<html>
<head>
<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
<style type="text/css" style="display:none;"> P {margin-top:0;margin-bottom:0;} </style>
</head>
<body dir="ltr">
<div style="font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);" class="elementToProof">
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Comedy Studies</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Call for Papers for a Special Issue on <span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
Cabaret</span> </p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Extended Proposal deadline: 1 October 2023</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Edited by Dick Zijp (Utrecht University)</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
<span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">Cabaret</span> can be a confusing term. It can both refer to a place, usually a caf? or a small theatre, and to a genre. For some, it raises associations
with barely dressed girls in nightclubs (Chakraborty, 2023). For others, it primarily denotes a historical form of comedic variety theatre (Appignanesi, 2004 [1975]). For yet others, it refers to the contemporary art of theatre comedy (Dunkl, 2019; Zijp, 2023).
Remarkably, in spite of the term's association with humour and comedy, <span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span> has scarcely received attention from scholars in the field of comedy studies. This lack of academic attention has added to the confusion. The sparse academic literature available focuses on the origins of the genre in late nineteenth and early
twentieth-century Europe, especially in the artistic caf?s of turn-of-the-century Paris and the German and Austrian
<span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span>s of the 1920s (e.g., Appignanesi, 2004, Jelavich, 1993; Segel, 1987). The overwhelming success of Bob Fosse's 1972 film
<span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
Cabaret</span> has contribute d to the image of <span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span> as a form of nightclub entertainment that belongs to another era. Indeed, the Encyclopedia Brittanica defines
<span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span> as a 'restaurant that serves liquor and offers a variety of musical entertainment' and points mostly to its historical manifestations.</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Meanwhile, the academic literature on comedy tends to focus on the current art of stand-up comedy. As Oliver Double and Sharon Lockyer have pointed out, 'today the word "comedy" is often taken to be synonymous with "stand-up"' (2022, 6). This has somewhat obscured
the relationship between <span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span> and comedy, and has directed attention away from <span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span>'s present-day manifestations, and from the continuities and discontinuities between past and present forms.</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
While approaching <span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span> as a form of comedy, this special issue welcomes contributions on the wide range of meanings, associations, and manifestations of
<span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span>, both past and present, and within a global context. As Double and Lockyer mention, the term
<span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span> 'suggests a wider range of performance styles' (2022: 6) than the term stand-up comedy. According to Lisa Appignanesi,
<span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span> originated as a 'vibrant mixture of satire, eroticism and lyricism' (2004: 38) and sits somewhere in between the avant-gardist and the popular, the high and the low, the light and the dark. But in spite of its various manifestations,
<span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span> is a distinctive genre with its own history, conventions and politics. At the same time, an overemphasis on the presumed origins of
<span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span> may lead to romanticised or presentist histories of the genre (e.g., Ibo, 1970). This special issue aims to move beyond the dominant historical narratives and is interested in unwritten histories and current manifestations o f this fascinating
and miscellaneous genre.</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Contributions may focus on - but are certainly not limited to - topics and/or questions such as:</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
* Local histories of <span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span>;</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
* Alternative (non-European) histories of <span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span> and transnational influences;</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
