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With apologies for cross posting. A gentle reminder of the upcoming March 1st deadline for the below Special Issue CFP to<i> Continuum: Journal of Media & Cultural Studies.</i></div>
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<b><span lang="EN-AU" style="font-size:14.0pt; font-family:"Times New Roman"">CFP: Media and Fakery Special Issue
<i>Continuum: Journal of Media & Cultural Studies</i></span></b></p>
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<span lang="EN-AU" style="font-family:"Times New Roman"">Digital communications have inaugurated a proliferation of resources for faking the origins of information. As developments such as the ‘deepfake,’ fake news or AI-generated content destabilise presumptions
of informational dependability and authenticity, it becomes increasingly clear that a new set of communication theories are needed to probe these complex mediated relations. We invite scholars working in media, communication and cultural studies to submit
abstracts that interrogate the impact of media fakery on theories of media, communication and cultural studies.</span></p>
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<span lang="EN-AU" style="font-family:"Times New Roman"">A Special Issue on the topic of Media and Fakery will be submitted to
<i>Continuum: Journal of Media & Cultural Studies.</i></span></p>
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<span lang="EN-AU" style="font-family:"Times New Roman"">While all media contains elements of creative fabrication, we define media fakery as an attempt to conceal the origins of information that must contain a degree of human intentionality to be considered
‘fake.’ Rather than understandings of </span><span lang="EN-AU" style="font-family:"Times New Roman"">‘</span><span lang="EN-AU" style="font-family:"Times New Roman"">the fake</span><span lang="EN-AU" style="font-family:"Times New Roman"">’</span><span lang="EN-AU" style="font-family:"Times New Roman"">
as merely a vehicle to undermine or exploit trust, which inform characterisation of fake news as mis- or dis-information, ‘media fakery’ attempts to broaden the scope of interrogation. We are interested in a new era marked by an increasing acceptance that
all of us can ‘fake’ communications; an era of media fakery is one in which digital resources for manipulating and fabricating content are more broadly available. While scholars and journalists survey growing mistrust in the veracity of online communications,
it is possible too that this mistrust might be a healthy adjustment to an experimental, shared space in which all manner of new, socially distributed informational manipulations and machinic collaborations have become possible. We propose to explore the cultural
implications of these trends, and to examine fakery’s relevance to changes in media ecology more broadly. This proposed Issue considers the role of intentionality in the construction of media that purports to
</span><span lang="EN-AU" style="font-family:"Times New Roman"">‘</span><span lang="EN-AU" style="font-family:"Times New Roman"">be</span><span lang="EN-AU" style="font-family:"Times New Roman"">’</span><span lang="EN-AU" style="font-family:"Times New Roman"">
something that it is not or originate from a source that it does not. Additionally, the Issue explores the way these opportunities for fabrication and falsity create an ambiguity around our implicit association of content and authorial identities, implicating
producers and consumers in complex, and (potentially) politically subversive ways. The ambiguous (in origin, in veracity, in identity) configures encounters with media fakery in ways that enable consumers to question the processes of communication they are
engaged with, or it allows producers a means of self-protection (to both defensive and offensive ends). The implications of these digital ambiguities migrate to offline worlds, lives, and behaviour, as fakery online comes to irrevocably change our notions
of relationality. </span></p>
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<span lang="EN-AU" style="font-family:"Times New Roman"">The fake may destabilise our trust in media and belief systems, but it equally destabilises established media and communication theories. In problematising existing theories and looking ahead to the theoretical
and socio-cultural implications of current media trends, this Issue hopes to prompt reflection that brings new perspectives to media, communication and cultural studies.</span></p>
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<span lang="EN-AU" style="font-family:"Times New Roman"">Topics may include, but are not limited to, the following:</span><span lang="EN-AU" style="font-family:"Times New Roman""></span></p>
