<html>
<head>
<meta http-equiv="Content-Type" content="text/html; charset=Windows-1252">
<style type="text/css" style="display:none;"> P {margin-top:0;margin-bottom:0;} </style>
</head>
<body dir="ltr">
<div class="elementToProof" style="line-height: 107%; margin: 0cm 0cm 8pt; font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
Call for Proposals: The State of Political Comedy (Due June 7)</div>
<div style="line-height: 107%; margin: 0cm 0cm 8pt; font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
A special section/issue of Comedy Studies</div>
<div style="line-height: 107%; margin: 0cm 0cm 8pt; font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
</div>
<div style="line-height: 107%; margin: 0cm 0cm 8pt; font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
On February 12, 2024, roughly eight and a half years since his initial retirement, Jon Stewart returned to his role as host of
<i>The Daily Show</i>. In its prime, <i>The Daily Show with Jon Stewart</i> had been the most celebrated and influential outlet for political comedy in the world. It had served as a centerpiece for American political conversation during the Bush and Obama administrations,
spawned a raft of imitators in America and abroad, and inspired countless debates regarding the relationship between comic entertainment and serious politics.</div>
<div style="line-height: 107%; margin: 0cm 0cm 8pt; font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
Although Stewart’s return was hailed in some quarters (and provided an immense ratings boost for the show), many commentators criticized the move as a return to the past. In the years since Stewart’s retirement, times have changed for politics and comedy alike.
On the one hand there is the rise of new global populisms, a decline of American influence, and the ongoing consequences of climate change and the pandemic. On the other hand, comedy has becoming increasingly embroiled in cultural conflicts, even as its media
form has been disrupted by new communication technologies. Amongst all this change, was the Stewart restoration a return to glorious form or an admission that there were no new ideas? And what might this mean for political comedy more broadly in a new era
for both politics and comedy?</div>
<div style="line-height: 107%; margin: 0cm 0cm 8pt; font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
Twenty years after the ‘golden years’ of Stewart’s original run on <i>The Daily Show</i>, this special section of
<i>Comedy Studies </i>invites contributors to reflect on the current state of political comedy: What role does comedy serve in the political environment of the 2020s? Is there still a belief that comedy can inform meaningful and/or responsible interventions
in political conversations? How has political comedy responded to changes in the economic and technological infrastructure of media? Can politics still be funny?</div>
<div style="line-height: 107%; margin: 0cm 0cm 8pt; font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
Topics might include (but are not limited to):</div>
<ul>
<li style="font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
<div class="elementToProof" style="font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
The Legacy of <i>The Daily Show</i> and its contemporaries;</div>
</li><li style="font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
<div class="elementToProof" style="font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
Comic responses to new political formations, including populism, nationalism and the far right;</div>
</li><li style="font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
<div class="elementToProof" style="font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
The relation between political comedy, ‘cancel culture,’ and ‘wokeness’;</div>
</li><li style="font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
<div class="elementToProof" style="font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
The efficacy of political comedy as a form of intervention;</div>
</li><li style="font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
<div class="elementToProof" style="font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
The international and global status of political comedy;</div>
</li><li style="font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
<div class="elementToProof" style="font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
Political comedy in online and digital media;</div>
</li><li style="font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
<div class="elementToProof" style="font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
The future of political comedy.</div>
</li></ul>
<div style="line-height: 107%; margin: 0cm 0cm 8pt; font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
Please submit proposals (250-300 words) to Nicholas Holm <nhfholm@massey.ac.nz> by Friday 7 June 2024. Selected proposals will be invited to prepare articles of 6000-8000 words which will be due in November 2024 and will be peer reviewed.</div>
<div class="elementToProof" style="line-height: 107%; margin: 0cm 0cm 8pt; font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
Articles will be published on-line as they are accepted. The special section will be published as a set when complete. This is expected to take place in 2025.</div>
<div class="elementToProof" style="font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
