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<b style="color: inherit; font-style: inherit; font-variant-ligatures: inherit; font-variant-caps: inherit; font-size: 14pt;">Celebrity Studies Journal Anniversary Celebrations</b><br>
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This year marks the 10th anniversary of<span style="margin:0px"> </span><i>Celebrity Studies Journal</i>, which launched in 2010.</div>
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To celebrate this milestone, ten celebrity studies scholars have been invited to reflect on their own journeys in celebrity studies, and comment on transformations in the field since the journal's inception. </div>
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We are excited to announce the following lineup of scholars:</div>
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<li>January - Pramod K. Nayar (University of Hyderabad)</li><li>February -<span style="margin:0px"> </span><span style="margin:0px">Hannah Hamad (Cardiff University)</span></li><li>March - Erin Meyers (Oakland University) and Joshua Gamson (University of San Francisco)</li><li>April - Melanie Kennedy (University of Leicester)</li><li>May - P David Marshall (Deakin University)</li><li>June - Milly Williamson (Goldsmiths, University of London)</li><li>July - <span style="font-family: Calibri, Arial, Helvetica, sans-serif; background-color: rgb(255, 255, 255); display: inline !important">Jo Littler (City, University of London)</span></li><li>August - Misha Kavka (University of Amsterdam)</li><li><span style="color: rgb(0, 0, 0); font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt;">September - CSJ editorial board</span><br>
</li><li>October - Sean Redmond (Deakin University)</li></ul>
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<span style="margin:0px"></span>Check out our seventh audio piece with Jo Littler <a href="https://www.facebook.com/watch/?v=846229915859440" title="https://www.facebook.com/watch/?v=846229915859440">here</a>.</div>
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Follow us on<span style="margin:0px"> </span><a href="https://www.facebook.com/CSJcelebstudies/" title="https://www.facebook.com/CSJcelebstudies/" style="margin:0px">Facebook</a><span style="margin:0px"> </span>and<span style="margin:0px"> </span><a href="https://twitter.com/CSJcelebstudies" title="https://twitter.com/CSJcelebstudies" style="margin:0px">Twitter</a><span style="margin:0px"> </span>for
more updates.</div>
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Regards,<br>
Celia<br>
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<b><span style="font-family:Arial; color:#009BBD"><font face="Helvetica, Sans-Serif"><span style="font-size:11pt">Dr Celia Lam</span></font></span></b><span style="font-family:Arial"></span></p>
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<span style="font-size:11pt"></span><b><span style="font-family:Arial; color:#131B57"><font face="Helvetica, Sans-Serif"><span style="font-size:11pt">Assistant Professor in Media and Cultural studies</span></font></span></b></p>
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<b><span style="font-family:Arial; color:#131B57"><font face="Helvetica, Sans-Serif"><span style="font-size:11pt"><span style="font-size:11pt">Associate D</span><span style="font-size:11pt">ean for Research and Knowledge Exchange</span></span></font></span></b></p>
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<b><span style="font-family:Arial; color:#131B57"><font face="Helvetica, Sans-Serif"><span style="font-size:11pt"><span style="font-size:11pt">Faculty of Humanities and Social Sc</span><span style="font-size:11pt">iences</span><br>
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<span style="font-size:9.0pt; font-family:Arial; color:#131B57"><font face="Helvetica, Sans-Serif">School of International Communications</font></span></p>
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<span style="font-size:9.0pt; font-family:Arial; color:#131B57"><font face="Helvetica, Sans-Serif"></font>University of Nottingham Ningbo China</span><sub><span style="font-size:11.0pt; font-family:Arial"></span></sub></p>
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<span style="font-size:9.0pt; font-family:Arial; color:#131B57">Room 337, Trent Building</span><span style="font-size:11.0pt; font-family:Arial"></span></p>
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<span style="font-size:9.0pt; font-family:Arial; color:#131B57">199 Taikang East Road
