqqWHhJjdb3hbmix6</a>).</span><span style="font-size:11.0pt;mso-ligatures:none"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt;mso-ligatures:none"> </span><span style="font-size:11.0pt;mso-ligatures:none"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt;mso-ligatures:none">All welcome!</span><span style="font-size:11.0pt;mso-ligatures:none"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt;mso-ligatures:none"> </span><span style="font-size:11.0pt;mso-ligatures:none"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt;mso-ligatures:none">Title:</span></b><span style="font-size:11.0pt;mso-ligatures:none"><o:p></o:p></span></p>
<p class="MsoNormal"><i><span lang="EN-GB" style="font-size:11.0pt;mso-ligatures:none">Marginalised in a post-socialist regime: Tweens’ conceptualisation of gender through Disney Princesses and LGBTQ+ people’s reactions to being framed as threat in the anti-gender,
 anti-LGBTQ+ ‘illiberal’ Hungary</span></i><span style="font-size:11.0pt;mso-ligatures:none"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt;mso-ligatures:none"> </span><span style="font-size:11.0pt;mso-ligatures:none"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="HU" style="font-size:11.0pt;mso-ligatures:none">This interdisciplinary talk, which is a smaller slice of two larger bodies of work, focuses on Hungarian tweenagers’ negotiation of gender as well as on LGBTQ+ people use of social
 media, while placing the subject matters within the wide tapestry of academic work in a variety of disciplines, namely communication, cultural, film, gender and tweenhood studies on the one hand, and on the other, engaging in audience research with Hungarian
 tweens and LGBTQ+ members. The primary lens through which the concept of ‘the’ princess is investigated is, including, but not limited to, Disney Princesses, which resulted in bringing new insights into the employed theoretical frameworks, while critically
 examining the complexities of the academically-overlooked Princess Phenomenon. This talk includes a discussion of the links between fairy tales and animation, as well as an overview of child audience research scholarship to date. To firmly contextualise the
 subject matter of this work, this talk offers a brief historical, social, and political overview of present-day Hungary before it moves onto the final analysis of Hungarian children’s notions of gender by discussing their ideas about the concept of ‘the’ princess.
 Lastly, there is a short overview of some early findings about the Hungarian paedophile pardon scandal and LGBTQ+ people’s reactions to being framed as a threat under the ‘illiberal’ regime. </span><span style="font-size:11.0pt;mso-ligatures:none"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt;mso-ligatures:none"> </span></b><span style="font-size:11.0pt;mso-ligatures:none"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt;mso-ligatures:none"><a href="https://www.lboro.ac.uk/subjects/communication-media/staff/anna-zsubori/" title="https://www.lboro.ac.uk/subjects/communication-media/staff/anna-zsubori/">Dr Anna
 Zsubori</a></span></b><span lang="EN-GB" style="font-size:11.0pt;mso-ligatures:none"> is a media sociologist and film studies scholar, presently a British Academy Postdoctoral Fellow at Loughborough University. She was also a YECREA representative to the Audience
 and Reception Studies section of the European Communication Research and Education Association (2016-2021). Dr Zsubori specialises in conducting audience research with marginalised and vulnerable participants in Central and Eastern Europe. Her research explores
 the heterogeneity of Hungarian tween audiences through the participants’ ambivalent and sometimes even contradictory ideas about their identity, while her latest project, funded by the British Academy, examines social media usage among Hungarian LGBTQ+ citizens.
 Dr Zsubori’s articles have been published in prestigious journals such as the <i>European Journal of Cultural Studies</i>, <i>Feminist Media Studies</i>, <i>Journal of Children and Media </i>and <i>Studies in Eastern European Cinema</i>. Her first monograph, <i>Disney
 Princesses and Tween Identity: The Franchise in Illiberal Hungary</i>, was published by <i>Lexington Books</i> and came out in May 2024.</span><span style="font-size:11.0pt;mso-ligatures:none"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;mso-ligatures:none">Ngâ mihi<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;mso-ligatures:none">Rosie.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;mso-ligatures:none"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;mso-ligatures:none"><a href="https://www.otago.ac.nz/mfco/staff/rosemaryoverell.html" title="https://www.otago.ac.nz/mfco/staff/rosemaryoverell.html"><span lang="EN-US">Rosemary Overell</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;mso-ligatures:none">Senior Lecturer</span><span style="font-size:11.0pt;mso-ligatures:none"><o:p></o:p></span></p>
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<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;mso-ligatures:none">The University of Otago</span><span style="font-size:11.0pt;mso-ligatures:none"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;mso-ligatures:none">Dunedin</span><span style="font-size:11.0pt;mso-ligatures:none"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;mso-ligatures:none">New Zealand</span><span style="font-size:11.0pt;mso-ligatures:none"><o:p></o:p></span></p>
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<p class="MsoNormal"><b><span lang="EN-US" style="font-size:11.0pt;mso-ligatures:none">Latest publications:</span></b><span style="font-size:11.0pt;mso-ligatures:none"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;mso-ligatures:none">Overell, R. (2024). ‘<i>Don’t Worry Darling</i>: The anxious question of what women want after #MeToo’. <i>Psychoanalysis, Culture & Society</i> <a href="https://doi.org/10.1057/s41282-024-00461-5" title="https://doi.org/10.1057/s41282-024-00461-5">https://doi.org/10.1057/s41282-024-00461-5</a><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;mso-ligatures:none">Millar, I., Nicholls, B., Overell, R., & Tutt, D. (2023). Power and politics in Adam Curtis' <i>Can't get you out of my head</i>: An emotional history of the modern world. In C. Owens &
