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<div class=""><span class=""><font size="4" class=""><b class=""><span class="" style="white-space: pre-wrap;"></span>« MUSIC & HACKING » </b></font></span></div>
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<div class=""><span class="" style="font-size: 14px;"><b class=""></b><span class=""><b class="" style="font-style: italic;">Volume ! The French Journal of Popular Music Studies</b><span class="">,</span><span class="" style="font-style: italic;"><b class=""> </b></span></span></span></div>
<div class=""><span class="" style="font-size: 14px;"><span class="">no. <b class="">16-1</b>, edited by <b class="">Clément Canonne</b> and </span><b class="">Baptiste Bacot</b></span></div>
<div class=""><span class="" style="font-size: 14px;"><span class="Apple-tab-span" style="white-space: pre;"></span>- 198 p. — 19 €</span></div>
<div class=""><span class="" style="font-size: 14px;"><span class="Apple-tab-span" style="white-space: pre;"></span>- Table of contents: <a href="https://www.cairn.info/revue-volume-2019-2.htm" class="">https://www.cairn.info/revue-volume-2019-2.htm</a></span></div>
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This issue examines some of the practices in which music and hacking meet. At first closely related to the development of American computer science research laboratories, hacking has since spread across various fields of human activity not necessarily related
to information and communications technology. Hence, music provides both a theoretical and empirical space within which one can question hacking’s attributes, and delineate their aesthetic and organolologic effects, but also their integration into musicians’
discourses, or the way these musicans create musical communities and belong to them.</span></div>
<div class=""><span class="" style="font-size: 14px;"><br class="">
<b class="">The interview</b> with hacking pioneer <b class="">Nicolas Collins</b> is available in English on the site</span><span class="" style="font-size: 14px;"> </span><b class="" style="font-size: 14px;">Books & Ideas</b><span class="" style="font-size: 14px;"> : </span><a href="https://booksandideas.net/Hacking-Through-Contemporary-Electronic-Music.html" target="_blank" class="" style="font-size: 14px;">https://booksandideas.net/Hacking-Through-Contemporary-Electronic-Music.html</a></div>
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<div class=""><i class=""><font size="4" class=""><b class="">DISORDER</b>. </font></i></div>
<div class=""><i class=""><b class=""><font size="4" class="">Histoire sociale des mouvements punk et post-punk</font></b></i></div>
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<div class=""><span class="" style="font-size: 14px;">Edited by <b class="">Paul Edwards, Élodie Grossi and Paul Schor</b>. <br class="">
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