<html xmlns:o="urn:schemas-microsoft-com:office:office" xmlns:w="urn:schemas-microsoft-com:office:word" xmlns:m="http://schemas.microsoft.com/office/2004/12/omml" xmlns="http://www.w3.org/TR/REC-html40">
<head>
<meta http-equiv="Content-Type" content="text/html; charset=utf-8">
<meta name="Generator" content="Microsoft Word 15 (filtered medium)">
<style><!--
/* Font Definitions */
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;}
@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{margin:0cm;
margin-bottom:.0001pt;
font-size:12.0pt;
font-family:"Calibri",sans-serif;}
h3
{mso-style-priority:9;
mso-style-link:"Heading 3 Char";
mso-margin-top-alt:auto;
margin-right:0cm;
mso-margin-bottom-alt:auto;
margin-left:0cm;
font-size:13.5pt;
font-family:"Calibri",sans-serif;}
a:link, span.MsoHyperlink
{mso-style-priority:99;
color:#0563C1;
text-decoration:underline;}
a:visited, span.MsoHyperlinkFollowed
{mso-style-priority:99;
color:#954F72;
text-decoration:underline;}
span.EmailStyle17
{mso-style-type:personal-compose;
font-family:"Calibri",sans-serif;
color:windowtext;}
span.Heading3Char
{mso-style-name:"Heading 3 Char";
mso-style-priority:9;
mso-style-link:"Heading 3";
font-family:"Calibri",sans-serif;
font-weight:bold;}
span.apple-converted-space
{mso-style-name:apple-converted-space;}
.MsoChpDefault
{mso-style-type:export-only;
font-family:"Calibri",sans-serif;}
@page WordSection1
{size:612.0pt 792.0pt;
margin:72.0pt 72.0pt 72.0pt 72.0pt;}
div.WordSection1
{page:WordSection1;}
--></style>
</head>
<body lang="EN-NZ" link="#0563C1" vlink="#954F72">
<div class="WordSection1">
<p class="MsoNormal"><i><span lang="EN-US" style="color:black">Open Cultural Studies</span></i><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">Special Issue: “Capitalist Aesthetics”</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">Edited by Pansy Duncan and Nicholas Holm</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">Vol. 2, No. 1 (2018)</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black"> </span><i><span style="color:black"><o:p></o:p></span></i></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">We are very pleased to announce the publication of a special themed issue of<span class="apple-converted-space"> </span><i>Open Cultural Studies</i> entitled “Capitalist Aesthetics.” Drawing heavily from the 2017 CSAA
conference, “Cultures of Capitalism” (Massey University, Wellington), this issue explores the interface between “capitalism” and “aesthetics” through the lens of cultural studies—a critical practice with an uneasy relationship with aesthetic analysis.<span class="apple-converted-space"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black"> </span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">Table of Contents:</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black"> </span><span style="color:black"><o:p></o:p></span></p>
<h3 style="margin-bottom:2.25pt;line-height:13.5pt;background:white;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;background-position:initial initial;background-repeat:initial initial;word-spacing:0px">
<span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:#2A2A2A"><a href="https://www.degruyter.com/view/j/culture.2018.2.issue-1/culture-2018-0067/culture-2018-0067.xml?format=INT"><span style="color:#333333">Introduction: Cultural Studies, Marxism
and the Exile of Aesthetics</span></a></span><span style="color:black"><o:p></o:p></span></h3>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">Nicholas Holm and Pansy Duncan</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black"> </span><span style="color:black"><o:p></o:p></span></p>
<h3 style="margin-bottom:2.25pt;line-height:13.5pt;background:white;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;background-position:initial initial;background-repeat:initial initial;word-spacing:0px">
<span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:#2A2A2A"><a href="https://www.degruyter.com/view/j/culture.2018.2.issue-1/culture-2018-0040/culture-2018-0040.xml?format=INT"><span style="color:#333333">Sensational Interfaces and the Aesthetics
of Space Apps</span></a></span><span style="color:black"><o:p></o:p></span></h3>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">David Crouch and Katarina Damjanov</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black"> </span><span style="color:black"><o:p></o:p></span></p>
<h3 style="margin-bottom:2.25pt;line-height:13.5pt;background:white;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;background-position:initial initial;background-repeat:initial initial;word-spacing:0px">