 S. Meehan O'Callaghan (Eds.), <a href="https://www.routledge.com/Psychoanalysis-and-the-Small-Screen-The-Year-the-Cinemas-Closed/Owens-OCallaghan/p/book/9781032223223" title="https://www.routledge.com/Psychoanalysis-and-the-Small-Screen-The-Year-the-Cinemas-Closed/Owens-OCallaghan/p/book/9781032223223">Psychoanalysis
 and the small screen: The year the cinemas closed</a>. (pp. 163-189). Abingdon, UK: Routledge.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;mso-ligatures:none">Overell, R. (2022). <a href="https://lackorg.com/2022/08/26/methodological-masturbation/" title="https://lackorg.com/2022/08/26/methodological-masturbation/">Methodological Masturbation</a>. <i>LACK:
 punctual musings</i>. 26<sup>th</sup> August.<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;mso-ligatures:none"> </span><span style="font-size:11.0pt;mso-ligatures:none"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;mso-ligatures:none"><a href="https://scholar.google.co.nz/citations?user=ZW7oyEAAAAAJ&hl=en" title="https://scholar.google.co.nz/citations?user=ZW7oyEAAAAAJ&hl=en"><span lang="EN-US">Google Scholar</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;mso-ligatures:none"><a href="http://www.linkedin.com/in/rosemary-overell-047786222" title="http://www.linkedin.com/in/rosemary-overell-047786222"><span lang="EN-US">LinkedIn</span></a><o:p></o:p></span></p>
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<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><a href="https://www.otago.ac.nz/mfco/staff/rosemaryoverell.html"><span style="color:#0563C1">Rosemary Overell</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Senior Lecturer<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Media, Film & Communication Programme<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">The University of Otago<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Dunedin<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">New Zealand<o:p></o:p></span></p>
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<p class="MsoNormal"><b><span lang="EN-US" style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Latest publications:<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Overell, R. (2024). ‘<i>Don’t Worry Darling</i>: The anxious question of what women want after #MeToo’.
<i>Psychoanalysis, Culture & Society</i> </span><span style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><a href="https://doi.org/10.1057/s41282-024-00461-5"><span style="color:#0563C1">https://doi.org/10.1057/s41282-024-00461-5</span></a></span><span style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Millar, I., Nicholls, B., Overell, R., & Tutt, D. (2023). Power and politics in Adam Curtis'
<i>Can't get you out of my head</i>: An emotional history of the modern world. In C. Owens & S. Meehan O'Callaghan (Eds.),
<i><a href="https://www.routledge.com/Psychoanalysis-and-the-Small-Screen-The-Year-the-Cinemas-Closed/Owens-OCallaghan/p/book/9781032223223"><span style="color:#0563C1;font-style:normal">Psychoanalysis and the small screen: The year the cinemas closed</span></a></i>.
 (pp. 163-189). Abingdon, UK: Routledge.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Overell, R. (2022).
<a href="https://lackorg.com/2022/08/26/methodological-masturbation/"><span style="color:#0563C1">Methodological Masturbation</span></a>.
<i>LACK: punctual musings</i>. 26<sup>th</sup> August.</span><span lang="EN-US" style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><a href="https://scholar.google.co.nz/citations?user=ZW7oyEAAAAAJ&hl=en"><span style="color:#0563C1">Google Scholar</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><a href="http://www.linkedin.com/in/rosemary-overell-047786222"><span style="color:#0563C1">LinkedIn</span></a><o:p></o:p></span></p>
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<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><a href="https://www.otago.ac.nz/mfco/staff/rosemaryoverell.html"><span style="color:#0563C1">Rosemary Overell</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Senior Lecturer<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Media, Film & Communication Programme<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">The University of Otago<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Dunedin<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">New Zealand<o:p></o:p></span></p>
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<p class="MsoNormal"><b><span lang="EN-US" style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Latest publications:<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Overell, R. (2024). ‘<i>Don’t Worry Darling</i>: The anxious question of what women want after #MeToo’.
<i>Psychoanalysis, Culture & Society</i> </span><span style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><a href="https://doi.org/10.1057/s41282-024-00461-5"><span style="color:#0563C1">https://doi.org/10.1057/s41282-024-00461-5</span></a></span><span style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Millar, I., Nicholls, B., Overell, R., & Tutt, D. (2023). Power and politics in Adam Curtis'
<i>Can't get you out of my head</i>: An emotional history of the modern world. In C. Owens & S. Meehan O'Callaghan (Eds.),
<i><a href="https://www.routledge.com/Psychoanalysis-and-the-Small-Screen-The-Year-the-Cinemas-Closed/Owens-OCallaghan/p/book/9781032223223"><span style="color:#0563C1;font-style:normal">Psychoanalysis and the small screen: The year the cinemas closed</span></a></i>.
 (pp. 163-189). Abingdon, UK: Routledge.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB">Overell, R. (2022).
<a href="https://lackorg.com/2022/08/26/methodological-masturbation/"><span style="color:#0563C1">Methodological Masturbation</span></a>.
<i>LACK: punctual musings</i>. 26<sup>th</sup> August.</span><span lang="EN-US" style="font-size:10.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
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