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<p class="MsoNormal" align="center" style="mso-margin-top-alt:0cm;margin-right:80.5pt;margin-bottom:0cm;margin-left:74.55pt;margin-bottom:.0001pt;text-align:center">
<b><span lang="EN-AU" style="font-size:22.0pt;color:#2E5395">Creative People, Products and Places<o:p></o:p></span></b></p>
<p class="MsoNormal" align="center" style="text-align:center"><b><span lang="EN-AU" style="font-size:20.0pt;color:#24408F">Online Seminar<o:p></o:p></span></b></p>
<p class="MsoNormal" align="center" style="text-align:center"><span lang="EN-AU" style="color:black"><img width="559" height="189" style="width:5.8229in;height:1.9687in" id="Picture_x0020_2" src="cid:image001.jpg@01D63F2E.2322B150"></span><span lang="EN-AU"><o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center"><span lang="EN-AU"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center"><b><span lang="EN-AU" style="font-size:18.0pt;color:#2F5496">The Value of Small Live Music Venues: Alternative forms of capital and niche spaces of cultural production<o:p></o:p></span></b></p>
<p class="MsoNormal" align="center" style="text-align:center"><b><span lang="EN-AU" style="font-size:14.0pt;color:#2F5496">Samuel Whiting<o:p></o:p></span></b></p>
<p class="MsoNormal" align="center" style="text-align:center"><b><i><span lang="EN-AU" style="font-size:12.0pt;color:#2F5496">University of South Australia, UniSA Creative<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><span lang="EN-AU"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" style="text-align:justify;line-height:13.0pt"><span lang="EN-AU" style="font-size:10.0pt;color:#2F5496">Small live music venues rely on complex systems of cultural and social capital in order to bring revenue into these spaces.&nbsp; Although
 these intangible forms of value are quickly exchanged for economic capital over the bar or through the ticket vendor, their initial state conveys that which is intrinsically valuable about small venues. Throughout this paper I illustrate the non-economic value
 of small venues through an analysis and discussion of how social, cultural and symbolic capital (Bourdieu 2002, 1997, 1986, 1984) are generated and mobilized by individuals working in small venues and the venue spaces themselves. This utilisation of Bourdieu
 and his theoretical apparatus forms the conceptual framework for this paper, as I assert that much of the
<i>work</i> that small venues <i>do</i> is intangible, and thus difficult to measure in quantitative terms. However, Bourdieu&#8217;s alternative forms of capital allow us to qualitatively assess the social and cultural value(s) of small live music venues. This paper
 sits in contrast to instrumental measures of culture such as cost-benefit analyses and other forms of contingent valuation. Instead, Bourdieu&#8217;s alternative forms of capital are utilised here to illustrate the social and cultural value(s) of small live music
 venues as intrinsic qualities that are significant in their own right. <o:p></o:p></span></p>
<p class="MsoNormal" style="text-align:justify;line-height:13.0pt"><span lang="EN-AU" style="font-size:10.0pt;color:#2F5496"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center"><b><span lang="EN-AU" style="font-size:14.0pt;color:#25408F;letter-spacing:-.15pt">Friday 12<sup>th</sup> June 2020<o:p></o:p></span></b></p>
<p class="MsoNormal" align="center" style="text-align:center"><b><span lang="EN-AU" style="color:#25408F;letter-spacing:-.15pt">4:00 - 4:20 Presentation<o:p></o:p></span></b></p>
<p class="MsoNormal" align="center" style="text-align:center"><b><span lang="EN-AU" style="color:#25408F;letter-spacing:-.15pt">4:20 - 5:00 Feedback, Q&amp;A and Networking<o:p></o:p></span></b></p>
<p class="MsoPlainText" align="center" style="text-align:center"><b><span lang="EN-AU" style="color:#25408F;letter-spacing:-.15pt">Zoom Link:
</span></b><span lang="EN-AU"><a href="https://unisa.zoom.us/j/96621602901?pwd=TVlxdWpIK2UzKzFrbWRGazhSMVJIUT09">Online Seminar</a><o:p></o:p></span></p>
<p class="MsoPlainText" align="center" style="text-align:center"><b><i><span lang="EN-AU" style="color:#2F5597">Flyer Attached<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><span lang="EN-AU"><o:p>&nbsp;</o:p></span></p>
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 Whiting is a popular music scholar and a lecturer in creative industries at&nbsp;the University of South Australia. His published papers explore issues of access, identity, gender,&nbsp;heritage, live music, and scenes through the lens of popular music studies.&nbsp;His
 PhD focussed on the social and cultural value of small live music venues and was awarded by RMIT University.</span><b><span lang="EN-AU" style="font-size:10.0pt;color:#2F5496"><o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-AU"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal"><span lang="EN-AU"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal"><o:p>&nbsp;</o:p></p>
<p class="MsoNormal"><o:p>&nbsp;</o:p></p>
<p class="MsoNormal"><b><span style="font-size:10.0pt;font-family:&quot;Altis UniSA&quot;,sans-serif;mso-fareast-language:EN-GB">Prof Susan Luckman</span></b><span style="font-size:10.0pt;font-family:&quot;Altis UniSA&quot;,sans-serif;mso-fareast-language:EN-GB">
</span><span lang="EN-AU" style="font-size:10.0pt;font-family:&quot;Altis UniSA&quot;,sans-serif;color:black;mso-fareast-language:EN-GB">|</span><span lang="EN-AU" style="font-size:10.0pt;font-family:&quot;Altis UniSA&quot;,sans-serif;mso-fareast-language:EN-GB">
</span><span style="font-size:10.0pt;font-family:&quot;Altis UniSA&quot;,sans-serif;mso-fareast-language:EN-GB">Dean of Research
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:&quot;Altis UniSA&quot;,sans-serif;mso-fareast-language:EN-GB">UniSA Creative</span><span lang="EN-AU" style="font-size:10.0pt;font-family:&quot;Altis UniSA&quot;,sans-serif;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:&quot;Altis UniSA&quot;,sans-serif;mso-fareast-language:EN-GB">University of South Australia<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:&quot;Altis UniSA&quot;,sans-serif;mso-fareast-language:EN-GB">GPO Box 2471 Adelaide
</span><span lang="EN-AU" style="font-size:9.0pt;font-family:&quot;Altis UniSA&quot;,sans-serif;color:black;mso-fareast-language:EN-GB">| SA 5001<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-AU" style="font-size:9.0pt;font-family:&quot;Altis UniSA&quot;,sans-serif;color:black;mso-fareast-language:EN-GB">Tel &#43;61 8 8302 4152<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:&quot;Altis UniSA&quot;,sans-serif;mso-fareast-language:EN-GB"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:&quot;Altis UniSA&quot;,sans-serif;mso-fareast-language:EN-GB">UniSA respects the Kaurna, Boandik and Barngarla peoples' spiritual relationship with their country.&nbsp; We recognise and respect their cultural
 heritage, beliefs and relationship with the land and acknowledge that they are of continuing importance to those people living today.<o:p></o:p></span></p>
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<p class="MsoNormal"><i><span lang="EN-AU" style="font-size:9.0pt;font-family:&quot;Altis UniSA&quot;,sans-serif;color:black;mso-fareast-language:EN-GB">This email is intended for the addressee(s) only.</span></i><i><span lang="EN-AU" style="font-size:9.0pt;color:black;mso-fareast-language:EN-GB">&nbsp;</span></i><i><span lang="EN-AU" style="font-size:9.0pt;font-family:&quot;Altis UniSA&quot;,sans-serif;color:black;mso-fareast-language:EN-GB">
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<p class="MsoNormal"><span style="font-size:9.0pt;font-family:&quot;Altis UniSA&quot;,sans-serif;mso-fareast-language:EN-GB">CRICOS provider # 00121B<o:p></o:p></span></p>
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