<br>
</div>
<div id="Signature">
<p style="margin-top: 0px; margin-bottom: 0px;"><span style="font-family: Calibri, sans-serif; font-size: 9pt; color: rgb(31, 73, 125);">-----------------------------------------------------------------</span></p>
<p style="text-align: left; background-color: rgb(255, 255, 255); margin: 0px;"><span style="font-family: Calibri, sans-serif; font-size: 9pt; color: rgb(12, 100, 192);"><a href="http://www.massey.ac.nz/massey/expertise/profile.cfm?stref=990001" id="OWAb9292b75-9f1c-a494-ec9b-d27356db743d" class="OWAAutoLink" data-linkindex="0" data-auth="NotApplicable" data-loopstyle="linkonly" style="color: rgb(12, 100, 192); margin: 0px;">Dr
Nicholas Holm</a></span><span style="font-family: Calibri, sans-serif; font-size: 9pt; color: rgb(31, 73, 125);"> |Associate Professor in Media Studies|Editor,
<i>Comedy Studies </i>| Book Reviews Editor, <i>Humor</i></span></p>
<p style="text-align: left; background-color: rgb(255, 255, 255); margin: 0px;"><span style="font-family: Calibri, sans-serif; font-size: 9pt; color: rgb(31, 73, 125);">Building 7, Room 7C43 |Massey University |Wellington |Aotearoa New Zealand</span></p>
<p style="text-align: left; background-color: rgb(255, 255, 255); margin: 0px;"><span style="font-family: Calibri, sans-serif; font-size: 9pt; color: rgb(31, 73, 125);">DDI 04 979 3544 |ext. 63544 |
</span><span style="font-family: Calibri, sans-serif; font-size: 9pt; color: rgb(12, 100, 192);"><a href="mailto:N.H.F.Holm@massey.ac.nz" id="OWA132eaee3-e46e-cc37-5574-2dedeb8b44c5" class="OWAAutoLink" data-linkindex="1" data-loopstyle="linkonly" style="color: rgb(12, 100, 192); margin: 0px;">nhfholm@massey.ac.nz</a></span></p>
<p style="text-align: left; background-color: rgb(255, 255, 255); margin: 0px 0px 12pt;">
<span style="font-family: Calibri, sans-serif; font-size: 9pt; color: rgb(12, 100, 192);"><a href="https://nicholasholm.wordpress.com/" id="OWAecd1b0bd-ad89-0843-1acb-0f2b00825cf0" class="OWAAutoLink" data-linkindex="2" data-auth="NotApplicable" data-loopstyle="linkonly" style="color: rgb(12, 100, 192); margin: 0px;">https://nicholasholm.wordpress.com/</a></span></p>
<p style="text-align: left; background-color: rgb(255, 255, 255); margin: 0px 0px 6pt;">
<span style="font-family: Calibri, sans-serif; font-size: 9pt; color: black;"><b>Recent Publications<br>
</b></span><span style="font-family: Calibri, sans-serif; font-size: 9pt; color: black; background-color: white;">Holm, N. (2023)
</span><span style="font-family: Calibri, sans-serif; font-size: 9pt; color: rgb(89, 89, 89); background-color: white;"><u><a href="https://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/200" id="OWAb031721f-6f92-3813-60a2-384959dabaa9" class="OWAAutoLink" data-linkindex="3" data-auth="NotApplicable" data-loopstyle="linkonly" style="margin: 0px;">Everyone’s
a Critic (So what comes next?)</a></u></span><span style="font-family: Calibri, sans-serif; font-size: 9pt; color: black; background-color: white;"> <i>Media Theory
</i>7.1.</span></p>
<p style="text-align: left; background-color: rgb(255, 255, 255); margin: 0px 0px 6pt;">
<span style="font-family: Calibri, sans-serif; font-size: 9pt; color: black; background-color: white;">Holm, N. and E. Tilley. (2023</span><span style="font-family: Calibri, sans-serif; font-size: 9pt; color: rgb(123, 123, 123); background-color: white;">)
</span><span style="font-family: Calibri, sans-serif; font-size: 9pt; color: rgb(82, 82, 82);"><a href="https://academic.oup.com/jaac/advance-article/doi/10.1093/jaac/kpad015/7185629" id="OWA7c13de62-d9c3-7f0c-e29d-58f6f54e520e" class="OWAAutoLink" data-linkindex="4" data-auth="NotApplicable" data-loopstyle="linkonly" style="margin: 0px;">The
Aesthetics of Creative Activism</a></span><span style="font-family: Calibri, sans-serif; font-size: 9pt; color: rgb(36, 36, 36);"> <i>Journal of Aesthetics and Art Criticism
</i>81.2.</span></p>
<p style="text-align: left; background-color: rgb(255, 255, 255); margin: 0px 0px 6pt;">
<span style="font-family: Calibri, sans-serif; font-size: 9pt; color: black; background-color: white;">Holm, N. (2023)
</span><span style="font-family: Calibri, sans-serif; font-size: 9pt; color: rgb(89, 89, 89); background-color: white;"><a href="https://journals.sagepub.com/doi/10.1177/07255136231154266" id="OWA90bc6d10-3998-3d36-feb9-74156335711e" class="OWAAutoLink" data-linkindex="5" data-auth="NotApplicable" data-loopstyle="linkonly" style="margin: 0px;">The
Limits of Satire, or the Reification of Cultural Politics</a></span><span style="font-family: Calibri, sans-serif; font-size: 9pt; color: black; background-color: white;"> <i>Thesis Eleven
</i>174.1.</span></p>
<p style="text-align: left; background-color: rgb(255, 255, 255); margin: 0px;"><span style="font-family: Calibri, sans-serif; font-size: 9pt; color: black;">Holm, N. (2023)
</span><span style="font-family: Calibri, sans-serif; font-size: 9pt; color: rgb(89, 89, 89);"><a href="https://www.routledge.com/Advertising-and-Consumer-Society-A-Critical-Introduction/Holm/p/book/9781032181363" id="OWA347342dc-b472-7541-d063-ce697a13e850" class="OWAAutoLink" data-linkindex="6" data-auth="NotApplicable" data-loopstyle="linkonly" style="margin: 0px;">Advertising
and Consumer Society: A Critical Introduction</a></span><span style="font-family: Calibri, sans-serif; font-size: 9pt; color: black;"> (2<sup>nd</sup> Ed), Routledge.</span></p>
</div>
</body>
</html>