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<b><span style="font-size: 11pt; font-family: "Calibri Light", "Helvetica Light", sans-serif; color: rgb(179, 106, 226);" class="ContentPasted0">Call For Presentations</span></b><span style="font-size:12.0pt;mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New Roman";mso-fareast-language:EN-GB"><o:p class="ContentPasted0"><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt; color: rgb(179, 106, 226);"> </span></o:p></span></p>
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<b><span style="font-size: 11pt; font-family: "Calibri Light", "Helvetica Light", sans-serif; color: rgb(179, 106, 226);" class="ContentPasted0">Symposium: Feminists Making Movies Between Theory and Practice</span></b><span style="font-size:12.0pt;mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New Roman";mso-fareast-language:EN-GB"><o:p class="ContentPasted0"><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt; color: rgb(179, 106, 226);">
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<span style="font-size: 11pt; font-family: "Calibri Light", "Helvetica Light", sans-serif; color: rgb(179, 106, 226);" class="ContentPasted0">Date: 19th of July, 2023.</span><span style="font-size:12.0pt;mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New Roman";mso-fareast-language:EN-GB"><o:p class="ContentPasted0"><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt; color: rgb(179, 106, 226);"> </span></o:p></span></p>
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<span style="font-size: 11pt; font-family: "Calibri Light", "Helvetica Light", sans-serif; color: rgb(179, 106, 226);" class="ContentPasted0">Location: Arts West, University of Melbourne.</span><span style="font-size:12.0pt;mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New Roman";mso-fareast-language:EN-GB"><o:p class="ContentPasted0"><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt; color: rgb(179, 106, 226);"> </span></o:p></span></p>
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<span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0">Feminist film theory has developed in uneven relation to feminist filmmaking. Initially prescriptive in its commentary, the field has since attended
to a variety of practices and multiplied its analytical frameworks. Strangely absent from such work, however, is a dimension of self-reflexivity. Feminist film theory has done little to reflect on its influence on relevant practitioners, or indeed the role
of the feminist filmmaker in the formation of its own paradigms. This one-day symposium aims to populate this critical gap, exploring the commerce between feminist film theory and practice across film history.
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<span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0">It is true that feminist film theory and practice have worked well together at certain historical moments. Perhaps most famously, Laura Mulvey
put the ideas explored in her</span><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0"><i class="ContentPasted0">
</i></span><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0">written manifesto, “Visual Pleasure and Narrative Cinema” (1975), into action in her avant-garde film,
</span><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0"><i class="ContentPasted0">Riddles of the Sphinx
</i></span><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0">(1977). More recently, Céline Sciamma paid tacit homage to Mulvey as she characterised
</span><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0"><i class="ContentPasted0">Portrait of a Lady on Fire
</i></span><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0">(2019) as an exercise in the construction of a “female gaze”. Just as often, however, feminist film writing and making have existed
in awkward opposition to one another. Experimental filmmakers such as Barbara Hammer, Marjorie Keller and Agnés Varda have been vocal about the role of the academy in the misrecognition, devaluation, or suppression of their work. Where these filmmakers depend
on that space for viewership, legitimacy and even funding, the prejudices of feminist criticism carry very real weight. Recent developments in cinema studies have inverted this dynamic again. Once-key critics suggest that feminist film theory no longer exists
as a distinct mode of inquiry but has instead become enfolded into parallel investigations (L. Williams, 2004). It could thus be said that feminist work within the academy depends now, more than ever, on feminist practice for its survival.
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<span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0">This symposium explores the relay between feminist film theory and feminist film practice. We intend “feminist” to refer to the disposition of
the thinker or maker, who may or may not be woman-identifying. While the organisers recognise the importance of temporal markers for a counter field like feminism, we hope that papers will adopt a flexible relation to history, one that looks back to the 1970s
and earlier, as well as forward to the future. While investigations within the realm of experimental cinema are of particular interest to the symposium, we also welcome submissions focused on documentary and narrative (feature or short) forms. Moreover, we
are especially keen on submissions that explore the interchange between feminist film theory and practice in a local context, within Australia and New Zealand.