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<li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">fake news</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">the deepfake</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">public trust in journalism and politics</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"; border:none windowtext 1.0pt; padding:0cm">“</span><span style="font-family:"Times New Roman"">truthiness<span style="border:none windowtext 1.0pt; padding:0cm">,</span></span><span style="font-family:"Times New Roman"; border:none windowtext 1.0pt; padding:0cm">” </span><span style="font-family:"Times New Roman"">pseudoscience
and pseudo-communications</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">affect, cognitive biases and media psychology</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">the distribution of fake media in social networks</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">Facebook and Twitter bots</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">satirical news websites</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">hoaxes, false authorship and fraud</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">artificial intelligence and authorship</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">gender, ethnicity and sexual identity in digital communications</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">identity theft, catfishing and online identities</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">post-truth political communications</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">astroturfing, front organisations and advertorial</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">public relations and propaganda</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">data mining and targeted content</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">algorithmic aggregators and generators of news</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">“mockumentary” media</span><span style="font-family:"Times New Roman""></span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">fakery in transmedial and transnational communications</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">ambiguity, authenticity and intentionality</span></li><li style="margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:Calibri; color:black; text-align:justify; text-justify:inter-ideograph; background:white">
<span style="font-family:"Times New Roman"">empirical research in media fakery production and reception</span></li></ul>
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<i><span lang="EN-AU" style="font-family:"Times New Roman""> </span></i></p>
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<b><span lang="EN-AU" style="font-family:"Times New Roman""> </span></b></p>
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<b><span lang="EN-AU" style="font-family:"Times New Roman"">Submission</span></b></p>
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<span lang="EN-AU" style="font-family:"Times New Roman"">Please submit the following to:<b>
</b></span><a href="mailto:celia.lam@nottingham.edu.cn"><span lang="EN-AU" style="font-family:"Times New Roman"">mediafakery@nottingham.edu.cn</span></a><span lang="EN-AU" style="font-family:"Times New Roman"">
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<ul style="margin-bottom:0cm">
<li><span lang="EN-AU" style="font-family:"Times New Roman"">250 word (max) abstract</span></li><li><span lang="EN-AU" style="font-family:"Times New Roman"">100-150 word biography
</span></li></ul>
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<b><span lang="EN-AU" style="font-family:"Times New Roman""> </span></b></p>
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<b><span lang="EN-AU" style="font-family:"Times New Roman""> </span></b></p>
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<b><span lang="EN-AU" style="font-family:"Times New Roman"">Deadlines</span></b></p>
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<span lang="EN-AU" style="font-family:"Times New Roman"">Abstract submission deadline:
<b>1 March 2020</b></span></p>
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<span lang="EN-AU" style="font-family:"Times New Roman"">Notification of acceptance: 15 March 2020</span></p>
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<span lang="EN-AU" style="font-family:"Times New Roman"">Article submission deadline: 1 July 2020
</span></p>
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<span lang="EN-AU" style="font-family:"Times New Roman"">Editorial review: August 2020</span></p>
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<span lang="EN-AU" style="font-family:"Times New Roman"">Author revisions based on editorial review: September 2020</span></p>
