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<p class="MsoNormal"><span style="font-size:12.0pt;color:#212121">Kia ora<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;color:#212121"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;color:#212121">Please join us <b>
next Tuesday 30<sup>th</sup> April</b> at <b>10am NZ Time</b> (8am AEST; 29<sup>th</sup> April 6pm EST; 11pm UK) in
<b>Burns 4</b> or on <b><a href="https://forms.gle/WyFwsHnES8K6d5hw6">Zoom</a></b>.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;color:#212121"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><i><span style="font-size:12.0pt;color:#212121">'Re-animating the Vanishing Woman: From Invisible Labour to Embodied Gesture'<o:p></o:p></span></i></b></p>
<p class="MsoNormal" style="caret-color: rgb(33, 33, 33);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:12.0pt;color:#212121">A research talk in relation to Prof Voci's video essay (<a href="https://intransition.openlibhums.org/article/id/15459/" title="https://intransition.openlibhums.org/article/id/15459/"><span style="color:#0078D7">https://intransition.openlibhums.org/article/id/15459/</span></a>)
which explores the intersections between feminism and animation, by focusing on the disappearance and reappearance of women animators’ bodies, and in particular their crafting and generative hands. I assemble cut-out fragments of an animated dialogue across
different times and places, between the invisible labour – behind the screen – of early animation’s craftswomen and the embodied gesture – on screen – of contemporary independent animateurs.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;color:#212121"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><i><span style="font-size:12.0pt;color:#212121"><a href="https://www.otago.ac.nz/languagescultures/people/paolavoci">Paola Voci</a></span></i></b><b><span style="font-size:12.0pt;color:#212121">
</span></b><span style="font-size:12.0pt;color:#212121">is Professor in Chinese and Asian Studies at the University of Otago.
</span><span style="font-size:12.0pt">She specialises in the 'Chinese-accented' moving image, and, in particular, documentary, animation, and other hybrid video practices. She is the author of <em><span style="font-family:"Aptos",sans-serif">China on Video</span></em>,
a book that analyses and theorises 'light' movies made for and viewed on computer and mobile screens and co-editor of <em><span style="font-family:"Aptos",sans-serif">Screening China's Soft Power</span></em>, an investigation on the role played by film and
media in shaping China's global image. Her current research focuses on vernacular 'animateur' practices and postdigital documentary and examines their contribution to the theory and archaeology of the moving image.<span style="color:#212121"><o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;color:#212121"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;color:#212121">All welcome and please circulate widely. If joining on zoom, please register<a href="https://forms.gle/DAKXVgjVmEWHAvkbA"> here</a><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;color:#212121"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;color:#212121">Ngâ mihi<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;color:#212121"><br>
Rosie.</span><span style="font-size:12.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt"><a href="https://www.otago.ac.nz/mfco/staff/rosemaryoverell.html"><span lang="EN-US" style="color:#0563C1;mso-ligatures:none;mso-fareast-language:EN-GB">Rosemary Overell</span></a></span><span lang="EN-US" style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB">Senior Lecturer<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB">Media, Film & Communication Programme<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB">The University of Otago<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB">Dunedin<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB">New Zealand<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB">9054<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-US" style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB">Latest publications:<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB">Millar, I., Nicholls, B., Overell, R., & Tutt, D. (2023). Power and politics in Adam Curtis'
<i>Can't get you out of my head</i>: An emotional history of the modern world. In C. Owens & S. Meehan O'Callaghan (Eds.),
</span><span style="font-size:12.0pt"><a href="https://www.routledge.com/Psychoanalysis-and-the-Small-Screen-The-Year-the-Cinemas-Closed/Owens-OCallaghan/p/book/9781032223223"><span style="color:#0563C1;mso-ligatures:none;mso-fareast-language:EN-GB">Psychoanalysis
and the small screen: The year the cinemas closed</span></a></span><span style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB">. (pp. 163-189). Abingdon, UK: Routledge.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB">Overell, R. (2021).
</span><span style="font-size:12.0pt"><a href="https://ir.canterbury.ac.nz/server/api/core/bitstreams/c92d3d05-24b9-47af-b1cf-378523bacfba/content"><span style="color:#0563C1;mso-ligatures:none;mso-fareast-language:EN-GB">Voicing the real in extreme metal</span></a></span><span style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB">.
<i>Continental Thought & Theory</i>, <i>3</i>(3), 136-163.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB">Overell, R. (2022).
</span><span style="font-size:12.0pt"><a href="https://lackorg.com/2022/08/26/methodological-masturbation/"><span style="color:#0563C1;mso-ligatures:none;mso-fareast-language:EN-GB">Methodological Masturbation</span></a></span><span style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB">.
<i>LACK: punctual musings</i>. 26<sup>th</sup> August.</span><span lang="EN-US" style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt"><a href="https://scholar.google.co.nz/citations?user=ZW7oyEAAAAAJ&hl=en"><span lang="EN-US" style="color:#0563C1;mso-ligatures:none;mso-fareast-language:EN-GB">Google Scholar</span></a></span><span lang="EN-US" style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt"><a href="http://www.linkedin.com/in/rosemary-overell-047786222"><span lang="EN-US" style="color:#0563C1;mso-ligatures:none;mso-fareast-language:EN-GB">LinkedIn</span></a></span><span lang="EN-US" style="font-size:12.0pt;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt"><o:p> </o:p></span></p>
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