<html>
<head>
<meta http-equiv="Content-Type" content="text/html; charset=Windows-1252">
<style type="text/css" style="display:none;"> P {margin-top:0;margin-bottom:0;} </style>
</head>
<body dir="ltr">
<div>
<div style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt; color: rgb(0, 0, 0);">
<br>
</div>
<div id="Signature">
<div>
<div name="divtagdefaultwrapper" style="font-family:Calibri,Arial,Helvetica,sans-serif; font-size:; margin:0" class="elementToProof">
<div style="caret-color:rgb(0, 0, 0);font-family:Helvetica;font-size:12px;font-weight:normal;orphans:auto;widows:auto">
<div>
<div>
<p class="x_MsoNormal" style="text-align:center" align="center"><b><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US"> </span></b></p>
<p class="x_MsoNormal" style="text-align:center" align="center"><b><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Call for Papers </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US"><i>Apocalyptica</i></span></b></p>
<p class="x_MsoNormal" style="text-align:center" align="center"><b><span style="font-family:"Times New Roman", serif" lang="EN-US"><i><br>
</i></span></b></p>
<p class="x_MsoNormal"><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;">Apocalyptica</span></i><span style="font-family: "Times New Roman", serif; font-size: 12pt;"> is an </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">international, </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;">interdisciplinary, </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">open-access</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;">,
double-blind peer-reviewed academic journal published by the Käte Hamburger Centre for Apocalyptic and Post-Apocalyptic Studies (CAPAS) at Heidelberg University. </span></p>
<p class="x_MsoNormal" style="margin-top:6pt"><b><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Editors: Robert Folger, Felicitas Loest and Jenny Stümer</span></b></p>
<p class="x_MsoNormal" style="margin-top:6pt"><b><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Article length: 8,000-9,000 words</span></b></p>
<p class="x_MsoNormal" style="margin-top:6pt"><b><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Deadline: Year-round – 15 July 2022 (for our next issue)</span></b></p>
<p class="x_MsoNormal" style="margin-top:6pt"><b><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Contact: </span></b><a href="mailto:publications@capas.uni-heidelberg.de"><b><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">publications@capas.uni-heidelberg.de</span></b></a><span class="x_MsoHyperlink"><b><span style="font-family:"Times New Roman", serif" lang="EN-US"></span></b></span></p>
<p class="x_MsoNormal"><b><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">We are seeking original submissions that actively explore the apocalypse as a figure of thought (a practice, relationship, form, experience, aesthetic,
or theme) in order to grapple with the cultural politics of disaster, catastrophe, and the (up)ending of worlds.</span></b></p>
<p class="x_MsoNormal" style="text-align:center" align="center"><b><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US"> </span></b></p>
<p class="x_MsoNormal" style="text-align:center" align="center"><b><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Thinking with the End(s) of Worlds</span></b></p>
<p class="x_MsoNormal" style="text-align:center" align="center"><b><span style="font-family:"Times New Roman", serif" lang="EN-US"><br>
</span></b></p>
<p class="x_MsoNormal"><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Are we living in the end times or has the end of the world already happened? What if the apocalypse is not simply an imagined catastrophic event to come,
but a revelation, an inspiration and (perhaps) a chance for a better world? </span>
<span style="font-family:"Times New Roman", serif" lang="EN-US"><br>
</span></p>
<p class="x_MsoNormal"><span style="font-family:"Times New Roman", serif" lang="EN-US"><br>
</span></p>
<p class="x_MsoNormal"><span style="font-family: "Times New Roman", serif; font-size: 12pt;">As anthropogenic climate change</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">, </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;">increasingly
polarized politics</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">, and accelerated nuclear arms races signal the imminence of disaster and catastrophe around the world, the idea of the apocalypse is </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;">gaining
traction in popular </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">culture, political debate </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;">and scholarly discourses</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">.
</span><span style="font-family:"Times New Roman", serif" lang="EN-US"><br>
</span></p>
<p class="x_MsoNormal"><span style="font-family:"Times New Roman", serif" lang="EN-US"><br>
</span></p>
<p class="x_MsoNormal"><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">The end of the world is increasingly featured in fiction films, TV series, music, art, video games, comics, literature, theatre, and photography. We are
particularly interested in how these depictions of the apocalypse articulate our cultural politics of past and present while imagining devastating or liberatory futures. The notion of apocalyptic upheaval is met (and productively troubled/sometimes also utilized)
by new social justice movements, innovative narratives, and storytelling practices that draw on (and simultaneously influence) new socio-economic discourses in an effort to put forward speculative imaginations, deconstructive epistemologies, and novel ways
of conceiving ‘the end’. In these views, a</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;">pocalypses and their </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">envisioned</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;"> aftermaths </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">(also) </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;">produce
emancipatory and creative potentials that engage </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">with </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;">the possibility of plural worlds, embodied
futurities, non-linear temporalities and radical difference</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US"> as they are </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;">increasingly reflected
in the invocation of </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">cultural</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US"> </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">or</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;"> lived
experience</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">, haunting sensibilities, and productive fantasies</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;"> that employ the un/making of
worlds</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">.</span></p>
<p class="x_MsoNormal"><span style="font-family:"Times New Roman", serif" lang="EN-US"><br>
</span></p>
<p class="x_MsoNormal"><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Moving beyond </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;">notions of redemption or more traditional theological approaches
to the end of the world, we ask:</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;"> </span><span style="font-family:"Times New Roman", serif"><span style="font-size: 12pt;" lang="EN-US">How do we make sense of/in a doomed world? How
does the apocalypse help us to meet the challenges of the present while considering the often-violent legacies of the past with a view to emancipatory future(s)?