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<span lang="EN-AU" style="font-family:"Times New Roman"">Submission to <i>Continuum</i>: September 2020</span></p>
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<span lang="EN-AU" style="font-family:"Times New Roman""> </span></p>
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Regards,<br>
Celia<br>
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<b><span style="font-family:Arial; color:#009BBD"><font face="Helvetica, Sans-Serif"><span style="font-size:11pt">Dr Celia Lam</span></font></span></b><span style="font-family:Arial"></span></p>
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<span style="font-size:11pt"></span><b><span style="font-family:Arial; color:#131B57"><font face="Helvetica, Sans-Serif"><span style="font-size:11pt">Assistant Professor in Media and Cultural studies</span></font></span></b></p>
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<b><span style="font-family:Arial; color:#131B57"><font face="Helvetica, Sans-Serif"><span style="font-size:11pt"><span style="font-size:11pt">Associate D</span><span style="font-size:11pt">ean for Research and Knowledge Exchange</span></span></font></span></b></p>
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<b><span style="font-family:Arial; color:#131B57"><font face="Helvetica, Sans-Serif"><span style="font-size:11pt"><span style="font-size:11pt">Faculty of Humanities and Social Sc</span><span style="font-size:11pt">iences</span><br>
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<p style="margin-top: 0px; margin-bottom: 0px;margin-top:0px; margin-bottom:0px; margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:"Times New Roman"">
<b><span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="sys_schoolHeader_bottomBig"></span></font></span></b><span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="sys_schoolHeader_bottomBig"><span style="font-size:10pt"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2019)
<span style="color:rgb(12,100,192)"><a href="https://www.uipress.uiowa.edu/books/9781609386573/aussie-fans" title="https://www.uipress.uiowa.edu/books/9781609386573/aussie-fans"><span style="color:rgb(12,100,192)">Aussie Fans: Uniquely Placed in Global Popular
Culture</span></a></span>. University of Iowa Press (edited volume)<br>
</span></span></span></span></font></span></p>
<p style="margin-top: 0px; margin-bottom: 0px;margin-top:0px; margin-bottom:0px; margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:"Times New Roman"">
<span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="sys_schoolHeader_bottomBig"><span style="font-size:10pt"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2019)
<span>Our Aussie Divas: Interrogating Australian Identity through Audience Reactions to Australia's Eurovision Entrants</span>, chapter in</span><span style="color:rgb(23,78,134); font-size:8pt">
</span><span style="color:rgb(0,0,0); font-size:8pt"><a href="https://www.springer.com/cn/book/9783030200572" title="https://www.springer.com/cn/book/9783030200572"><span style="color:rgb(23,78,134)">Eurovision and Australia</span></a>, Palgrave Macmillan<br>
</span></span></span></span></font></span></p>
<p style="margin-top: 0px; margin-bottom: 0px;margin-top:0px; margin-bottom:0px; margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:"Times New Roman"">
<span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="sys_schoolHeader_bottomBig"><span style="font-size:10pt"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt"><font face="Helvetica, Sans-Serif" size="2"><span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span><span style="font-size:10pt"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2019)</span><span style="font-size:8pt"></span></span></span><a title="Ctrl+Click or tap to follow the link" href="http://www.tandfonline.com/doi/full/10.1080/19392397.2017.1365615"><span style="font-size:8pt">'True
bromance: the authenticity behind the Stewart/McKellen relationship</span></a><span style="font-size:9pt"><span style="font-size:8pt">',
</span><span style="color:rgb(0,0,0); font-size:8pt">Celebrity Studies Journal</span></span></span></font></span></font><br>
</span></span></span></span></font></span></p>
<p style="margin-top: 0px; margin-bottom: 0px;margin-top:0px; margin-bottom:0px; margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:"Times New Roman"">
<span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="sys_schoolHeader_bottomBig"><span style="font-size:10pt"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)</span><span style="font-size:8pt">
