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<p class="MsoNormal"><a name="_GoBack"></a><b><i><span style="color:black">Celebrity Studies</span></i><span style="color:black">, Volume 9, Issue 3, 2018</span></b><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><b>General Issue</b><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#4472C4"> </span><o:p></o:p></p>
<p class="MsoNormal"><b>With – </b><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#4472C4"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#4472C4"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2017.1391708"><i><span style="color:#4472C4">La bella figura</span></i><span style="color:#4472C4"> and the Picasso complex: from <i>Lost in Translation</i> to<i>Street
of Dreams</i>, Scarlett Johansson, the Dolce & Gabbana ambassador</span></a></span><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#333333"><a href="https://www.tandfonline.com/author/Batsakis%2C+Joanna+Elena"><span style="color:#333333">Joanna Elena Batsakis</span></a></span><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#777777">Pages: 279-290</span><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2017.1391708"><span style="color:#10147E">Abstract</span></a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2017.1391708"><span style="color:#10147E">Full Text</span></a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2017.1391708"><span style="color:#10147E">References</span></a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2017.1391708#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE3LjEzOTE3MDhAQEAw"><span style="color:#10147E">PDF (814 KB)</span></a><o:p></o:p></p>
<p class="MsoNormal"> <o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2017.1401934"><span style="color:#10147E">The past is present: Jacqueline Kennedy Onassis in American chaos, pre/post 9/11</span></a><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#333333"><a href="https://www.tandfonline.com/author/Eaton%2C+Oline"><span style="color:#333333">Oline Eaton</span></a></span><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#777777">Pages: 291-306</span><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2017.1401934"><span style="color:#10147E">Abstract</span></a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2017.1401934"><span style="color:#10147E">Full Text</span></a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2017.1401934"><span style="color:#10147E">References</span></a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2017.1401934#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE3LjE0MDE5MzRAQEAw"><span style="color:#10147E">PDF (1166 KB)</span></a><o:p></o:p></p>
<p class="MsoNormal"> <o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2017.1411202"><span style="color:#10147E">‘A feeling you cannot resist’: Shah Rukh Khan, affect, and the re-scripting of male stardom in Hindi cinema</span></a><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#333333"><a href="https://www.tandfonline.com/author/Gopinath%2C+Praseeda"><span style="color:#333333">Praseeda Gopinath</span></a></span><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2017.1411202"><span style="color:#10147E">Abstract</span></a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2017.1411202"><span style="color:#10147E">Full Text</span></a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2017.1411202"><span style="color:#10147E">References</span></a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2017.1411202#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE3LjE0MTEyMDJAQEAw"><span style="color:#10147E">PDF (1235 KB)</span></a><o:p></o:p></p>
<p class="MsoNormal"> <o:p></o:p></p>
<p class="MsoNormal"><span style="color:#666666"> </span><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2017.1416303"><span style="color:#10147E">My oh Miley Cyrus: analysing online comments from television performances in 2009, 2013, and 2015</span></a><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#333333"><a href="https://www.tandfonline.com/author/Mendenhall%2C+Doug"><span style="color:#333333">Doug Mendenhall</span></a></span><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#777777">Pages: 326-339</span><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2017.1416303"><span style="color:#10147E">Abstract</span></a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2017.1416303"><span style="color:#10147E">Full Text</span></a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2017.1416303"><span style="color:#10147E">References</span></a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2017.1416303#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE3LjE0MTYzMDNAQEAw"><span style="color:#10147E">PDF (945 KB)</span></a><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB"> </span><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2017.1422984"><span style="color:#10147E">Do the media unintentionally make mass killers into celebrities? An assessment of free advertising and earned media value</span></a><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#333333"><a href="https://www.tandfonline.com/author/Lankford%2C+Adam"><span style="color:#333333">Adam Lankford</span></a></span><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2017.1422984"><span style="color:#10147E">Abstract</span></a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2017.1422984"><span style="color:#10147E">Full Text</span></a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2017.1422984"><span style="color:#10147E">References</span></a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2017.1422984#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE3LjE0MjI5ODRAQEAw"><span style="color:#10147E">PDF (1006 KB)</span></a><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB"> </span><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1426026"><span style="color:#10147E">X-Men bromance: film, audience and promotion</span></a><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#333333"><a href="https://www.tandfonline.com/author/Lam%2C+Celia"><span