* The aesthetic and political workings of humour;</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
* The performance of identity (e.g., gender, sexuality, race, class, caste, ability, religion, appearance, age);</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
* Queer histories of <span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span> and queer <span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span>;</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
* The production and reception of <span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span> performances;</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
* The relationship between humour and eroticism;</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
* The intertwinement of <span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span> and other genres or performance styles, such as stand-up comedy, revue, burlesque, circus, variety or musical theatre.</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
References</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Appignanesi, Lisa. 2004 [1975]. The <span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
Cabaret</span>. New Haven and London: Yale University Press.</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Chakraborty, Aishika. 2023. "Calcutta <span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
Cabaret</span>: Dance of Pleasure or Perversion?" South Asian History and Culture 14 (2): 167-185.</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Double, Oliver, and Sharon Lockyer, eds. 2022. Alternative Comedy Now and Then: Critical Perspectives. London: Palgrave Macmillan.</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Dunkl, Nathalie. 2019. Das Kabarett: Eine Integrative Theorie. Baden-Baden: Tectum Verlag.</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Ibo, Wim. 1970. En nu de moraal van dit lied: 75 jaar Nederlands <span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
cabaret</span>. Amsterdam: Nederlandse Rotogravure.</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Jelavich, Peter. 1993. Berlin <span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
Cabaret</span>. Cambridge, MA: Harvard University Press.</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Segel, Harold. 1987. Turn-of-the-century <span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
Cabaret</span>: Paris, Barcelona, Berlin, Munich, Vienna, Cracow, Moscow, St. Petersburg, Zurich. New York: Columbia University Press.</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Zijp, Dick. 2023. Comedians without a Cause: The Politics and Aesthetics of Humour in Dutch
<span data-markjs="true" class="markmay8wm019 ContentPasted0" data-ogac="" data-ogab="" data-ogsc="" data-ogsb="">
Cabaret</span> (1966-2020). Doctoral dissertation, Utrecht University. <a href="https://dspace.library.uu.nl/handle/1874/425894" target="_blank" rel="noopener noreferrer" data-auth="NotApplicable" data-linkindex="0" id="OWA4c01030d-ae6e-e7d0-bbcf-740d4861f6ef" class="OWAAutoLink ContentPasted0">
https://apc01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdspace.library.uu.nl%2Fhandle%2F1874%2F425894&data=05%7C01%7Cn.h.f.holm%40massey.ac.nz%7C71832cbc23504dd4443e08db946b333d%7C388728e1bbd0437898dcf8682e644300%7C1%7C0%7C638266960389672710%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=NLJ0J2HrwqEXL2IDdek70ZcMVpOx%2BGvfPo9g1uJ65og%3D&reserved=0</a>.</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Format</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Please send an abstract (250-300 words) with a short bio (100-120 words). Deadline: 1 October 2023.</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Timeline</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Proposals: 1 October 2023</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
First drafts: 1 February 2024</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Final drafts: 15 December 2024</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Publication: February 2025</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Contact</p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0" class="ContentPasted0">
Issue-related enquiries should be directed to the issue editor via: <a href="mailto:d.c.zijp@uu.nl%3cmailto:d.c.zijp@uu.nl" data-linkindex="1" id="OWA59eac74e-ef68-3a84-4f2a-c5663e10fa13" class="OWAAutoLink ContentPasted0">
d.c.zijp@uu.nl<mailto:d.c.zijp@uu.nl</a>>.</p>
</div>
<div class="elementToProof">
<div id="Signature">
<div>
<div style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255);">
<br>
</div>
<div></div>
<div></div>
<div></div>
<div dir="ltr" style="font-size: 12pt; font-family: Calibri, Helvetica, sans-serif; color: rgb(0, 0, 0);">
<div style="font-family:Tahoma; font-size:13px">
<div style="font-family:Tahoma; font-size:13px">
<div style="font-family:Tahoma; font-size:13px">
<div style="font-family:Tahoma; font-size:13px">
<div style="font-family:Tahoma; font-size:13px">
<div style="font-family:Tahoma; font-size:13px">