<span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:#2A2A2A"><a href="https://www.degruyter.com/view/j/culture.2018.2.issue-1/culture-2018-0056/culture-2018-0056.xml?format=INT"><span style="color:#333333">Dissipating the Political: Battersea
Power Station and the Temporal Aesthetics of Development</span></a></span><span style="color:black"><o:p></o:p></span></h3>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">Ameeth Vijay<span class="apple-converted-space"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black"> </span><span style="color:black"><o:p></o:p></span></p>
<h3 style="margin-bottom:2.25pt;line-height:13.5pt;background:white;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;background-position:initial initial;background-repeat:initial initial;word-spacing:0px">
<span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:#2A2A2A"><a href="https://www.degruyter.com/view/j/culture.2018.2.issue-1/culture-2018-0031/culture-2018-0031.xml?format=INT"><span style="color:#333333">A Context for Complexism: Between Neoliberal
Social Thought and Algorithmic Art</span></a></span><span style="color:black"><o:p></o:p></span></h3>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">Ricky D. Crano</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="text-indent:36.0pt;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black"> </span><span style="color:black"><o:p></o:p></span></p>
<h3 style="margin-bottom:2.25pt;line-height:13.5pt;background:white;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;background-position:initial initial;background-repeat:initial initial;word-spacing:0px">
<span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:#2A2A2A"><a href="https://www.degruyter.com/view/j/culture.2018.2.issue-1/culture-2018-0048/culture-2018-0048.xml?format=INT"><span style="color:#333333">Lossy Media: Queer Encounters with Infrastructure</span></a></span><span style="color:black"><o:p></o:p></span></h3>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">Robert Payne</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black"> </span><span style="color:black"><o:p></o:p></span></p>
<h3 style="margin-bottom:2.25pt;line-height:13.5pt;background:white;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;background-position:initial initial;background-repeat:initial initial;word-spacing:0px">
<span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:#2A2A2A"><a href="https://www.degruyter.com/view/j/culture.2018.2.issue-1/culture-2018-0036/culture-2018-0036.xml?format=INT"><span style="color:#333333">“A Wide-Angle View of Fragile Earth”:
Capitalist Aesthetics in The Work of Yann Arthus-Bertrand</span></a></span><span style="color:black"><o:p></o:p></span></h3>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">Zoë Druick</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black"> </span><span style="color:black"><o:p></o:p></span></p>
<h3 style="margin-bottom:2.25pt;line-height:13.5pt;background:white;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;background-position:initial initial;background-repeat:initial initial;word-spacing:0px">
<span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:#2A2A2A"><a href="https://www.degruyter.com/view/j/culture.2018.2.issue-1/culture-2018-0059/culture-2018-0059.xml?format=INT"><span style="color:#333333">Transparency as Ideology, Ideology as
Transparency: Towards a Critique of the Meta-aesthetics of Neoliberal Hegemony</span></a></span><span style="color:black"><o:p></o:p></span></h3>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">Jorge L. Valdovinos</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black"> </span><span style="color:black"><o:p></o:p></span></p>
<h3 style="margin-bottom:2.25pt;line-height:13.5pt;background:white;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;background-position:initial initial;background-repeat:initial initial;word-spacing:0px">
<span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:#2A2A2A"><a href="https://www.degruyter.com/view/j/culture.2018.2.issue-1/culture-2018-0039/culture-2018-0039.xml?format=INT"><span style="color:#333333">The Lean In Collection: Women, Work,
and the Will to Represent</span></a></span><span style="color:black"><o:p></o:p></span></h3>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">Caroline West</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black"> </span><span style="color:black"><o:p></o:p></span></p>
