<div dir="ltr"><div class="gmail_default" style="font-family:tahoma,sans-serif"><div class="gmail_default">Hello friends at CSAA! I hope everyone is keeping well as best as you can.<br><br>I am delighted to share a CfP for a Special Issue of Policy &amp; Internet on &#39;Influencer regulations, Governance, and Social-cultural issues in the Asia Pacific Region&#39;, co-edited by Crystal Abidin (Curtin), Jian Xu (Deakin), and Jonathon Hutchinson (Sydney). This is a special call for papers on Australia, Hong Kong, India, Indonesia, Malaysia, Myanmar, New Zealand, Pakistan.<br><br>Attached as .pdf, and in plain text below.<br><br>Please feel free to circulate among interested parties.<br>Thank you in advance + Take care,<br>/Crystal  <br></div><div class="gmail_default"><br></div><div class="gmail_default">*</div><div class="gmail_default"><br></div><div class="gmail_default"><span id="gmail-m_972905923269458008gmail-docs-internal-guid-2f8cbdd1-7fff-d7ba-d8c9-8c0a5522f529"><p dir="ltr" style="line-height:1.38;text-align:center;margin-top:0pt;margin-bottom:0pt"><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Influencer Regulations, Governance and Socio-cultural Issues in the Asia Pacific region</span></p><p dir="ltr" style="line-height:1.38;text-align:center;margin-top:0pt;margin-bottom:0pt"><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Special Issue of </span><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Policy &amp; Internet</span></p><p dir="ltr" style="line-height:1.38;text-align:center;margin-top:0pt;margin-bottom:0pt"><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Co-edited by Crystal ABIDIN, Jian XU, Jonathon HUTCHINSON </span></p><br><p dir="ltr" style="line-height:1.38;text-align:center;margin-top:0pt;margin-bottom:0pt"><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Targeted CfP for papers on:</span><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap"><br></span><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap"> Australia, Hong Kong, India, Indonesia, Malaysia, Myanmar, New Zealand, Pakistan</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Influencer and micro-celebrity research has become a popular interdisciplinary research area across digital media studies and celebrity studies in the past few years, including a growing interest in the Global South (e.g. Abidin 2018, Abidin &amp; Brown 2018, Hurley 2019, Hopkins 2019, Lukács 2020) and their growth on platforms outside of Silicon Valley (e.g. Guan 2020, Lin &amp; De Kloet 2019, Song 2018). However, existing research in the field has still primarily focused on influencers and their types of labour (e.g. Abidin 2016, Duffy 2017, Duffy et al. 2021, Pham 2015, Raun 2018, Woodcock &amp; Johnson 2019), their savvy around algorithms and machine learning (e.g. Bishop 2019, Bishop 2020, Carah &amp; Dobson 2016, Cotter 2018), and various aspects of their follower relations (e.g. Berryman &amp; Kavka 2017) and monetizing engagements (e.g. Gerhards 2019, Johnson &amp; Woodcock 2019, Luvaas 2016, Zhang et al. 2019, Zou 2018), leaving the regulation and governance of influencers still an under-researched topic from the perspective of Social Science &amp; Humanities (e.g. Chen et al. 2020, Cunningham &amp; Craig 2019) considering socio-cultural issues. (For studies on Influencer governance from the perspective of Law, please see e.g. Goanta &amp; Ranchordà 2020).</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">In this Special Issue, we consider the regulation and governance of influencers not only through the lens and framework of specific rules, laws, policies, and regulations that set norms on the practices of influencers, but also the broader social, cultural, moral, technical, industrial, and political factors and restrictions to which Influencers are subject in order to accumulate sustainable impact and income. Moreover, we understand the governance of influencers as a process wherein multiple stakeholders are involved in the influencer industry, including official regulatory bodies, digital platforms, influencers and their agencies, endorsed brands and fans, resolve conflicts over emerging problems to shape the practices, ethics, economy and culture of influencers. The need to examine these issues of regulation and governance is pertinent in the Asia-Pacific region considering that it presently contains the world’s largest population of active social media users, the most vibrant and diverse digital economies and influencer cultures, as well as among the most dynamic and complicated internet regulations and policies.</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">The Special Issue advocates for a ‘turn to regulation and governance’ of influencer studies by taking influencers as a ‘new subject’ in the globally booming digital economy and culture. We are interested in papers that critically and subtly investigate various regulation and governing issues on influencers in the Asia-Pacific region, including but not limited to specific case studies of controversies, new enactments in regulation and law, concerns around advertorial disclosure and tax transparency, regulation and censorship of influencers’ content creation, platform and/or state interventions into influencer management, influencer management systems, and various socio-cultural concerns on the regulation of topics pertaining to race &amp; ethnicity, sex &amp; sexuality, age &amp; ageism, class &amp; inclusivity, ability &amp; accessibility, etc. The Special Issue will significantly contribute to the growing field of Influencer Studies, especially in the Asia Pacific region. More broadly, it will also greatly contribute to the