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<p class="MsoNormal"><a name="_GoBack"></a><b><i>Celebrity Studies</i>, Volume 9, Issue 2, 2018</b><o:p></o:p></p>
<p class="MsoNormal"><b> </b><o:p></o:p></p>
<p class="MsoNormal"><b>Double Special issue</b><o:p></o:p></p>
<p class="MsoNormal"><b> </b><o:p></o:p></p>
<p class="MsoNormal"><b>Ageing celebrities, ageing fans, and ageing narratives in popular media culture</b><o:p></o:p></p>
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<p class="MsoNormal">Introduction<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1465302">Introduction: ageing celebrities, ageing fans, and ageing narratives in popular media culture</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/author/Jerslev%2C+Anne">Anne Jerslev</a> & <a href="https://www.tandfonline.com/author/Petersen%2C+Line+Nybro">Line Nybro Petersen</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1465302">First Page Preview</a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1465302">Full Text</a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2018.1465302">References</a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1465302#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE4LjE0NjUzMDJAQEAw">PDF (633 KB)</a> <o:p></o:p></p>
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<p class="MsoNormal"><span lang="EN-GB"> </span><o:p></o:p></p>
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<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1465296">‘Grey is the new green’? Gauging age(ing) in Hollywood’s upper quadrant female audience, <i>The Intern</i> (2015), and the discursive construction of ‘Nancy Meyers’</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/author/Jermyn%2C+Deborah">Deborah Jermyn</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1465296">Abstract</a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1465296">Full Text</a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2018.1465296">References</a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1465296#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE4LjE0NjUyOTZAQEAw">PDF (1321 KB)</a><o:p></o:p></p>
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<p class="MsoNormal"><span lang="EN-GB"> </span><o:p></o:p></p>
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<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1465298">‘A real show for mature women’ ageing along with ageing stars: <i>Grace and Frankie</i>fandom on Facebook</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/author/Jerslev%2C+Anne">Anne Jerslev</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1465298">Abstract</a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1465298">Full Text</a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2018.1465298">References</a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1465298#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE4LjE0NjUyOThAQEAw">PDF (1057 KB)</a><o:p></o:p></p>
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<p class="MsoNormal"><span lang="EN-GB"> </span><o:p></o:p></p>
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<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1465297">Peter Capaldi’s ‘enduring fandom’ and the intersectionality of ageing male fan-celebrity: becoming, playing and leaving the 12th Doctor in <i>Doctor Who</i></a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/author/Hills%2C+Matt"><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#333333;background:white">Matt Hills</span></a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1465297">Abstract</a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1465297">Full Text</a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2018.1465297">References</a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1465297#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE4LjE0NjUyOTdAQEAw">PDF (945 KB)</a><o:p></o:p></p>
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<p class="MsoNormal"><span lang="EN-GB"> </span><o:p></o:p></p>
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<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1465301"><i>Gilmore Girls</i> generations: disrupting generational belonging in long-term fandom</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/author/Petersen%2C+Line+Nybro">Line Nybro Petersen</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1465301">Abstract</a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1465301">Full Text</a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2018.1465301">References</a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1465301#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE4LjE0NjUzMDFAQEAw">PDF (991 KB)</a><o:p></o:p></p>
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<p class="MsoNormal"><span lang="EN-GB"> </span><o:p></o:p></p>
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<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1465295">Creativity and ageing in fandom</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/author/Harrington%2C+C+Lee">C. Lee Harrington</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1465295">Abstract</a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1465295">Full Text</a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2018.1465295">References</a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1465295#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE4LjE0NjUyOTVAQEAw">PDF (893 KB)</a><o:p></o:p></p>
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<p class="MsoNormal"><b>The Celebrity of Haruki Murakami</b><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB"> </span></b><o:p></o:p></p>
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<p class="MsoNormal">Introduction<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1458522">Introduction: the celebrity of Haruki Murakami</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/author/Franssen%2C+Gaston">Gaston Franssen</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1458522">First Page Preview</a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1458522">Full Text</a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2018.1458522">References</a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1458522#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE4LjE0NTg1MjJAQEAw">PDF (319 KB)</a><o:p></o:p></p>
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<p class="MsoNormal"><span lang="EN-GB"> </span><o:p></o:p></p>
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<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1458525">Haruki Murakami as a cosmopolitan phenomenon: from ‘ordinary’ to ‘celebrity’</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/author/Wakatsuki%2C+Tomoki">Tomoki Wakatsuki</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1458525">First Page Preview</a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1458525">Full Text</a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2018.1458525">References</a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1458525#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE4LjE0NTg1MjVAQEAw">PDF (516 KB)</a><o:p></o:p></p>
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<p class="MsoNormal"><span lang="EN-GB"> </span><o:p></o:p></p>
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<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1458530">The celebrity of Haruki Murakami and the ‘empty’ narrative: a new model for the age of global literature</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/author/Strecher%2C+Matthew+C">Matthew C. Strecher</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1458530">First Page Preview</a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1458530">Full Text</a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2018.1458530">References</a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1458530#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE4LjE0NTg1MzBAQEAw">PDF (635 KB)</a><o:p></o:p></p>
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<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1458524">The literary auto-representation of Haruki Murakami: rewriting celebrity authorship in <i>1Q84</i></a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/author/Franssen%2C+Gaston">Gaston Franssen</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1458524">First Page Preview</a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1458524">Full Text</a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2018.1458524">References</a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1458524#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE4LjE0NTg1MjRAQEAw">PDF (557 KB)</a><o:p></o:p></p>
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<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1458531">Translator celebrity: investigating Haruki Murakami’s visibility as a translator</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/author/Akashi%2C+Motoko">Motoko Akashi</a><o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1458531">First Page Preview</a>|<a href="https://www.tandfonline.com/doi/full/10.1080/19392397.2018.1458531">Full Text</a>|<a href="https://www.tandfonline.com/doi/ref/10.1080/19392397.2018.1458531">References</a>|<o:p></o:p></p>
<p class="MsoNormal"><a href="https://www.tandfonline.com/doi/abs/10.1080/19392397.2018.1458531#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8xOTM5MjM5Ny4yMDE4LjE0NTg1MzFAQEAw">PDF (576 KB)</a><o:p></o:p></p>
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<p class="MsoNormal"><span lang="EN-GB"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt;color:#A6A6A6">Professor Sean Redmond
</span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt;color:#A6A6A6">Screen and Design</span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt;color:#A6A6A6"> </span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt;color:black">Co-Editor of
<i>Celebrity Studies</i>, shortlisted in 2011 for the best new academic journal by
</span><span style="font-size:11.0pt;color:black">The Association of Learned and Professional Society Publishers.</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black">For latest edition, see:
<a href="https://www.tandfonline.com/loi/rcel20">https://www.tandfonline.com/loi/rcel20</a></span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:black">For its Q1 Metrics, see:
<a href="http://www.scimagojr.com/journalsearch.php?q=19800188060&tip=sid">http://www.scimagojr.com/journalsearch.php?q=19800188060&tip=sid</a></span><o:p></o:p></p>
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