<h3 style="margin-bottom:2.25pt;line-height:13.5pt;background:white;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;background-position:initial initial;background-repeat:initial initial;word-spacing:0px">
<span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:#2A2A2A"><a href="https://www.degruyter.com/view/j/culture.2018.2.issue-1/culture-2018-0042/culture-2018-0042.xml?format=INT"><span style="color:#333333">Comfort: A Project for Cultural Studies</span></a></span><span style="color:black"><o:p></o:p></span></h3>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">Andrew Hickey</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black"> </span><span style="color:black"><o:p></o:p></span></p>
<h3 style="margin-bottom:2.25pt;line-height:13.5pt;background:white;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;background-position:initial initial;background-repeat:initial initial;word-spacing:0px">
<span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:#2A2A2A"><a href="https://www.degruyter.com/view/j/culture.2018.2.issue-1/culture-2018-0029/culture-2018-0029.xml?format=INT"><span style="color:#333333">Authors, Inventors and Entrepreneurs:
Intellectual Property and Actors of Extraction</span></a></span><span style="color:black"><o:p></o:p></span></h3>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">Martin Fredriksson</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black"> </span><span style="color:black"><o:p></o:p></span></p>
<h3 style="margin-bottom:2.25pt;line-height:13.5pt;background:white;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;background-position:initial initial;background-repeat:initial initial;word-spacing:0px">
<span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:#2A2A2A"><a href="https://www.degruyter.com/view/j/culture.2018.2.issue-1/culture-2018-0044/culture-2018-0044.xml?format=INT"><span style="color:#333333">The Temporal Resistance of Kelly Reichardt’s
Cinema</span></a></span><span style="color:black"><o:p></o:p></span></h3>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">Claire Henry</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black"> </span><span style="color:black"><o:p></o:p></span></p>
<h3 style="margin-bottom:2.25pt;line-height:13.5pt;background:white;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;background-position:initial initial;background-repeat:initial initial;word-spacing:0px">
<span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:#2A2A2A"><a href="https://www.degruyter.com/view/j/culture.2018.2.issue-1/culture-2018-0049/culture-2018-0049.xml?format=INT"><span style="color:#333333">Post-work Futures and Full Automation:
Towards a Feminist Design Methodology</span></a></span><span style="color:black"><o:p></o:p></span></h3>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="color:black">Sarah Elsie Baker<o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="color:black"> <o:p></o:p></span></p>
<h3 style="margin-bottom:2.25pt;line-height:13.5pt;background:white;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;background-position:initial initial;background-repeat:initial initial;word-spacing:0px">
<span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:#2A2A2A"><a href="https://www.degruyter.com/view/j/culture.2018.2.issue-1/culture-2018-0041/culture-2018-0041.xml?format=INT"><span style="color:#333333">“Vaporwave Is (Not) a Critique of Capitalism”:
Genre Work in An Online Music Scene</span></a></span><span style="color:black"><o:p></o:p></span></h3>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">Raphaël Nowak and Andrew Whelan</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black"> </span><span style="color:black"><o:p></o:p></span></p>
<h3 style="margin-bottom:2.25pt;line-height:13.5pt;background:white;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;background-position:initial initial;background-repeat:initial initial;word-spacing:0px">
<span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:#2A2A2A"><a href="https://www.degruyter.com/view/j/culture.2018.2.issue-1/culture-2018-0057/culture-2018-0057.xml?format=INT"><span style="color:#333333">Burned Out Myths and Vapour Trails:
Vaporwave’s Affective Potentials</span></a></span><span style="color:black"><o:p></o:p></span></h3>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-US" style="color:black">Padraic Killeen</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt"><o:p> </o:p></span></p>
</div>
</body>
</html>