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Gender, Feminist and Queer Studies<span style="box-sizing: border-box; display: block; font-size: 0.8em; padding: 0px 0px 8px;">Power, Privilege and Inequality in a Time of Neoliberal Conservatism</span></h1>
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Edited By <a title="Search for more titles by Donna Bridges" href="https://www.routledge.com/search?author=Donna%20Bridges" style="box-sizing: border-box; color: rgb(16, 20, 127); text-decoration-line: none;">Donna Bridges</a>, <a title="Search for more titles by Clifford Lewis" href="https://www.routledge.com/search?author=Clifford%20Lewis" style="box-sizing: border-box; color: rgb(16, 20, 127); text-decoration-line: none;">Clifford
Lewis</a>, <a title="Search for more titles by Elizabeth Wulff" href="https://www.routledge.com/search?author=Elizabeth%20Wulff" style="box-sizing: border-box; color: rgb(16, 20, 127); text-decoration-line: none;">Elizabeth Wulff</a>, <a title="Search for more titles by Chelsea Litchfield" href="https://www.routledge.com/search?author=Chelsea%20Litchfield" style="box-sizing: border-box; color: rgb(16, 20, 127); text-decoration-line: none;">Chelsea
Litchfield</a>, <a title="Search for more titles by Larissa Bamberry" href="https://www.routledge.com/search?author=Larissa%20Bamberry" style="box-sizing: border-box; color: rgb(16, 20, 127); text-decoration-line: none;">Larissa Bamberry</a></div>
<span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Exploring scholarship, research, practice and activism on gender, feminist and queer studies, this edited collection examines,
analyses and critiques the nature and causes of inequality, disadvantage and marginalisation faced by women, non-hegemonic and LGBTIQA+ identities who do not fit hegemonic notions of masculinity, femininity and heteronormativity.</span><br>
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<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Foreword by Raewyn Connell.</span></p>
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<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"><a href="https://www.routledge.com/Gender-Feminist-and-Queer-Studies-Power-Privilege-and-Inequality-in-a/Bridges-Lewis-Wulff-Litchfield-Bamberry/p/book/9781032328294" class="OWAAutoLink" id="LPlnk892872">https://www.routledge.com/Gender-Feminist-and-Queer-Studies-Power-Privilege-and-Inequality-in-a/Bridges-Lewis-Wulff-Litchfield-Bamberry/p/book/9781032328294</a><br>
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<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Power, privilege and inequality in a time of neoliberal conservatism: an introduction, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Donna
Bridges, Elizabeth Wulff, Clifford Lewis, Larissa Bamberry and Chelsea Litchfield </i></p>
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<p><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"></i><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Part
I: Metanarratives and discourse: shaping inequality, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Chelsea Litchfield and Larissa Bamberry </i></p>
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<p><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"></i><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">1.
Re-envisioning Australian history with once silenced voices and women’s knowledge, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Peta Jeffries</i><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">2. Post-racial feminism and the reaffirmation of whiteness, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Holly
Randell-Moon</i><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">3. A conservative church response to feminism: less power, less privilege and no equality, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Ann
Lazarsfeld-Jensen</i><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">4. The silencing of women’s voices in contemporary conservative evangelical churches: "Crying in my wardrobe",</span><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Nicola
Lock</i><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"><br>
</span></p>
<p><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Part II: Masculine hegemony and heteronormativity: constructing society, </span><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Clifford
Lewis and Elizabeth Wulff</span><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"></span><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">5.
"A boy’s own tale": using intersectional frameworks to chart the reproduction of historical discrimination in aviation, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Albert
J. Mills, Jane Neal-Smith and Donna Bridges</i><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">6. Masculinities, driving and women, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Sarah
Redshaw</i><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">7. Precarious academia: women’s employment in Australian universities, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Ella
Dixon, Sarah Redshaw, Elizabeth Wulff, Larissa Bamberry and Emma Rush</i><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">8. Gender, power and work: reporting psychological injuries in the Australian workplace, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Charlotte
Glick and Rachel Hogg</i><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">9. Masculinity, male caregiving and LGB paramedics: emotional labour and hegemonic masculinity</span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">,
Brian Sengstock and Janet Curtis</i><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"><br>
</span></p>
<p><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Part III: Embodiment and representation: the body as a site of inequality and
disadvantage, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Elizabeth Wulff and Donna Bridges</i><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"><br>
</span></p>
<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">10. How the gendered body is constructed in the neoliberal schooling context through discipline and healthism in contemporary
physical education, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Rachael Jefferson-Buchanan</i><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">11. Neoliberalism and gender inequality in the Marvel Universe, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Suzie
Gibson</i><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">12. Speaking up: a feminist analysis of the possibility of cultural change in women’s artistic gymnastics in Australia and
England, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Jaquelyn Osborne, Chelsea Litchfield and Emma Kavanagh</i><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">13. Paramedicine and workplace sexual harassment: the hidden paradox of neoliberalism,</span><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Alisha
McFarlane, Hannah Stack, Sonja Maria and Donna Bridges</i><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"><br>
</span></p>
<p><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Part IV: Evaluating change, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Donna
Bridges and Chelsea Litchfield</i><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"></span><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">14.
A wolf in sheep’s clothing: a critical view of the post-gay in an Australian context, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Clifford
Lewis</i><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">15. The civility of the privileged: assessing the narrative around Australia’s marriage equality campaign, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Piero
Moraro</i><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">16. Making the link: secular democracy, human rights and the cases of marriage equality and abortion rights, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Donna
Bridges and Elizabeth Wulff</i><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">17. Men’s behaviour change programmes: addressing power, privilege and oppression in intimate partner violence, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Ndungi
Mungai and Merrilyn Crichton</i><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;"> </span></p>
<p><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">18. Can diversity give neoliberal technoscience more than it bargained for?: LGBTQ+ researchers and queering standpoints, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Steve
Fifield and Will Letts</i><span style="color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">. Not a conclusion but a way forward: instigating the road ahead, </span><i style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: "open sans", Helvetica, Arial, sans-serif; font-size: 14.4px; text-align: justify;">Clifford
Lewis and Larissa Bamberry</i><br>
</p>
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