</span><span lang="EN-US"><br>
</span></span></p>
<p class="x_MsoNormal"><span style="font-family:"Times New Roman", serif"><span lang="EN-US"><br>
</span></span></p>
<p class="x_MsoNormal"><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">The unprecedented trials of the COVID-19 pandemic, petro-capitalism’s extraordinary expansion, technocratic and algorithmic governance and escalating surveillance,
mounting social and ecological inequality, the escalation of global border regimes, aggressive risk management, and, of course, the continuity and exacerbation of gendered, raced, colonial and environmental violence in the face of these challenges give rise
to new considerations of what it meant and means to live through the end of the world.</span></p>
<p class="x_MsoNormal"><span style="font-family:"Times New Roman", serif" lang="EN-US"><br>
</span></p>
<p class="x_MsoNormal"><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">In light of these challenges, we seek submissions that grapple with the question of what it means to think with, against, and beyond the apocalypse today. </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;">What
movements, politics, ideas, geographies, sensibilities, stories</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">,</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;"> and images might be considered
(post)apocalyptic or invoke debates and feelings about the end of the/a world? How do apocalypses </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">entangle</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;"> temporalities
of past, present, and future? How do crisis and catastrophe shape human and non-human actors and their relationships? </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">What are we to make of the concepts of ‘world’,
‘worlds’ and ‘worlding’; or indeed, ‘the end’ and its ‘aftermath(s)’? </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;">And, how does the apocalypse as a</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">n
idea </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;">help us to address escalating global as well as local challenges which (also) articulate the promise of diverse futures and (perhaps) more just</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">,</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US"> </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">political
compositions, alternative collectivities, and fuller relationships with each other and the world</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;">?</span></p>
<p class="x_MsoNormal"><br>
<span style="font-family:"Times New Roman", serif"></span><span style="font-family:"Times New Roman", serif" lang="EN-US"></span></p>
<p class="x_MsoNormal"><b><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Possible contributions might examine the apocalypse in relation to the following themes, contexts and media (the list may serve as inspiration):</span></i></b></p>
<p class="x_MsoNormal"><br>
<b><i><span style="font-family:"Times New Roman", serif" lang="EN-US"></span></i></b><span style="font-family:"Times New Roman", serif" lang="EN-US"></span></p>
</div>
<blockquote style="margin:0px 0px 0px 40px;border:none">
<div>
<p class="x_MsoListParagraphCxSpFirst" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">De/Colonial
apocalypses</span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Anti/Epistemologies
of the apocalypse </span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Anthropogenic
climate change and decolonial ecologies</span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Race,
gender, and sexuality (queer apocalypse, apocalypse as decolonization, feminist apocalypse, anthropogenic whiteness)</span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Apocalyptic
temporalities (decentered futurisms, experiential histories, alternative memories)</span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Cultural
imaginaries, narratives, and practices (film, TV, literature, music, comics, video games, art, theatre, photography)</span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Apocalypse,
genre and motifs (Sci-Fi, satire, comedy, melodrama, cyberpunk, dystopia and utopia)</span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Collective
political imaginaries, movements and activism (indigenous resistance and postcolonial struggles, Black Lives Matter; Extinction Rebellion, Fridays for Future)</span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Embodied
experiences (viscerality, affect, survival)</span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Apocalyptic
sensibilities (ghosts and haunting, aesthetics, art)</span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Elemental
apocalypse (solar imaginaries, anti-imperial ontologies of water, fire, earth)</span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Petrocultures,
nuclear necropolitics, and securitization </span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Animal
studies, ecocriticism, and animacies</span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Architecture
and landscape (including social relations to the environment, atmospheric knowledge, and climate strategies)</span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">White
supremacy and right-wing politics</span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Algorithmic
governance and technocolonialism (digital cultures, social media, surveillance) </span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Border
politics and global mobilities (climate migration, border-walls, ecologies)</span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Pandemics
and epidemics</span></i></p>
</div>
<div>
<p class="x_MsoListParagraphCxSpMiddle" style="margin-bottom:6pt;text-indent:-18pt">
<span style="font-family: Symbol; font-size: 12pt;" lang="EN-US">·</span><span style="font-family:Symbol" lang="EN-US"><span style="font-size: 12pt; font-family: "Times New Roman";"> </span></span><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Conceptualizing
the ‘end’ of ‘worlds’ </span></i></p>
</div>
</blockquote>
<div>
<p class="x_MsoListParagraphCxSpLast" style="margin-bottom:6pt"><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US"> </span></i></p>
<p class="x_MsoNormal"><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">Please submit your article (no longer </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US"><b>than 8,000-9,000 words</b></span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US"> including </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US"><b>abstract
(250 words)</b></span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US"> and bibliography) and a </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US"><b>short bio</b></span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US"> (50
words) by </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US"><b>15 July 2022</b></span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US"> to </span><a href="mailto:publications@capas.uni-heidelberg.de"><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">publications@capas.uni-heidelberg.de</span></a><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">.
