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Issue 14 of fusion journal, an international, open access, online scholarly journal for the communication, creative industries and media arts, is now live.<br class="">
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<a href="http://www.fusion-journal.com/014-intersections-in-film-and-media-studies/" class="">http://www.fusion-journal.com/014-intersections-in-film-and-media-studies/</a><br class="">
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Guest edited by Jodi Brooks (UNSW Australia), Kathleen Williams (University of Tasmania, Australia), Jessica Ford (University of Newcastle, Australia) and Melanie Robson (UNSW Australia), this special issue publishes a collection of articles exploring film
and media intersections, offering innovative ways of understanding how hybridisation processes inform what and how we consume, produce, teach, learn and enjoy about the screen.
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<div class="">CONTENTS<br class="">
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Editorial: Intersections in film and media studies by Jodi Brooks, Kathleen Williams, Jessica Ford and Melanie Robson<br class="">
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Reviewed Articles<br class="">
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Inhabiting the image of collisions: Virtual reality cinema as a medium of ethical experience by Adam Daniel<br class="">
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Feminist cinematic television: Authorship, aesthetics and gender in Pamela Adlon’s Better Things by Jessica Ford<br class="">
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Memories in the networked assemblage: How algorithms shape personal photographs by Tara McLennan<br class="">
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Across and in-between: Transcending disciplinary borders in film festival studies by Kirsten Stevens<br class="">
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The Netflix documentary house style: Streaming TV and slow media by Daniel Binns<br class="">
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Sip My Ocean: Immersion and optical color by Wendy Haslem<br class="">
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Non-reviewed Articles<br class="">
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Media convergence and the teaching of film studies by Melanie Robson<br class="">
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Women, film and independence in the 21st century: A public forum<br class="">
Jodi Brooks, Therese Davis and Claire Perkins (Eds.)<br class="">
Jodi Brooks (Facilitator) with Santilla Chingaipe, Lisa French, Kristy Matheson, Margot Nash and Claire Perkins (Participants)<br class="">
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