</span></span><a href="http://journals.sagepub.com/doi/pdf/10.1177/2059436418806406" class="OWAAutoLink"><span style="font-size:8pt">International TV series distribution on Chinese digital platforms: Marketing strategies and audience engagement
</span></a><span style="font-size:9pt"><span style="font-size:8pt">, </span><span style="color:rgb(0,0,0); font-size:8pt">Global Media and China</span></span><br>
<span style="font-size:8pt"></span><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)</span><span style="font-size:8pt">
</span></span><a href="https://www.amazon.com/Personas-Places-Negotiating-Stereotypes-Identities/dp/0993993893" class="OWAAutoLink"><span style="font-size:8pt">Personas and Places: Negotiating Myths, Stereotypes and National Identities</span></a><span style="font-size:9pt"><span style="font-size:8pt">,</span><span style="color:rgb(0,0,0); font-size:8pt">
WaterHill Publishing (edited volume)</span></span><br>
<span style="font-size:8pt"></span><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)</span><span style="font-size:8pt">
</span></span><a href="https://brill.com/view/title/35653?format=PBK&offer=368089" class="OWAAutoLink"><span style="font-size:8pt">Disassembling the Celebrity Figure: Credibility and the Incredible</span></a><span style="font-size:9pt"><span style="font-size:8pt">,
</span><span style="color:rgb(0,0,0); font-size:8pt">Brill (edited volume)</span></span><br>
<span style="font-size:8pt"></span><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)
</span></span><a href="http://www.tandfonline.com/doi/full/10.1080/19392397.2018.1432418" target="_blank" rel="noopener noreferrer" title="Cmd+Click or tap to follow the link"><span style="font-size:8pt">‘Grant’ing a voice: the representation, activity and
agency of Stan Grant</span></a><span style="font-size:9pt"><span style="font-size:8pt">,
</span><span style="color:rgb(0,0,0); font-size:8pt">Celebrity Studies Journal </span>
</span><a href="http://www.tandfonline.com/eprint/MUUyhZ3cRwcrR22gn4Fr/full" class="OWAAutoLink" title="Cmd+Click or tap to follow the link"><span style="font-size:8pt">available as eprint</span></a><br>
<span style="font-size:8pt"></span><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)</span><span style="font-size:8pt"> '</span></span><a href="http://www.tandfonline.com/doi/full/10.1080/19392397.2018.1432354" target="_blank" rel="noopener noreferrer" title="Cmd+Click or tap to follow the link"><span style="font-size:8pt">Representing
(real) Australia: Australia’s Eurovision entrants, diversity and Australian identity</span></a><span style="font-size:9pt"><span style="font-size:8pt">',
</span><span style="color:rgb(0,0,0); font-size:8pt">Celebrity Studies Journal </span>
</span><a href="http://www.tandfonline.com/eprint/MxumsteeDUfhyuxyqUpb/full" class="OWAAutoLink"><span style="font-size:8pt">available as eprint</span></a><br>
<span style="font-size:8pt"></span><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)</span></span><a href="http://www.tandfonline.com/doi/full/10.1080/19392397.2018.1426026" class="OWAAutoLink" title="Cmd+Click or tap to follow the link"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">
</span><span style="font-size:8pt">'X-Men bromance: film, audience and promotion'</span></span></a><span style="font-size:9pt"><span style="font-size:8pt">,</span><span style="color:rgb(0,0,0); font-size:8pt"> Celebrity Studies Journal</span><span style="font-size:8pt">
</span></span><a href="http://www.tandfonline.com/eprint/ceJcT7M7aTDQK7cP49Y7/full" class="OWAAutoLink" title="Cmd+Click or tap to follow the link"><span style="font-size:8pt">available as eprint</span></a><br>
</span></span></font></span></p>
<div name="divtagdefaultwrapper" style="font-family:Calibri,Arial,Helvetica,sans-serif; font-size:; margin:0">
<font face="Helvetica, Sans-Serif"><span class="sys_schoolHeader_bottomBig"><span style="font-size:10pt"><span style="font-size:8pt">(2017) '</span><a href="http://www.tandfonline.com/doi/full/10.1080/10304312.2017.1391177" target="_blank" rel="noopener noreferrer" style="font-family:sans-serif; font-size:12px"><span style="font-size:8pt">The
function of hosts: enabling fan–celebrity interactions at pop culture conventions</span></a><span style="font-size:8pt">', Continuum
</span><a href="http://www.tandfonline.com/eprint/u7EVZZDY9tukusXpDvBi/full" class="OWAAutoLink"><span style="font-size:8pt">available as eprint
</span><span style="color:rgb(51,51,51); font-family:sans-serif; font-size:9pt"><span></span></span></a><span style="color:rgb(51,51,51); font-family:sans-serif; font-size:12px"><br>
</span></span></span></font></div>
<b><span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><br>
<img class="EmojiInsert" data-outlook-trace="F:1|T:2" src="cid:df42a242-b705-48ad-bbc1-c0737f643a59"><br>
</font></span></b></div>
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