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With apologies for cross-posting.</div>
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<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><b><span lang="EN-AU" style="font-size:16.0pt;mso-ansi-language:
EN-AU">Call for Chapters – Fame and Fandom: Functioning on and offline (provisional title)</span></b></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU"><o:p> </o:p></span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU">Both celebrity and fan studies have experienced significant growth in recent years. While different in trajectory, both fields are
intimately connected through an emphasis on the impact and implications of popular culture. Often scholars in fan and celebrity studies examine similar cultural phenomena from different scholarly perspectives; be it representation or responses to media texts,
construction or deconstruction of famous persona, or the affordances of online platforms to foster interaction. To date, a consolidated approach to the study of fans and celebrities and points of intersection, is relatively rare.</span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU"><o:p> </o:p></span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU">Two conferences were held at the end of 2019 in Australia aimed to address the intersections between celebrity and fan studies. One
conference, focusing on fan studies, was held by the Fan Studies Network Australasia (FSNA); the other on fame, celebrity and fandom held by the Fame and Persona Research Consortium (FPRC). To extend the discussion from the conferences and further explore
intersections between fan and celebrity studies, a proposal for an edited volume will be submitted to the University of Iowa Press.
</span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU"><o:p> </o:p></span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU">We call for submissions for chapters and invite scholars in both celebrity and fan studies to consider the practical, theoretical and
social implications of intersections between celebrity and fan studies.</span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU"><o:p> </o:p></span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU">We invite submissions from scholars in all regions of the world, but especially encourage submissions from scholars researching celebrity
and fan studies in Asia and the Pacific. </span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU"><br>
</span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU">Topics include, but are not limited to:</span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU"><o:p> </o:p></span></p>
<ul style="margin-bottom: 0cm">
<li><span lang="EN-AU" style="mso-ansi-language:EN-AU">Online fan/celebrity interactions
</span></li><li><span lang="EN-AU" style="mso-ansi-language:EN-AU">Offline fan/celebrity interactions</span></li><li><span lang="EN-AU" style="mso-ansi-language:EN-AU">Overlap between on/offline fan and celebrity practices</span></li><li><span lang="EN-AU" style="mso-ansi-language:EN-AU">Intersections between fan and celebrity studies</span></li><li><span lang="EN-AU" style="mso-ansi-language:EN-AU">Rethinking para-social relationships</span></li><li><span lang="EN-AU" style="mso-ansi-language:EN-AU">Diversifying study of media texts, fans and celebrities</span></li></ul>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU"><o:p> </o:p></span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><b><span lang="EN-AU" style="mso-ansi-language:EN-AU">Submission materials:</span></b></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU">Please submit
<b>800-word extended abstracts</b> addressing the following:</span></p>
<ul style="margin-bottom: 0cm">
<li><span lang="EN-AU" style="mso-ansi-language:EN-AU">Theoretical/conceptual framework</span></li><li><span lang="EN-AU" style="mso-ansi-language:EN-AU">Methodology</span></li><li><span lang="EN-AU" style="mso-ansi-language:EN-AU">Argument </span></li><li><span lang="EN-AU" style="mso-ansi-language:EN-AU">Indicative conclusions</span></li></ul>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU"><o:p> </o:p></span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU">Please also include a
<b>150-200-word bio</b>.</span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU"><o:p> </o:p></span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU">Extended abstracts should be sent to:
</span><a href="mailto:cjcelebrityresearch@gmail.com"><span lang="EN-AU" style="mso-ansi-language:
EN-AU">cjcelebrityresearch@gmail.com</span></a><span lang="EN-AU" style="mso-ansi-language:EN-AU"> by February 29<sup>th</sup> 2020.</span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU"><o:p> </o:p></span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><b><span lang="EN-AU" style="mso-ansi-language:EN-AU">Key Dates:</span></b></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU">Submission of extended abstracts:
<b>February 29<sup>th</sup> 2020</b></span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU">Notification of acceptance: March 15<sup>th</sup> 2020</span></p>