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<span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0">Topics may include, but are certainly not limited to:</span><span style="mso-bidi-font-size:11.0pt;mso-bidi-font-family:Arial" class="ContentPasted0"><o:p class="ContentPasted0"><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;">
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<span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0">Productive, fraught, or otherwise dynamic relations between feminist film theory and practice (from early cinema to the present)</span><span style="mso-bidi-font-size:11.0pt;mso-bidi-font-family:Arial" class="ContentPasted0"><o:p class="ContentPasted0"><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;"> </span></o:p></span></li><li style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;">
<span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0">Proto-feminist film theory, or looking back on earlier practices through the lens of feminist film theory</span><span style="mso-bidi-font-size:11.0pt;mso-bidi-font-family:Arial" class="ContentPasted0"><o:p class="ContentPasted0"><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;"> </span></o:p></span></li><li style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;">
<span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0">Women filmmakers who also write about film (e.g., Germaine Dulac, Maya Deren, Marjorie Keller, Abigail Child, Peggy Ahwesh)</span><span style="mso-bidi-font-size:11.0pt;mso-bidi-font-family:Arial" class="ContentPasted0"><o:p class="ContentPasted0"><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;"> </span></o:p></span></li><li style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;">
<span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0">Seminal feminist texts that inspired directions in feminist thought (e.g.,
</span><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0"><i class="ContentPasted0">Jeanne Dielman 23 quai du Commerce, 1080 Bruxelles
</i></span><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0">[1975] and feminist temporalities;
</span><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0"><i class="ContentPasted0">The Watermelon Woman
</i></span><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0">[1996] and feminist archives)
</span><span style="mso-bidi-font-size:11.0pt;mso-bidi-font-family:Arial" class="ContentPasted0"><o:p class="ContentPasted0"><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;"> </span></o:p></span></li><li style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;">
<span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0">Problems or developments in archiving and restoration for the course of feminist film theory and/or practice</span><span style="mso-bidi-font-size:11.0pt;mso-bidi-font-family:Arial" class="ContentPasted0"><o:p class="ContentPasted0"><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;"> </span></o:p></span></li><li style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;">
<span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted0">Advents in film technology that have informed feminist film theory
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<b><span style="font-size: 11pt; font-family: "Calibri Light", "Helvetica Light", sans-serif; color: black;" class="ContentPasted0">Keynote Lecture: Professor Sarah Keller, University of Massachusetts Boston.</span><span style="font-size:11.0pt;font-family:"Garamond",serif;mso-bidi-font-family:Arial"><o:p class="ContentPasted0"><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;"> </span></o:p></span></b></p>
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<span style="font-size: 11pt; font-family: "Calibri Light", "Helvetica Light", sans-serif; color: black;" class="ContentPasted0 ContentPasted1">Please email an abstract (250 words) and short bio to Wendy Haslem
</span><a class="ContentPasted0 ContentPasted1"><span style="font-size: 11pt; font-family: "Calibri Light", "Helvetica Light", sans-serif; color: rgb(17, 85, 204);">wlhaslem@unimelb.edu.au</span></a><span style="font-size: 11pt; font-family: "Calibri Light", "Helvetica Light", sans-serif; color: black;" class="ContentPasted0 ContentPasted1">
by the 1</span><span style="font-size: 11pt; font-family: "Garamond", serif; color: black;" class="ContentPasted0"><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;"><sup class="ContentPasted1">st</sup></span><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted1"> of
May</span></span><span style="font-size: 11pt; font-family: "Calibri Light", "Helvetica Light", sans-serif; color: black;" class="ContentPasted0 ContentPasted1">, 2023.</span><span style="font-size:11.0pt;font-family:"Garamond",serif;mso-bidi-font-family:Arial"><o:p class="ContentPasted0"><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif; font-size: 11pt;" class="ContentPasted1"> </span></o:p></span></p>
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<span style="font-size: 11pt; font-family: "Calibri Light", "Helvetica Light", sans-serif; color: black;" class="ContentPasted0">Organising Committee: Dr Alicia Byrnes, Professor Sarah Keller and Associate Professor Wendy Haslem.
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<p style="margin:0.1pt 0cm; text-align:left" align="left"><b><span style="font-size: 10pt; font-family: "Calibri Light", "Helvetica Light", sans-serif; line-height: normal; color: rgb(12, 100, 192);" lang="EN-US">Wendy Haslem </span><span style="font-size: 11pt; font-family: "Segoe UI Historic", sans-serif; color: black;"></span></b></p>
<p style="margin:0.1pt 0cm; text-align:left" align="left"><span style="font-family:"Segoe UI","Helvetica Neue",sans-serif; font-size:10pt"></span><span style="font-size: 10pt; font-family: "Calibri Light", "Helvetica Light", sans-serif; line-height: normal; color: rgb(12, 100, 192);" lang="EN-US">Associate
Professor - Screen Studies</span><span style="font-size: 11pt; font-family: "Segoe UI Historic", sans-serif; color: black;"></span></p>
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of Arts, School of Culture + Communication</span><span style="font-size: 11pt; font-family: "Segoe UI Historic", sans-serif; color: black;"></span></p>
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<p style="margin:0.05pt 0cm; text-align:left" align="left"><span style="font-size: 11pt; font-family: "Calibri Light", "Helvetica Light", sans-serif; color: rgb(84, 141, 212);" lang="EN-GB">*****</span><span style="font-size: 11pt; font-family: "Segoe UI Historic", sans-serif; color: rgb(84, 141, 212);" lang="EN-GB"><br>
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</span><span style="font-size: 10pt; font-family: "Segoe UI Historic", sans-serif; line-height: normal; color: rgb(81, 167, 249);"></span><span style="font-size: 10pt; font-family: "Segoe UI Historic", sans-serif; color: rgb(12, 100, 192);"></span><span style="font-size: 10pt; font-family: "Segoe UI Historic", sans-serif; color: rgb(81, 167, 249);"></span><span style="font-family: "Calibri Light", "Helvetica Light", sans-serif;"></span>
<div style="text-align:left" align="left"><span style="font-family: "Segoe UI", "Helvetica Neue", sans-serif; font-size: 10pt; line-height: normal; color: rgb(0, 36, 81);"></span><span style="color: rgb(12, 100, 192);"></span><span style="font-size:10pt; line-height:normal"></span></div>
<p style="margin:0.05pt 0cm; text-align:left" align="left"><span style="font-size: 10pt; line-height: normal; font-family: "Calibri Light", "Helvetica Light", sans-serif; color: rgb(12, 100, 192);">I respectfully
</span><span style="font-size: 10pt; font-family: "Calibri Light", "Helvetica Light", sans-serif; line-height: normal; color: rgb(12, 100, 192);">acknowledge the Traditional Owners of the land where I work and live, the Wurundjeri and Bunurong people of the
Eastern Kulin Nations and pay my respects to their elders past, present and emerging.</span><span style="font-size: 11pt; font-family: "Segoe UI Historic", sans-serif; color: black;"></span></p>
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00116K</span></b><span style="font-size: 11pt; font-family: "Segoe UI Historic", sans-serif; color: black;"></span><span style="font-size: 7pt; font-family: "Segoe UI Historic", sans-serif; color: rgb(145, 145, 145);"></span><br>
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