style="color:#333333">Celia Lam</span></a> & <a href="https://www.tandfonline.com/author/Raphael%2C+Jackie"><span style="color:#333333">Jackie Raphael</span></a></span><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#777777">Pages: 355-374</span><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1426026"><span style="color:#10147E">Abstract</span></a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1426026"><span style="color:#10147E">Full Text</span></a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2018.1426026"><span style="color:#10147E">References</span></a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1426026#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE4LjE0MjYwMjZAQEAw"><span style="color:#10147E">PDF (1399 KB)</span></a><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB"> </span><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1439393"><span style="color:#10147E">Celebrified homes: architecture and spacing celebrities</span></a><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#333333"><a href="https://www.tandfonline.com/author/Smitheram%2C+Jan"><span style="color:#333333">Jan Smitheram</span></a>, <a href="https://www.tandfonline.com/author/Kidd%2C+Akari+Nakai"><span style="color:#333333">Akari
Nakai Kidd</span></a> & <a href="https://www.tandfonline.com/author/Lam%2C+Sharon"><span style="color:#333333">Sharon Lam</span></a></span><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#777777">Pages: 375-390</span><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1439393"><span style="color:#10147E">Abstract</span></a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1439393"><span style="color:#10147E">Full Text</span></a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2018.1439393"><span style="color:#10147E">References</span></a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1439393#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE4LjE0MzkzOTNAQEAw"><span style="color:#10147E">PDF (1374 KB)</span></a><o:p></o:p></p>
<p class="MsoNormal"> <o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1440247"><span style="color:#10147E">#BlackLivesMatter: black celebrity hashtag activism and the discursive formation of a social movement</span></a><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#333333"><a href="https://www.tandfonline.com/author/Duvall%2C+Spring-Serenity"><span style="color:#333333">Spring-Serenity Duvall</span></a> & <a href="https://www.tandfonline.com/author/Heckemeyer%2C+Nicole"><span style="color:#333333">Nicole
Heckemeyer</span></a></span><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#777777">Pages: 391-408</span><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1440247"><span style="color:#10147E">Abstract</span></a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1440247"><span style="color:#10147E">Full Text</span></a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2018.1440247"><span style="color:#10147E">References</span></a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1440247#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE4LjE0NDAyNDdAQEAw"><span style="color:#10147E">PDF (1174 KB)</span></a><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB"> </span><o:p></o:p></p>
<p class="MsoNormal"><b><span style="color:#666666">Book review</span></b><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1493823"><span style="color:#10147E">Black star: A BFI compendium, edited by James Bell, London, BFI, 2016, 160 pp., £13.99 (paperback), ISBN 978-1-84-457971-6</span></a><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#333333"><a href="https://www.tandfonline.com/author/Hamad%2C+Hannah"><span style="color:#333333">Hannah Hamad</span></a></span><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#777777">Pages: 409-411</span><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1493823"><span style="color:#10147E">First Page Preview</span></a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1493823"><span style="color:#10147E">Full
Text</span></a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2018.1493823"><span style="color:#10147E">References</span></a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1493823#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE4LjE0OTM4MjNAQEAw"><span style="color:#10147E">PDF (261 KB)</span></a><o:p></o:p></p>
<p class="MsoNormal"> <o:p></o:p></p>
<p class="MsoNormal" style="background:white"><span style="color:#666666">Book review</span><o:p></o:p></p>
<p class="MsoNormal" style="background:white"><span style="color:#333333"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1493824"><b><span style="color:#10147E">Celebrity and the feminist blockbuster</span></b><span style="color:#10147E">,
by Anthea Taylor, Basingstoke, Palgrave Macmillan, 2016, 306 pp., £67.99 (hardback), ISBN 978-1-13-737334-2</span></a></span><o:p></o:p></p>
<p class="MsoNormal" style="background:white"><span style="color:#333333"><a href="https://www.tandfonline.com/author/Mendes%2C+Kaitlynn"><span style="color:#333333">Kaitlynn Mendes</span></a></span><o:p></o:p></p>
<p class="MsoNormal" style="background:white"><span style="color:#777777">Pages: 411-413</span><o:p></o:p></p>
<p class="MsoNormal" style="background:white"><span style="color:#333333"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1493824"><span style="color:#10147E">First Page Preview</span></a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1493824"><span style="color:#10147E">Full
Text</span></a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2018.1493824"><span style="color:#10147E">References</span></a>|</span><o:p></o:p></p>
<p class="MsoNormal"><span style="color:#333333"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1493824#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE4LjE0OTM4MjRAQEAw"><span style="color:#10147E">PDF (293 KB)</span></a></span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt">Best wishes,</span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt">Sean, Su, Gaston, Neil, and Melanie</span><o:p></o:p></p>
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