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<style type="text/css">.style1 {font-family: "Times New Roman";}</style></head><body lang="EN-AU" link="#0563C1" vlink="#954F72">
<div class="WordSection1">
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HUNAR CONFERENCE: ART/CONFLICT<o:p></o:p></p>
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<o:p> </o:p></p>
<p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:normal">
16-18 Nov 2022 | University of Technology Sydney and Online<o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:normal">
CFP Closes: 11.55pm, 22 July | Video Submissions Due: 7 July - 1 September (anytime)<o:p></o:p></p>
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<o:p> </o:p></p>
<p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:normal">
Invited Speakers:<o:p></o:p></p>
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<o:p> </o:p></p>
<p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:normal">
Fiona Foley | Badtjala artist, curator, writer and academic. Founding member of Boomalli Aboriginal Artist Co-operative<o:p></o:p></p>
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<o:p> </o:p></p>
<p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:normal">
John Clammer | Professor of Sociology, Jindal School of Liberal Arts & Humanities
<o:p></o:p></p>
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<o:p> </o:p></p>
<p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:normal">
Marcelo Brodsky | Buenos Aires-based human rights activist, photographer, and visual artist<o:p></o:p></p>
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<o:p> </o:p></p>
<p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:normal">
ART/CONFLICT is a combined conference and international exhibition taking place in Sydney, Australia. The conference focuses on the intersections between art, war and conflict, and considers diverse forms of creative resistance against state violence and/or
in the service of decolonial struggles for sovereignty. The conference will be held from 16th to 18th November at University of Technology Sydney, and the exhibition will be spread across UTS and Sydney community spaces: Thirning Villa and Atlas, throughout
November. <o:p></o:p></p>
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<o:p> </o:p></p>
<p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:normal">
Participants are invited to engage with one or several of the following conference themes:<o:p></o:p></p>
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<o:p> </o:p></p>
<ul style="margin-top:0cm" type="disc">
<li class="MsoListParagraphCxSpFirst" style="margin-bottom:0cm;margin-left:0cm;margin-bottom:.0001pt;mso-add-space:auto;line-height:normal;mso-list:l0 level1 lfo2">
The ethics of artistic and/or media representations around state violence and conflict, including film, music, performance, visual arts, and plastic arts<o:p></o:p></li><li class="MsoListParagraphCxSpMiddle" style="margin-bottom:0cm;margin-left:0cm;margin-bottom:.0001pt;mso-add-space:auto;line-height:normal;mso-list:l0 level1 lfo2">
Publics and counter-publics, participatory art, and emerging forms of artistic dissemination and collaboration<o:p></o:p></li><li class="MsoListParagraphCxSpMiddle" style="margin-bottom:0cm;margin-left:0cm;margin-bottom:.0001pt;mso-add-space:auto;line-height:normal;mso-list:l0 level1 lfo2">
Postcolonial and decolonial approaches to arts and aesthetics, including trauma-informed aesthetic theory and arts practice<o:p></o:p></li><li class="MsoListParagraphCxSpMiddle" style="margin-bottom:0cm;margin-left:0cm;margin-bottom:.0001pt;mso-add-space:auto;line-height:normal;mso-list:l0 level1 lfo2">
The social role(s) of artists in relation to state violence, human rights advocacy, peacekeeping projects, and post-conflict transitions<o:p></o:p></li><li class="MsoListParagraphCxSpMiddle" style="margin-bottom:0cm;margin-left:0cm;margin-bottom:.0001pt;mso-add-space:auto;line-height:normal;mso-list:l0 level1 lfo2">
Curatorship, transforming institutions, and organisational challenges in the GLAM sector<o:p></o:p></li><li class="MsoListParagraphCxSpLast" style="margin-bottom:0cm;margin-left:0cm;margin-bottom:.0001pt;mso-add-space:auto;line-height:normal;mso-list:l0 level1 lfo2">
Feminist approaches to arts and aesthetics in the context of war, violence, and human rights advocacy<o:p></o:p></li></ul>
<p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:normal">
<o:p> </o:p></p>
<p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:normal">
The conference welcomes traditional academic papers and practice-led research from academics and non-academics working in and around spaces of conflict. The symposium welcomes submissions by individual speakers as well as panel proposals. Panel proposals must
identify a Chair, 2-3 speakers, and may include a discussant. Workshop formats also welcome.
<o:p></o:p></p>
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<o:p> </o:p></p>
<p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:normal">
Information and Submissions here: https://hunarsymposia.com/conference-details<o:p></o:p></p>
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<o:p> </o:p></p>
<p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:normal">
Funding received by the Centre for Social Justice and Inclusion and the Faculty of Arts and Social Sciences, University of Technology Sydney.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
</div>
<br><p style="font-family: Verdana; font-size:8pt; color:#666666;">UTS CRICOS Provider Code: 00099F DISCLAIMER: This email message and any accompanying attachments may contain confidential information. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message. Any views expressed in this message are those of the individual sender, except where the sender expressly, and with authority, states them to be the views of the University of Technology Sydney. Before opening any attachments, please check them for viruses and defects. Think. Green. Do. Please consider the environment before printing this email.</p></body></html>