<div style="font-family:Tahoma; font-size:13px">
<div style="margin:0"><font size="3" face="Times New Roman,serif"><span style="font-size:12pt"><font style="color: rgb(31, 73, 125);" size="2" face="Calibri,sans-serif"><span style="font-size:9pt"></span></font></span></font></div>
<font style="color: black;" size="2" face="Calibri,sans-serif"><span style="font-size:14px"><span><span lang="en-NZ">
<div style="margin:0"><font size="2" face="Calibri,sans-serif"><span style="font-size:11pt"><a href="http://www.massey.ac.nz/massey/expertise/profile.cfm?stref=990001" title="Ctrl+Click or tap to follow the link"><font style="color: blue;" size="2"><span style="font-size:9pt"></span></font></a></span></font></div>
<div>
<p class="MsoNormal" style="margin-top:0px; margin-bottom:0px"><span style="font-size:9.0pt"></span></p>
<p class="MsoNormal" style="margin-top:0px; margin-bottom:0px; margin-bottom:12.0pt">
<span style="font-size: 9pt; color: black;"></span></p>
<p style="font-size:11pt; font-family:Calibri,sans-serif; margin:0"><span style="font-size: 9pt; color: rgb(31, 73, 125);" lang="en-NZ">-----------------------------------------------------------------</span></p>
<p style="font-size:11pt; font-family:Calibri,sans-serif; margin:0"><span lang="en-NZ"></span></p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0"><span style="color: black;"><a href="http://www.massey.ac.nz/massey/expertise/profile.cfm?stref=990001" target="_blank" rel="noopener noreferrer" data-auth="NotApplicable" data-safelink="true" data-linkindex="1"><span style="font-size: 9pt; color: rgb(12, 100, 192);">Dr
Nicholas Holm</span></a></span><span style="font-size: 9pt; color: rgb(31, 73, 125);"> |Senior Lecturer in Media Studies|Editor,
<i>Comedy Studies </i>| Book Reviews Editor, <i>Humor</i></span><i><span style="color: black;"></span></i></p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0"><span style="font-size: 9pt; color: rgb(31, 73, 125);">Building 7, Room 7C43 |Massey University |Wellington |Aotearoa New Zealand</span><span style="color: black;"></span></p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0"><span style="font-size: 9pt; color: rgb(31, 73, 125);">DDI 04 979 3544 |ext. 63544 |
</span><span style="color: black;"><a target="_blank" rel="noopener noreferrer" data-auth="NotApplicable" data-safelink="true" data-linkindex="2"><span style="font-size: 9pt; color: rgb(12, 100, 192);">nhfholm@massey.ac.nz</span></a></span></p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0 0 12pt 0"><span style="color: black;"><a href="https://nicholasholm.wordpress.com/" target="_blank" rel="noopener noreferrer" data-auth="NotApplicable" data-safelink="true" data-linkindex="3"><span style="font-size: 9pt; color: rgb(12, 100, 192);">https://nicholasholm.wordpress.com/</span></a></span></p>
<p></p>
<p style="font-size:11pt; font-family:Calibri,sans-serif; margin:0 0 12pt 0"><u><span style="color: blue;" lang="en-NZ"></span></u></p>
<p style="font-size:11pt; font-family:Calibri,sans-serif; margin:0"><span style="font-size: 9pt; color: black;" lang="en-NZ"></span></p>
<p style="font-size:11pt; font-family:Calibri,sans-serif; margin:0"><font style="color: black;" size="2" face="Calibri,sans-serif"><span style="font-size:14px"><span><span lang="en-NZ"><span style="font-size: 9pt; color: black;" lang="en-NZ"></span><span lang="en-NZ"><font style="color: black;" size="2" face="Calibri,sans-serif"><span style="font-size:14px"><span><span lang="en-NZ"></span></span></span></font></span></span></span></span></font></p>
<p style="font-size:11pt; font-family:Calibri,sans-serif; margin:0"><font style="color: black;" size="2" face="Calibri,sans-serif"><font style="color: black;" size="2" face="Calibri,sans-serif"><span style="font-size: 9pt; color: black;" lang="en-NZ"><br>
</span><span lang="en-NZ"><span style="font-size: 9pt; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255);"></span></span></font></font></p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0"><font style="color: black;" size="2" face="Calibri,sans-serif"><font style="color: black;" size="2" face="Calibri,sans-serif"><span style="font-size: 9pt; color: black;"><span style="background-color: white;"></span></span></font></font></p>
<p style="margin:0cm;font-size:11pt;font-family:"Calibri", sans-serif"><font style="color: black;" size="2" face="Calibri,sans-serif"><font style="color: black;" size="2" face="Calibri,sans-serif"><span style="font-size: 9pt; color: black;"></span></font></font></p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0 0 6pt 0"><b><span style="font-size: 9pt; color: black;">Recent Publications</span></b><span style="font-size: 9pt; color: black; background-color: white;"><br>
</span></p>
</div>
</span></span></span></font></div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
<div>
<div>
<div><span style="font-size: 9pt; font-family: Calibri, Helvetica, sans-serif;">Holm, N. and E. Tilley. (2023)