studies of internet regulations and governance, digital economy, digital culture and celebrity studies in the Asia Pacific and beyond. </span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Policy &amp; Internet</span><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap"> is one of the most prestigious journals in the field of internet and digital media studies, with a particular focus on the evolving relationship between the internet, digital technologies and public policy. It is an international multidisciplinary journal in a new and fragmented field. The potential audience for the Journal is therefore very wide. Please ensure that there is enough context to your argument that the paper can have value for people outside of your specific field or geographical region. Papers should be succinct, written in clear English, and closely and critically argued. A word count between 6,000-8,000 words is ideal. We are unlikely to accept papers that are mostly or entirely descriptive, or that lack depth, substance, critical assessment and clear contribution to the field. Papers in </span><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Policy &amp; Internet </span><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">are published Open Access. For further information, please see </span><a href="https://onlinelibrary.wiley.com/journal/19442866" target="_blank" style="text-decoration-line:none"><span style="font-size:11pt;font-family:Arial;background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;text-decoration-line:underline;vertical-align:baseline;white-space:pre-wrap">https://onlinelibrary.wiley.com/journal/19442866</span></a><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap"> </span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Expressions of interest via a 250-word abstract and 150-word bio for contributions on </span><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Australia, Hong Kong, India, Indonesia, Malaysia, Myanmar, New Zealand, Pakistan</span><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap"> are invited by </span><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">09 August 2021</span><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap"> to A/Prof Crystal Abidin, Dr Jian Xu, and Dr Jonathon Hutchinson via email. The Editors will shortlist and respond to all contributors in the following week. Full papers are due in </span><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">mid-November 2021</span><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">.</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Thank you.</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">P&amp;I </span><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">SI co-editors, </span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">A/Prof Crystal Abidin, Curtin University, crystal.abidin[at]<a href="http://curtin.edu.au/" target="_blank">curtin.edu.au</a></span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Dr Jian Xu, Deakin University,  j.xu[at]<a href="http://deakin.edu.au/" target="_blank">deakin.edu.au</a></span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Dr Jonathon Hutchinson, University of Sydney, jonathon.hutchinson[at]<a href="http://sydney.edu.au/" target="_blank">sydney.edu.au</a></span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap"><span style="width:100px;display:inline-block"></span></span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">References</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Abidin</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Crystal. 2016. &quot;Visibility labour: Engaging with Influencers&#39; fashion brands and #OOTD advertorial campaigns on Instagram.&quot; Media International Australia 161(1): 86-100.</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Abidin</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Crystal. 2018. Internet Celebrity: Understanding Fame Online. Bingley, UK: Emerald</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Publishing.</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Abidin</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Crystal, and Megan Lindsay Brown (eds). 2018. Microcelebrity Around the Globe: Approaches to cultures of internet fame. Bingley, UK: Emerald Publishing.</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Berryman</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Rachel &amp; Misha Kavka. 2017. &quot;&#39;I guess A lot of people see me as a big sister or a friend&#39;: The role of intimacy in the celebrification of beauty vloggers.&quot; Journal of Gender Studies 26(3): 307-320.</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Bishop</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Sophie. 2019. &quot;Managing visibility on YouTube through algorithmic gossip.&quot; New Media &amp; Society 21(11-12).</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Bishop</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Sophie. 2020. &quot;Algorithmic Experts: Selling Algorithmic Lore on YouTube.&quot; Social Media + Society 6(1)</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Carah</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Nicholas and Amy Dobson. 2016. &quot;Algorithmic hotness: Young women’s “promotion” and &#39;reconnaissance&#39; work via social media body images.&quot; Social Media + Society 2(4).</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Chen</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Shing-Ling S., Zhuojun Joyce Chen, &amp; Nicole Allaire. 2020. (Eds.) Legal and Ethical Issues of Live Streaming. Washington, DC: Lexington Books. </span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Cotter</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Kelley. 