<p style="margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Calibri"><span lang="EN-AU" style="mso-ansi-language:EN-AU">Submission of book proposal: June/July 2020
</span></p>
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Regards,<br>
Celia<br>
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<p style="margin-top:0px; margin-bottom:0px; margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:"Times New Roman"">
<b><span style="font-family:Arial; color:#009BBD"><font face="Helvetica, Sans-Serif"><span style="font-size:11pt">Dr Celia Lam</span></font></span></b><span style="font-family:Arial"></span></p>
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<span style="font-size:11pt"></span><b><span style="font-family:Arial; color:#131B57"><font face="Helvetica, Sans-Serif"><span style="font-size:11pt">Assistant Professor in Media and Cultural studies</span></font></span></b></p>
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<b><span style="font-family:Arial; color:#131B57"><font face="Helvetica, Sans-Serif"><span style="font-size:11pt"><span style="font-size:11pt">Associate D</span><span style="font-size:11pt">ean for Research and Knowledge Exchange</span></span></font></span></b></p>
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<b><span style="font-family:Arial; color:#131B57"><font face="Helvetica, Sans-Serif"><span style="font-size:11pt"><span style="font-size:11pt">Faculty of Humanities and Social Sc</span><span style="font-size:11pt">iences</span><br>
</span></font></span></b></p>
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<span style="font-size:9.0pt; font-family:Arial; color:#131B57"><font face="Helvetica, Sans-Serif"></font>University of Nottingham Ningbo China</span><sub><span style="font-size:11.0pt; font-family:Arial"></span></sub></p>
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<span style="font-size:11.0pt; font-family:Arial; color:black"> </span></p>
<b><span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="sys_schoolHeader_bottomBig"></span></font></span></b><b><span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="sys_schoolHeader_bottomBig"><b>Recent
publications</b></span></font></span></b><br>
<b><span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="sys_schoolHeader_bottomBig"></span></font></span></b><b><span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"></span></b>
<p style="margin-top:0px; margin-bottom:0px; margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:"Times New Roman"">
<b><span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="sys_schoolHeader_bottomBig"></span></font></span></b><span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="sys_schoolHeader_bottomBig"><span style="font-size:10pt"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2019)
<span style="color:rgb(12,100,192)"><a href="https://www.uipress.uiowa.edu/books/9781609386573/aussie-fans" title="https://www.uipress.uiowa.edu/books/9781609386573/aussie-fans"><span style="color:rgb(12,100,192)">Aussie Fans: Uniquely Placed in Global Popular
Culture</span></a></span>. University of Iowa Press (edited volume)<br>
</span></span></span></span></font></span></p>
<p style="margin-top:0px; margin-bottom:0px; margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:"Times New Roman"">
<span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="sys_schoolHeader_bottomBig"><span style="font-size:10pt"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2019)
<span>Our Aussie Divas: Interrogating Australian Identity through Audience Reactions to Australia's Eurovision Entrants</span>, chapter in</span><span style="color:rgb(23,78,134); font-size:8pt">
</span><span style="color:rgb(0,0,0); font-size:8pt"><a href="https://www.springer.com/cn/book/9783030200572" title="https://www.springer.com/cn/book/9783030200572"><span style="color:rgb(23,78,134)">Eurovision and Australia</span></a>, Palgrave Macmillan<br>
</span></span></span></span></font></span></p>
<p style="margin-top:0px; margin-bottom:0px; margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:"Times New Roman"">
<span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="sys_schoolHeader_bottomBig"><span style="font-size:10pt"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt"><font face="Helvetica, Sans-Serif" size="2"><span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span><span style="font-size:10pt"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2019)</span><span style="font-size:8pt"></span></span></span><a title="Ctrl+Click or tap to follow the link" href="http://www.tandfonline.com/doi/full/10.1080/19392397.2017.1365615"><span style="font-size:8pt">'True
bromance: the authenticity behind the Stewart/McKellen relationship</span></a><span style="font-size:9pt"><span style="font-size:8pt">',
</span><span style="color:rgb(0,0,0); font-size:8pt">Celebrity Studies Journal</span></span></span></font></span></font><br>
</span></span></span></span></font></span></p>