</span><a href="https://academic.oup.com/jaac/advance-article/doi/10.1093/jaac/kpad015/7185629" data-auth="NotApplicable" data-linkindex="3"><span style="font-size: 9pt; font-family: Calibri, Helvetica, sans-serif; color: rgb(23, 78, 134);">The Aesthetics of
Creative Activism</span></a><span style="font-size: 9pt; font-family: Calibri, Helvetica, sans-serif;"><i> Journal of Aesthetics and Art Criticism</i> (Online Advance, Open Access).</span></div>
</div>
</div>
<div dir="ltr" style="font-size: 12pt; font-family: Calibri, Helvetica, sans-serif; color: rgb(0, 0, 0);">
<div style="font-family:Tahoma; font-size:13px">
<div style="font-family:Tahoma; font-size:13px">
<div style="font-family:Tahoma; font-size:13px">
<div style="font-family:Tahoma; font-size:13px">
<div style="font-family:Tahoma; font-size:13px">
<div style="font-family:Tahoma; font-size:13px">
<div style="font-family:Tahoma; font-size:13px"><font style="color: black;" size="2" face="Calibri,sans-serif"><span style="font-size:14px"><span><span lang="en-NZ">
<div>
<div style="font-size: 12pt; font-family: "Times New Roman", serif; margin: 0px 0cm 0.000133333px;">
<span style="font-size: 9pt; font-family: "Calibri", sans-serif; background: white; color: black;">Holm, N. (2023)
</span><span style="font-size: 9pt; font-family: "Calibri", sans-serif; background: white; color: rgb(89, 89, 89);"><a href="https://journals.sagepub.com/doi/10.1177/07255136231154266" target="_blank" data-auth="NotApplicable" data-safelink="true" data-linkindex="3"><span style="color: rgb(12, 100, 192);">The
Limits of Satire, or the Reification of Cultural Politics</span></a></span><span style="font-size: 9pt; font-family: "Calibri", sans-serif; background: white; color: black;">
<i>Thesis Eleven </i>(Online Advance, Open Access)</span><span style="font-size: 11pt; font-family: "Calibri", sans-serif; color: black;"><o:p> </o:p></span></div>
<p style="margin-right:0cm;margin-left:0cm;font-size:12pt;font-family:"Times New Roman", serif;margin:0cm;margin-bottom:.0001pt">
<span style="font-size: 9pt; font-family: "Calibri", sans-serif; background: white; color: black;">Holm, N. (2022)
</span><span style="font-size: 9pt; font-family: "Calibri", sans-serif; background: white; color: rgb(89, 89, 89);"><a href="https://journals.sagepub.com/doi/full/10.1177/13675494221087296" target="_blank" data-auth="NotApplicable" data-safelink="true" data-linkindex="4"><span style="color: rgb(12, 100, 192);">No
More Jokes: Comic Complexity, Adult Swim and a Political Aesthetic Model of Humour</span></a></span><span style="font-size: 9pt; font-family: "Calibri", sans-serif; background: white; color: black;">
<i>European Journal of Cultural Studies </i>25.2 </span><span style="font-size: 11pt; font-family: "Calibri", sans-serif; color: black;"><o:p> </o:p></span></p>
<p style="margin-right:0cm;margin-left:0cm;font-size:12pt;font-family:"Times New Roman", serif;margin:0cm;margin-bottom:.0001pt">
<span style="font-size: 9pt; font-family: "Calibri", sans-serif; color: black;">Holm, N. (2023)
</span><span style="font-size: 9pt; font-family: "Calibri", sans-serif; color: rgb(89, 89, 89);"><a href="https://www.routledge.com/Advertising-and-Consumer-Society-A-Critical-Introduction/Holm/p/book/9781032181363" target="_blank" data-auth="NotApplicable" data-safelink="true" data-linkindex="6"><span style="color: rgb(12, 100, 192);">Advertising
and Consumer Society: A Critical Introduction</span></a></span><span style="font-size: 9pt; font-family: "Calibri", sans-serif; color: black;"> (2<sup>nd</sup> Ed), Routledge.
</span><span style="font-size: 11pt; font-family: "Calibri", sans-serif; color: black;"><o:p> </o:p></span></p>
<p style="font-size:11pt;font-family:Calibri,sans-serif;margin:0"><span style="font-size: 9pt; color: black;"></span></p>
<font style="color: black;" size="2" face="Calibri,sans-serif"><font style="color: black;" size="2" face="Calibri,sans-serif"><br>
</font></font>
<p></p>
<p></p>
<p></p>
<div style="font-size:11pt; font-family:Calibri,sans-serif; margin:0"><span lang="en-NZ"></span></div>
<span class="MsoHyperlink"><span style=""></span></span>
<p></p>
</div>
</span></span></span></font><font style="color: black;" size="2" face="Calibri,sans-serif"><span style="font-size:14px"><span id="OLK_SRC_BODY_SECTION"><span lang="en-NZ">
<div style="margin:0 0 12pt 0"><font size="2" face="Calibri,sans-serif"><span style="font-size:11pt"><a href="https://rowman.com/ISBN/9781498535694/Ecological-Entanglements-in-the-Anthropocene"><font style="color: blue;" size="2"><span style="font-size:9pt"></span></font></a></span></font></div>
</span></span></span></font>
<div style="margin:0 0 12pt 0"><font size="3" face="Times New Roman,serif"><span style="font-size:12pt"><a href="https://owa.massey.ac.nz/owa/redir.aspx?C=elERub1YBNPLMWs6Ud9U-1TY0S2QZrkJdnEkXzMt7xs4qrpQph_UCA..&URL=https%3a%2f%2fmassey.academia.edu%2fNicholasHolm" target="_blank"><font size="2" face="Calibri,sans-serif"><span style="font-size:9pt"></span></font></a></span></font></div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</body>
</html>