2018. &quot;Playing the visibility game: How digital influencers and algorithms</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">negotiate influence on Instagram.&quot; New Media &amp; Society 21(4): 895-913.</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Cunningham</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Stuart and David Craig. 2019. &quot;Creator Governance in Social Media Entertainment.&quot; Social Media + Society 5(4).</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Cunningham</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Stuart and David Craig. 2021. &quot;Creator Rights and Governance&quot;, Chapter 14 in Creator Culture, edited by Stuart Cunningham &amp; David Craig. New York: New York University Press. </span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Duffy</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Brooke Erin. 2017. (Not) getting paid to do what you love: gender, social media, and</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">aspirational work. New Haven: Yale University Press</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Duffy</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Brooke Erin, Annika Pinch, Shruti Sannon, Megan Sawey. 2021. &quot;The Nested Precarities of Platformized Creative Labor.&quot; Social Media + Society 7(2).</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Gerhards</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Claudia. 2019. &quot;Product placement on YouTube: An explorative study on YouTube creators&#39; experiences with advertisers.&quot; Convergence 25(3): 516-533.</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Goanta</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Catalina &amp; Sofia Ranchordà. 2020. (Eds.) The Regulation of Social Media Influencers. Cheltenham, UK: Edward Elgar Publishing. </span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Guan</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Zexu. 2020. &quot;Chinese beauty bloggers: Amateurs, entrepreneurs, and platform labour.&quot;</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Celebrity Studies, 12(2): 326-332.</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Hopkins</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Julian. 2019. Monetising the Dividual Self: The Emergence of the Lifestyle Blog and Influencers in Malaysia. New York: Berghahn Books.</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Hurley</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Zoe. 2019. &quot;Imagined affordances of Instagram and the Fantastical Authenticity of Female Gulf-Arab Social Media Influencers.&quot; Social Media + Society 5(1).</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Johnson</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Mark R. and Jamie Woodcock. 2019. “&#39;And Today’s Top Donator is&#39;: How Live Streamers on Twitch.tv Monetize and Gamify Their Broadcasts.&quot; Social Media + Society 5(4).</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Lin</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Jian, and Jeroen De Kloet. 2019. &quot;Platformization of the Unlikely Creative Class: Kuaishou and Chinese Digital Cultural Production.&quot; Social Media + Society 5(4).</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Lukács</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Gabriella. 2020. Invisibility by Design: Women and Labor in Japan’s Digital Economy. Durham, North Carolina: Duke University Press.</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Luvaas</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Brent. 2016. Street Style: An Ethnography of Fashion Blogging. London: Bloomsbury Press.</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Pham</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Minh-Ha T. 2015. Asians Wear Clothes on the Internet: Race, Gender, and the Work of Personal Style Blogging. Durham, North Carolina: Duke University Press.</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Raun</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Tobias. 2018. &quot;Capitalizing intimacy: New subcultural forms of micro- celebrity strategies</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">and affective labour on YouTube.&quot; Convergence 24(1): 99–113.</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Song</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Hojin. 2018. &quot;The making of microcelebrity: AfreecaTV and the Younger Generation in Neoliberal South Korea.&quot; Social Media + Society 4(4). </span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Woodcock</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Jamie and Mark R. Johnson. 2019. &quot;The Affective Labor and Performance of Live</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Streaming on Twitch.tv&quot; Television and New Media 20(8): 813-823.</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Zhang</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Xiaoxing, Yu Xiang, and Lei Hao. 2019. &quot;Virtual gifting on China’s live streaming platforms: Hijacking the online gift economy.&quot; Chinese Journal of Communication 12(3): 340-355.</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Zou</span><span style="font-size:9pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, Sheng. 2018. &quot;Producing Value Out of the Invaluable: A Critical/Cultural Perspective on the Live Streaming Industry in China.&quot; TripleC: Communication, Capitalism &amp; Critique 16(2): 805-819.</span></p></span></div></div></div>