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<p class="MsoNormal">With apologies for x-posting<o:p></o:p></p>
<p class="MsoNormal"><o:p>&nbsp;</o:p></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%">On behalf of the Editorial Board of
<i>Culture, Theory and Critique</i>, I would like to provide an update on our journal&#8217;s operations during this difficult time. We recognise that many authors and reviewers will have been impacted by the COVID-19 pandemic in different ways and may thus not be
 able to meet deadlines or to carry out tasks that seemed entirely feasible but a few weeks ago at all. Please know that we understand entirely and reach out if ever you wish to discuss how we can work together for a positive result &#8211; and please forgive any
 automated reminders that still fly your way from our systems. <o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%">While progressing the work of the journal has become more challenging, we have decided not to pause all of our operations, knowing that for many colleagues it will remain important for publications
 to appear in as timely a fashion as possible; this may be especially so for colleagues seeking employment or in tenure track positions. In addition, we believe that work such as that published in the journal has an important role to play in helping people
 to think through the world they live in, both generally and in relation to the particular constellation of questions that have come to the fore during this pandemic.
<o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%">For this reason, as well as trying to maintain our normal operations as far as possible, we are here issuing a call for papers that address questions related to the COVID-19 pandemic. In an attempt
 to ensure that papers in this series appeal to and are accessible to as broad an audience as possible as quickly as possible, we are: calling for papers that are shorter than the journal&#8217;s standard article-length; working on a fast-track refereeing process,
 and; negotiating with our publisher, Taylor &amp; Francis, to make the online version of any paper published in this series open access for a limited time. (Note that while Taylor &amp; Francis have announced a pause on the print publication of journals, there is
 currently no interruption to their online operations.) Please note that while we are keen to receive submissions that appeal to a broad audience, papers submitted MUST fall within the journal&#8217;s normal aims and scope. The call for papers follows. We look forward
 to reading your responses. <o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><i><o:p>&nbsp;</o:p></i></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%">&#8220;Viral Logics and Cytopathic Effects&#8221;<i><o:p></o:p></i></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><i>Culture, Theory and Critique</i> is calling for submissions for a themed series to be entitled, &#8220;Viral Logics and Cytopathic Effects&#8221;. In line with the journal&#8217;s aims and scope, papers submitted
 for this series should address ways in which the current COVID-19 pandemic requires us to reconceptualise extant theoretical frameworks or, conversely, how these frameworks might enable us to reconfigure the viral logics that have come to dominate many different
 forms of culture. The critical interventions called for should then seek, metaphorically, to bring about cytopathic effects in the bodies of knowledge that are, or should be, operational in the current environment.
<o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%">All papers will undergo a process of double blind peer review; however, in line with the accelerated timelines of this contemporary moment, we will aim to fast track the refereeing process for
 papers in this series. Once accepted and through the refereeing and production process, papers will be made immediately available online; we are currently negotiating for these papers to be open access but cannot confirm this as yet. Papers will appear in
 print issues of the journal as soon as possible, published across a number of issues as a series rather than all together in a single volume.
<o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%">Aware of the extra demands placed on many working in the academic sector at this time but wishing to provide an outlet for colleagues wanting to turn their work to this crisis, for this series,
<i>Culture, Theory and Critique</i> will accept shorter papers than usual; submissions should be between 2,500-5,000 words.<o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%">Submissions will be accepted at any time until the end of 2020. When submitting through our
<a href="https://mc.manuscriptcentral.com/rctc"><span style="color:#0563C1">online submission system</span></a>, please select &#8220;Viral Logics&#8221; as the issue for which you wish your paper to be considered.
<o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%">Prospective authors are asked to familiarise themselves with the journal&#8217;s
<a href="https://www.tandfonline.com/action/journalInformation?show=aimsScope&amp;journalCode=rctc20">
<span style="color:#0563C1">aims and scope </span></a>and a range of papers from the journal to ensure that their work is suitable for this outlet. For the sake of expediency, authors are also requested to respect the journal&#8217;s
<a href="https://www.tandfonline.com/action/authorSubmission?show=instructions&amp;journalCode=rctc20">
<span style="color:#0563C1">instructions for authors and style guide</span></a>. <o:p>
</o:p></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%">For all inquiries, including questions regarding the suitability of a piece for
<i>Culture, Theory and Critique</i> prior to full submission, please contact the Editor-in-Chief, Greg Hainge (<a href="mailto:g.hainge@uq.edu.au"><span style="color:#0563C1">g.hainge@uq.edu.au</span></a>).
<o:p></o:p></p>
<p class="MsoNormal"><o:p>&nbsp;</o:p></p>
<p class="MsoNormal"><o:p>&nbsp;</o:p></p>
<p class="MsoNormal"><b><span style="font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">Professor Greg Hainge FAHA&nbsp; SFHEA<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-size:6.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">BA(Hons), MA, GCertExecLead, PhD.