<p style="margin-top:0px; margin-bottom:0px; margin:0cm 0cm 0.0001pt; font-size:12pt; font-family:"Times New Roman"">
<span lang="EN-US" style="font-size:9.0pt; font-family:Georgia; color:#15769E"><font face="Helvetica, Sans-Serif"><span class="sys_schoolHeader_bottomBig"><span style="font-size:10pt"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)</span><span style="font-size:8pt">
</span></span><a href="http://journals.sagepub.com/doi/pdf/10.1177/2059436418806406" class="OWAAutoLink"><span style="font-size:8pt">International TV series distribution on Chinese digital platforms: Marketing strategies and audience engagement
</span></a><span style="font-size:9pt"><span style="font-size:8pt">, </span><span style="color:rgb(0,0,0); font-size:8pt">Global Media and China</span></span><br>
<span style="font-size:8pt"></span><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)</span><span style="font-size:8pt">
</span></span><a href="https://www.amazon.com/Personas-Places-Negotiating-Stereotypes-Identities/dp/0993993893" class="OWAAutoLink"><span style="font-size:8pt">Personas and Places: Negotiating Myths, Stereotypes and National Identities</span></a><span style="font-size:9pt"><span style="font-size:8pt">,</span><span style="color:rgb(0,0,0); font-size:8pt">
WaterHill Publishing (edited volume)</span></span><br>
<span style="font-size:8pt"></span><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)</span><span style="font-size:8pt">
</span></span><a href="https://brill.com/view/title/35653?format=PBK&offer=368089" class="OWAAutoLink"><span style="font-size:8pt">Disassembling the Celebrity Figure: Credibility and the Incredible</span></a><span style="font-size:9pt"><span style="font-size:8pt">,
</span><span style="color:rgb(0,0,0); font-size:8pt">Brill (edited volume)</span></span><br>
<span style="font-size:8pt"></span><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)
</span></span><a href="http://www.tandfonline.com/doi/full/10.1080/19392397.2018.1432418" target="_blank" rel="noopener noreferrer" title="Cmd+Click or tap to follow the link"><span style="font-size:8pt">‘Grant’ing a voice: the representation, activity and
agency of Stan Grant</span></a><span style="font-size:9pt"><span style="font-size:8pt">,
</span><span style="color:rgb(0,0,0); font-size:8pt">Celebrity Studies Journal </span>
</span><a href="http://www.tandfonline.com/eprint/MUUyhZ3cRwcrR22gn4Fr/full" class="OWAAutoLink" title="Cmd+Click or tap to follow the link"><span style="font-size:8pt">available as eprint</span></a><br>
<span style="font-size:8pt"></span><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)</span><span style="font-size:8pt"> '</span></span><a href="http://www.tandfonline.com/doi/full/10.1080/19392397.2018.1432354" target="_blank" rel="noopener noreferrer" title="Cmd+Click or tap to follow the link"><span style="font-size:8pt">Representing
(real) Australia: Australia’s Eurovision entrants, diversity and Australian identity</span></a><span style="font-size:9pt"><span style="font-size:8pt">',
</span><span style="color:rgb(0,0,0); font-size:8pt">Celebrity Studies Journal </span>
</span><a href="http://www.tandfonline.com/eprint/MxumsteeDUfhyuxyqUpb/full" class="OWAAutoLink"><span style="font-size:8pt">available as eprint</span></a><br>
<span style="font-size:8pt"></span><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">(2018)</span></span><a href="http://www.tandfonline.com/doi/full/10.1080/19392397.2018.1426026" class="OWAAutoLink" title="Cmd+Click or tap to follow the link"><span style="font-size:9pt"><span style="color:rgb(0,0,0); font-size:8pt">
</span><span style="font-size:8pt">'X-Men bromance: film, audience and promotion'</span></span></a><span style="font-size:9pt"><span style="font-size:8pt">,</span><span style="color:rgb(0,0,0); font-size:8pt"> Celebrity Studies Journal</span><span style="font-size:8pt">
</span></span><a href="http://www.tandfonline.com/eprint/ceJcT7M7aTDQK7cP49Y7/full" class="OWAAutoLink" title="Cmd+Click or tap to follow the link"><span style="font-size:8pt">available as eprint</span></a><br>
</span></span></font></span></p>
<div name="divtagdefaultwrapper" style="font-family:Calibri,Arial,Helvetica,sans-serif; font-size:; margin:0">
<font face="Helvetica, Sans-Serif"><span class="sys_schoolHeader_bottomBig"><span style="font-size:10pt"><span style="font-size:8pt">(2017) '</span><a href="http://www.tandfonline.com/doi/full/10.1080/10304312.2017.1391177" target="_blank" rel="noopener noreferrer" style="font-family:sans-serif; font-size:12px"><span style="font-size:8pt">The
function of hosts: enabling fan–celebrity interactions at pop culture conventions</span></a><span style="font-size:8pt">', Continuum
</span><a href="http://www.tandfonline.com/eprint/u7EVZZDY9tukusXpDvBi/full" class="OWAAutoLink"><span style="font-size:8pt">available as eprint
</span><span style="color:rgb(51,51,51); font-family:sans-serif; font-size:9pt"><span></span></span></a><span style="color:rgb(51,51,51); font-family:sans-serif; font-size:12px"><br>
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