</span><span style="font-family:"Times New Roman", serif" lang="EN-US"><br>
</span></p>
<p class="x_MsoNormal"><span style="font-family:"Times New Roman", serif" lang="EN-US"><br>
</span></p>
<p class="x_MsoNormal"><i><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">We take rolling submissions year-round; however, for consideration in our upcoming issue, please adhere to the deadline of 15 July 2022.</span></i></p>
<p class="x_MsoNormal"><i><span style="font-family:"Times New Roman", serif" lang="EN-US"><br>
</span></i></p>
<p class="x_MsoNormal"><b><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">All submissions must use author-date reference style, 12pt font and at least 1.5 line spacing. Please check our style guide </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US"><u>prior
to submission.</u></span></b></p>
<p class="x_MsoNormal"><b><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">For further Information please contact Jenny Stümer or Michael Dunn: </span></b><a href="mailto:publications@capas.uni-heidelberg.de"><b><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">publications@capas.uni-heidelberg.de</span></b></a><b><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">. </span></b></p>
<p class="x_MsoNormal"><b><span style="font-family:"Times New Roman", serif" lang="EN-US"><br>
</span></b></p>
<p class="x_MsoNormal"><b><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">More information about </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US"><i>Apocalyptica</i></span><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">: </span></b><a href="https://heiup.uni-heidelberg.de/journals/apoc"><b><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">https://heiup.uni-heidelberg.de/journals/apoc</span></b></a><b><span style="font-family:"Times New Roman", serif" lang="EN-US"></span></b></p>
<p class="x_MsoNormal"><b><span style="font-family:"Times New Roman", serif" lang="EN-US"><br>
</span></b></p>
<p class="x_MsoNormal"><b><span style="font-family: "Times New Roman", serif; font-size: 12pt;" lang="EN-US">CfP online: </span></b><b><span style="font-family:"Times New Roman", serif"><a href="https://www.capas.uni-heidelberg.de/cfp-apocalyptica-05-2022.html"><span style="font-size: 12pt;">https://www.capas.uni-heidelberg.de/cfp-apocalyptica-05-2022.html</span></a></span></b></p>
<div><b><br>
</b></div>
</div>
</div>
</div>
<div style="caret-color:rgb(0, 0, 0);font-family:Helvetica;font-size:12px;font-weight:normal;orphans:auto;widows:auto">
<div dir="auto" style="caret-color:rgb(0, 0, 0);line-break:after-white-space">
<div dir="auto" style="caret-color:rgb(0, 0, 0);line-break:after-white-space">
<div dir="auto" style="caret-color:rgb(0, 0, 0);line-break:after-white-space">
<div dir="auto" style="caret-color:rgb(0, 0, 0);line-break:after-white-space">
<div dir="auto" style="caret-color:rgb(0, 0, 0);line-break:after-white-space">
<div dir="auto" style="caret-color:rgb(0, 0, 0);line-break:after-white-space">
<div><br>
</div>
<div>Dr. Jenny Stümer</div>
<div>Wissenschaftlicher Koordinator / Research Area Coordinator Publication Management<br>
<br>
Universität Heidelberg<br>
Käte Hamburger Kolleg für Apokalyptische und Postapokalyptische Studien/<br>
Käte Hamburger Centre for Apocalyptic and Post-Apocalyptic Studies (CAPAS)<br>
Berliner Straße 43<br>
69120 Heidelberg<br>
<br>
Tel.: +49 6221/54-15908<br>
<a href="mailto:jenny.stuemer@capas.uni-heidelberg.de">E-Mail: jenny.stuemer@capas.uni-heidelberg.de</a><br>
Web:<span class="Apple-converted-space"> </span><a href="https://www.capas.uni-heidelberg.de/">https://www.capas.uni-heidelberg.de/</a><br>
Twitter: @CAPASHeidelberg<br>
</div>
<div><br>
</div>
<span><b>Book: <a href="https://www.bloomsbury.com/us/walled-life-9781501380365/">Walled Life: Concrete Cinema Art. Bloomsburry. 2022</a>.</b></span></div>
</div>
</div>
</div>
</div>
</div>
</div>
<br>
</div>
<div name="divtagdefaultwrapper" style="font-family:Calibri,Arial,Helvetica,sans-serif; font-size:; margin:0" class="elementToProof">
<span style="font-size:10pt"><br>
</span></div>
</div>
</div>
</div>
</body>
</html>