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<span style="font-size:9.0pt; font-family:Arial; color:#131B57">Ningbo 315100</span><span style="font-size:11.0pt; font-family:Arial"></span></p>
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<font face="Helvetica, Sans-Serif" size="2"><span style="font-size:9.0pt; font-family:Arial; color:#131B57">+86 (0) 574 8818 0000 - 8453<span class="x_x_sys_schoolHeader_bottomBig"><font face="Helvetica, Sans-Serif" size="2"><font color="000000"><font color="000000"><font color="000000"><font color="000000"><font color="000000"><font color="000000"><font color="000000"><span class="x_x_sys_schoolHeader_bottomBig"><font face="Helvetica, Sans-Serif" size="2"><font color="000000"><font color="000000"><font color="000000"><font color="000000"><font color="000000"><span style="font-size:9pt"></span>
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publications</b></span></font></span></b><br>
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<b><span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="x_x_sys_schoolHeader_bottomBig"></span></font></span></b><span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="x_x_sys_schoolHeader_bottomBig"><span style="font-size:10pt"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2019)
<span style="color:rgb(12,100,192)"><a href="https://www.uipress.uiowa.edu/books/9781609386573/aussie-fans" title="https://www.uipress.uiowa.edu/books/9781609386573/aussie-fans"><span style="color:rgb(12,100,192)">Aussie Fans: Uniquely Placed in Global Popular
Culture</span></a></span>. University of Iowa Press (edited volume)<br>
</span></span></span></span></font></span></p>
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<span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="x_x_sys_schoolHeader_bottomBig"><span style="font-size:10pt"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2019)
<span>Our Aussie Divas: Interrogating Australian Identity through Audience Reactions to Australia's Eurovision Entrants</span>, chapter in</span><span style="color:rgb(23,78,134); font-size:8pt">
</span><span style="color:rgb(0,0,0); font-size:8pt"><a href="https://www.springer.com/cn/book/9783030200572" title="https://www.springer.com/cn/book/9783030200572"><span style="color:rgb(23,78,134)">Eurovision and Australia</span></a>, Palgrave Macmillan<br>
</span></span></span></span></font></span></p>
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<span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="x_x_sys_schoolHeader_bottomBig"><span style="font-size:10pt"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt"><font face="Helvetica, Sans-Serif" size="2"><span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span><span style="font-size:10pt"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2019)</span><span style="font-size:8pt"></span></span></span><a title="Ctrl+Click or tap to follow the link" href="http://www.tandfonline.com/doi/full/10.1080/19392397.2017.1365615"><span style="font-size:8pt">'True
bromance: the authenticity behind the Stewart/McKellen relationship</span></a><span style="font-size:9pt"><span style="font-size:8pt">',
</span><span style="color:rgb(0,0,0); font-size:8pt">Celebrity Studies Journal</span></span></span></font></span></font><br>
</span></span></span></span></font></span></p>
<p style="margin-top: 0px; margin-bottom: 0px;margin-top:0px; margin-bottom:0px; margin-top:0px; margin-bottom:0px; margin-top:0px; margin-bottom:0px; margin-top:0px; margin-bottom:0px; margin-top:0px; margin-bottom:0px; margin-top:0px; margin-bottom:0px; margin-top:0px; margin-bottom:0px; margin-top:0px; margin-bottom:0px; margin-top:0px; margin-bottom:0px; margin-top:0px; margin-bottom:0px; margin-top:0px; margin-bottom:0px; margin-top:0px; margin-bottom:0px; margin-top:0px; margin-bottom:0px; margin-top:0px; margin-bottom:0px; margin-top:0px; margin-bottom:0px; margin-top:0px; margin-bottom:0px; margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:"Times New Roman"">
<span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="x_x_sys_schoolHeader_bottomBig"><span style="font-size:10pt"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)</span><span style="font-size:8pt">
</span></span><a href="http://journals.sagepub.com/doi/pdf/10.1177/2059436418806406" class="x_x_OWAAutoLink"><span style="font-size:8pt">International TV series distribution on Chinese digital platforms: Marketing strategies and audience engagement