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">Professor of French, Member of UQ Senate<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">Project 1 Lead, Program Architecture 2.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:6.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">School of Languages and Cultures
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">The University of Queensland<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">Brisbane Qld 4072 Australia<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:7.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal"><b><span lang="FR" style="font-size:7.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">T</span></b><span lang="FR" style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">
 &#43;61 7 3365 2282 <o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="FR" style="font-size:7.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">E</span></b><span lang="FR" style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">
</span><u><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU"><a href="mailto:g.hainge@uq.edu.au"><span lang="FR" style="color:#0563C1">g.hainge@uq.edu.au</span></a></span></u><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">
</span><b><span lang="FR" style="font-size:7.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">W</span></b><span lang="FR" style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">
</span><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU"><a href="https://researchers.uq.edu.au/researcher/1509"><span lang="FR" style="color:#0563C1">https://researchers.uq.edu.au/researcher/1509</span></a></span><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">
<span lang="FR"><o:p></o:p></span></span></p>
<p class="MsoNormal"><span lang="FR" style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">OUT NOW:
<b><i>Philippe Grandrieux: Sonic Cinema</i>, New York: Bloomsbury, 2017) Order <a href="http://www.bookdepository.com/Philippe-Grandrieux-Greg-Hainge/9781628923124?a_aid=greghainge">
<span style="color:#0563C1">here</span></a>. </b><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">PODCAST: Interview on Radio National on Grandrieux
</span><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU"><a href="http://www.abc.net.au/radionational/programs/finalcut/unrest/8683606"><span style="color:#0563C1">here</span></a>.</span><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">
</span><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">STILL AVAILABLE:
<b><i>Noise Matters: Towards an Ontology of Noise</i>, New York: Bloomsbury, 2013. Order
<a href="http://www.bookdepository.com/Noise-Matters-Greg-Hainge/9781441111487?a_aid=greghainge">
<span style="color:#0563C1">here</span></a>.<o:p></o:p></b></span></p>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">personal web page:
<a href="http://uq.academia.edu/GregHainge"><span style="color:#0563C1">http://uq.academia.edu/GregHainge</span></a>
<o:p></o:p></span></p>
<p class="MsoNormal"><i><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU"><a href="http://www.excentrics.org/"><span style="color:#0563C1">ex:centrics</span></a></span></i><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">,</span><span lang="EN-US" style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">
 a Bloomsbury Academic book series, co-editor. </span><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU"><o:p></o:p></span></p>
<p class="MsoNormal"><i><span lang="EN-US" style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU"><a href="http://www.tandfonline.com/toc/rctc20/current"><span style="color:#0563C1">Culture Theory and Critique</span></a></span></i><span lang="EN-US" style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">,
 Editor-in-Chief. <o:p></o:p></span></p>
<p class="MsoNormal"><i><span lang="EN-US" style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU"><a href="http://online.liverpooluniversitypress.co.uk/loi/cfc"><span style="color:#0563C1">Contemporary French Civilization</span></a></span></i><span lang="EN-US" style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">,
 Editor.<o:p></o:p></span></p>
<p class="MsoNormal"><i><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;mso-fareast-language:EN-AU"><a href="https://www.tandfonline.com/toc/rsfc20/current"><span style="color:#0563C1">French Screen Studies</span></a></span></i><span lang="EN-US" style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">,
 Editor. <o:p></o:p></span></p>
<p class="MsoNormal"><i><span lang="FR" style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">Etudes Celiniennes</span></i><span lang="FR" style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">
 Editorial Board. <o:p></o:p></span></p>
<p class="MsoNormal"><i><span lang="FR" style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU"><a href="https://www.cairn.info/en-savoir-plus-sur-la-revue-corps.htm"><span style="color:#0563C1">Corps: Revue interdisciplinaire</span></a>
</span></i><span lang="FR" style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">Editorial Board.<o:p></o:p></span></p>
<p class="MsoNormal"><i><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;mso-fareast-language:EN-AU"><a href="http://www.openhumanitiespress.org/books/series/media-art-write-now/"><span style="color:#0563C1">Media : Art : Write : Now</span></a>
</span></i><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">Advisory Board. &nbsp;
</span><i><span style="mso-fareast-language:EN-AU"><o:p></o:p></span></i></p>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal"><span style="font-size:7.5pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU">CRICOS code: 00025B<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:7.5pt;font-family:&quot;Arial&quot;,sans-serif;color:#51247A;mso-fareast-language:EN-AU"><o:p>&nbsp;</o:p></span></p>
<p class="MsoNormal"><span style="font-size:6.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#999490;mso-fareast-language:EN-AU">The University of Queensland is embracing the Green Office philosophy. Please consider the environment before printing this email.<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:6.0pt;font-family:&quot;Arial&quot;,sans-serif;color:#999490;mso-fareast-language:EN-AU">This email (including any attached files) is intended solely for the addressee and may contain confidential information of The University
 of Queensland. If you are not the addressee, you are notified that any transmission, distribution, printing or photocopying of this email is prohibited. If you have received this email in error, please delete and notify me. Unless explicitly stated, the opinions
 expressed in this email do not represent the official position of The University of Queensland.<o:p></o:p></span></p>
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