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<p class="MsoNormal"><b>Transformations Journal launch of issue 36: Artificial Creativity<o:p></o:p></b></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">The Editors of Transformations Journal are very pleased to announce the launch of issue 36:
<b>Artificial Creativity</b>, guest edited by Bojana Romic and Bo Reimer from Malmö University, Sweden. This special issue aims to foment discussion around the cultural, societal, and ethical aspects of robots or AI engaged in creative production.
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<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">View the issue here: <a href="http://www.transformationsjournal.org/2022-issue-no-36-artificial-creativity/">
http://www.transformationsjournal.org/2022-issue-no-36-artificial-creativity/</a>
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<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Papers in the issue are:<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><i>Joanna Zylinska<br>
</i><a href="http://www.transformationsjournal.org/wp-content/uploads/2022/02/Trans36_01_zylinska-1.pdf" target="_blank">Beyond Machine Vision: How to Build a Non-Trivial Perception Machine</a><o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><i>Jan Løhmann Stephensen<br>
</i><a href="http://www.transformationsjournal.org/wp-content/uploads/2022/02/Trans36_02_stephensen.pdf" target="_blank">Artificial creativity: Beyond the human, or beyond definition?</a><o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><i>Bojana Romic<br>
</i><a href="http://www.transformationsjournal.org/wp-content/uploads/2022/03/Trans36_03_romic.pdf" target="_blank">It’s in the Name: Technical Nonhumans and Artistic Production</a><o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><i>Eleanor Sandry<br>
</i><a href="http://www.transformationsjournal.org/wp-content/uploads/2022/02/Trans36_04_sandry.pdf" target="_blank">Who or what is creative? Collaborating with machines to make visual art</a><o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><i>Miguel Carvalhais & Rosemary Lee<br>
</i><a href="http://www.transformationsjournal.org/wp-content/uploads/2022/02/Trans36_05_carvalhais_lee.pdf" target="_blank">Spectral and Procedural Creativity: A Perspective from Computational Art</a><o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><i>Anna Olszewska<br>
</i><a href="http://www.transformationsjournal.org/wp-content/uploads/2022/02/Trans36_06_olszewska.pdf" target="_blank">Machine Creativity in Terms of Detachment, Withdrawal, and Renunciation</a><o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><i>Daniel Ashton<br>
</i><a href="http://www.transformationsjournal.org/wp-content/uploads/2022/03/Trans36_07_ashton.pdf" target="_blank">Creative Work and Artificial Intelligence: Imaginaries, Assemblages and Portfolios</a><o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><i>David Kadish<br>
</i><a href="http://www.transformationsjournal.org/wp-content/uploads/2022/02/Trans36_08_kadish.pdf" target="_blank">Endemic Machines: Artificial Creativity in the Wild</a><o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><i>Immanuel Koh<br>
</i><a href="http://www.transformationsjournal.org/wp-content/uploads/2022/02/Trans36_09_koh.pdf" target="_blank">AI-Urban-Sketching: Deep Learning and Automating Design Perception for Creativity</a><o:p></o:p></p>
<p class="MsoNormal"><i>Pedro de Perdigão Lana<br>
</i><a href="http://www.transformationsjournal.org/wp-content/uploads/2022/02/Trans36_10_lana.pdf" target="_blank">Why works created autonomously by artificial intelligence (should) belong to the public domain – a viewpoint based on droit d’auteur traditions</a><o:p></o:p></p>
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