</span></a><span style="font-size:9pt"><span style="font-size:8pt">, </span><span style="color:rgb(0,0,0); font-size:8pt">Global Media and China</span></span><br>
<span style="font-size:8pt"></span><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)</span><span style="font-size:8pt">
</span></span><a href="https://www.amazon.com/Personas-Places-Negotiating-Stereotypes-Identities/dp/0993993893" class="x_x_OWAAutoLink"><span style="font-size:8pt">Personas and Places: Negotiating Myths, Stereotypes and National Identities</span></a><span style="font-size:9pt"><span style="font-size:8pt">,</span><span style="color:rgb(0,0,0); font-size:8pt">
WaterHill Publishing (edited volume)</span></span><br>
<span style="font-size:8pt"></span><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)</span><span style="font-size:8pt">
</span></span><a href="https://brill.com/view/title/35653?format=PBK&offer=368089" class="x_x_OWAAutoLink"><span style="font-size:8pt">Disassembling the Celebrity Figure: Credibility and the Incredible</span></a><span style="font-size:9pt"><span style="font-size:8pt">,
</span><span style="color:rgb(0,0,0); font-size:8pt">Brill (edited volume)</span></span><br>
<span style="font-size:8pt"></span><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)
</span></span><a href="http://www.tandfonline.com/doi/full/10.1080/19392397.2018.1432418" target="_blank" rel="noopener noreferrer" title="Cmd+Click or tap to follow the link"><span style="font-size:8pt">‘Grant’ing a voice: the representation, activity and
agency of Stan Grant</span></a><span style="font-size:9pt"><span style="font-size:8pt">,
</span><span style="color:rgb(0,0,0); font-size:8pt">Celebrity Studies Journal </span>
</span><a href="http://www.tandfonline.com/eprint/MUUyhZ3cRwcrR22gn4Fr/full" class="x_x_OWAAutoLink" title="Cmd+Click or tap to follow the link"><span style="font-size:8pt">available as eprint</span></a><br>
<span style="font-size:8pt"></span><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)</span><span style="font-size:8pt"> '</span></span><a href="http://www.tandfonline.com/doi/full/10.1080/19392397.2018.1432354" target="_blank" rel="noopener noreferrer" title="Cmd+Click or tap to follow the link"><span style="font-size:8pt">Representing
(real) Australia: Australia’s Eurovision entrants, diversity and Australian identity</span></a><span style="font-size:9pt"><span style="font-size:8pt">',
</span><span style="color:rgb(0,0,0); font-size:8pt">Celebrity Studies Journal </span>
</span><a href="http://www.tandfonline.com/eprint/MxumsteeDUfhyuxyqUpb/full" class="x_x_OWAAutoLink"><span style="font-size:8pt">available as eprint</span></a><br>
<span style="font-size:8pt"></span><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)</span></span><a href="http://www.tandfonline.com/doi/full/10.1080/19392397.2018.1426026" class="x_x_OWAAutoLink" title="Cmd+Click or tap to follow the link"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">
</span><span style="font-size:8pt">'X-Men bromance: film, audience and promotion'</span></span></a><span style="font-size:9pt"><span style="font-size:8pt">,</span><span style="color:rgb(0,0,0); font-size:8pt"> Celebrity Studies Journal</span><span style="font-size:8pt">
</span></span><a href="http://www.tandfonline.com/eprint/ceJcT7M7aTDQK7cP49Y7/full" class="x_x_OWAAutoLink" title="Cmd+Click or tap to follow the link"><span style="font-size:8pt">available as eprint</span></a><br>
</span></span></font></span></p>
<div name="x_x_divtagdefaultwrapper" style="font-family:Calibri,Arial,Helvetica,sans-serif; font-size:; margin:0">
<font face="Helvetica, Sans-Serif"><span class="x_x_sys_schoolHeader_bottomBig"><span style="font-size:10pt"><span style="font-size:8pt">(2017) '</span><a href="http://www.tandfonline.com/doi/full/10.1080/10304312.2017.1391177" target="_blank" rel="noopener noreferrer" style="font-family:sans-serif; font-size:12px"><span style="font-size:8pt">The
function of hosts: enabling fan–celebrity interactions at pop culture conventions</span></a><span style="font-size:8pt">', Continuum
</span><a href="http://www.tandfonline.com/eprint/u7EVZZDY9tukusXpDvBi/full" class="x_x_OWAAutoLink"><span style="font-size:8pt">available as eprint
</span><span style="color:rgb(51,51,51); font-family:sans-serif; font-size:9pt"><span></span></span></a><span style="color:rgb(51,51,51); font-family:sans-serif; font-size:12px"><br>
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