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<p class="MsoNormal"><b><i><span lang="EN-GB" style="font-size:9.0pt">Apologies for cross posting<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><b><i><span lang="EN-GB" style="font-size:9.0pt"><o:p> </o:p></span></i></b></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:9.0pt">Reminder</span></b><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt;color:#4472C4"> </span></b><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt;color:#4472C4">CFP: Desecrating Celebrity, Fourth International
<i>Celebrity Studies</i> Conference</span></b><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-AU" style="font-size:11.0pt;color:#4472C4">Wednesday 27<sup>th</sup> June to Friday 29<sup>th</sup> June 2018, at Sapienza University of Rome.</span></b><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt">Routledge, <i>Celebrity Studies</i> Journal, and Sapienza, University of Rome are pleased to announce the fourth International
<i>Celebrity Studies</i> conference.</span><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt"> </span></b><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt;color:#4472C4">Keynote Speakers:</span></b><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt">Lucy Bolton, <i>
Queen Mary, University of London</i></span></b><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt">Misha Kavka, <i>
University of Auckland</i></span></b><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt">Douglas Kellner,
<i>UCLA</i></span></b><o:p></o:p></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt">Pramod K. Nayar, <i>University of Hyderabad</i></span></b><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt">Martin Shingler,
<i>University of Sunderland</i></span></b><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt"> </span></b><o:p></o:p></p>
<p class="MsoNormal"><b><i><span lang="EN-GB" style="font-size:11.0pt;color:#4472C4">Deadline for individual and panel abstracts:
<u>November 6<sup>th</sup> 2017</u></span></i></b><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt;color:#4472C4"> </span><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt;color:#4472C4">Desecrating Celebrity</span></b><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt">Celebrity</span><span style="font-size:11.0pt"> culture is the result of a twofold process – ‘celebritization’ (i.e. Boykoff and Goodman 2009) and ‘celebrification’ (Gamson 1994; Turner 2006)
- connected to a mediascape that is defined by traditional mass media and, recently, by the internet. Within these mediascapes celebrities and micro-celebrities constantly emerge through online performances which are recognized by audiences as an expression
of celebrity status. If we consider celebrity as a process, as a set of circulated strategies and practices (boyd, Marwick 2011) that build publicly, we have to reflect also on moments that
</span><span lang="EN-GB" style="font-size:11.0pt">remove celebrity from a place of value. Across cultures, degradation is the opposite to accreditation ceremonies (such as celebrification and celebritization), which are two social practices that involve a
community’s shared values and specific social roles (Garfinkel, 1957). </span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt">In contemporary society, media rituals of recruitment and ‘celebrification’ can easily turn into rituals of degradation, marking significant movements in a person's social position. In other words,
media constantly manages a complex and intensified representation, where the person’s status dynamics are constantly negotiated and evaluated by the people and the audience through their participation and everyday interactions.
</span><span style="font-size:11.0pt">The role of the diffused audience (Abercrombie and Longhurst, 1998) is crucial: a degradation ritual without witnesses does not have a social impact. Widespread digital circulation of content on social media enlarges the
audience and increases people’s engagement, resulting in a stronger effect of desecration.</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt">We invite papers and panels that consider questions related to these processes: what happens when celebrities lose their own status? How can celebrities manage their status in the contemporary fluid media-scape?
What role do media rituals have in building representations of both celebrification and degradation? What role does the audience play in desecrating a celebrity? What set of communicative practices may compose a degradation ceremony, transforming the social
identity of the celebrity into another of a lower rank (such as an ordinary person)?</span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt">The conference welcomes submissions from a broad range of disciplines: from film and television to digital media studies; from reception and audience studies, sociology, psychology and anthropology,
politics, history, economics, literary studies, philosophy and more. We invite abstracts for individual 20-minute papers or pre-constituted panels of 3 x 20-minute papers on any topic related to the conference theme.</span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt;color:#4472C4">Possible topics include, but are not limited to:<br>
<br>
<br>
</span></b><o:p></o:p></p>
<ul style="margin-top:0cm" type="disc">
<li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Anti-fandom and 'haters' </span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Celebrities #fails
</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Celebrity and audience tolerance</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Celebrity and religion, celebrity as religion</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Celebrity assassinations</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Celebrity beefs, feuds, and mud fights</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Celebrity confessions</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Celebrity justice</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Committed celebrity</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Celebrity meltdowns</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Celebrity politicians
</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Celebrity reputation</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Scandals and celebrity status
</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Celebrity rise, fall and rebirth in the mediascape</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Celebrity, media and surveillance</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Disingenuous and/or exposed celebrity</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Exposing celebrity</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Fallen sports heroes and celebrity culture</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Famous frauds</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Famous scapegoats</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Fandom and the search for celebrity authenticity</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Hapless and celebrity
</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Inequality and transgression in celebrity culture</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Libel and slander</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Marketers risks in celebrity scandals (celebrity's suitability to continue endorsing)</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Media rituals and celebrity
</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Parasocial attachment to celebrities</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Reality-TV and ordinary celebrity</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Audience and affect</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">(In)sincerity and political celebrity</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Gossip culture</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Celebrity hoaxes</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Illness and celebrity</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Authenticating celebrity and gender, race, class, ethnicity</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Marketing authenticity</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Ridiculous celebrities</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Sacrifice, crucification and public torture</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Schadenfreude and celebrity envy</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">The phenomenology of fame</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">True fans/anti-fans</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Sincerity and stardom</span><o:p></o:p></li><li class="MsoNormal" style="margin-left:0cm;mso-list:l1 level1 lfo3"><span lang="EN-GB" style="font-size:11.0pt">Trusting celebrity</span><o:p></o:p></li></ul>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt"><br>
<b><span style="color:#4472C4">Deadline for individual and panel abstracts: <u>November 6<sup>th</sup> 2017</u></span></b></span><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt"> </span></b><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt">Submitted to:
</span></b><span lang="IT" style="font-size:11.0pt"><a href="mailto:celebritystudies@gmail.com" target="_blank"><b><span lang="EN-US">celebritystudies@gmail.com</span></b></a></span><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt"> </span></b><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt">Individual Abstracts</span></b><span lang="EN-GB" style="font-size:11.0pt"> to be: 250 words, plus a 50-word biography.
<i>Please indicate if PhD student</i>.</span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt">3 Person Panel Abstracts</span></b><span lang="EN-GB" style="font-size:11.0pt">: 150-word overview, plus 3x 250 word abstracts, and 3x 50-word biography, plus name of lead contact.</span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt">Colleagues will be notified of decisions by:
<b> <u><span style="color:#4472C4">January 8<sup>th</sup> 2018</span></u></b></span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt">There will be a small bursary prize for the best PhD abstract submitted (again notified on January 8<sup>th</sup> 2018)
</span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt">Conference Website:
</span><span style="font-size:11.0pt"> </span><span lang="IT" style="font-size:11.0pt"><a href="https://celebritystudiesconference.com/"><span lang="EN-US">https://celebritystudiesconference.com</span></a></span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt">All enquiries to: </span><span lang="IT" style="font-size:11.0pt"><a href="mailto:celebritystudies@gmail.com" target="_blank"><b><span lang="EN-US">celebritystudies@gmail.com</span></b></a></span><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt"> </span></b><o:p></o:p></p>
<p class="MsoNormal"><b><span lang="EN-GB" style="font-size:11.0pt;color:#4472C4">On behalf of the organisation committee</span></b><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt">Chair: Romana Andò</span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt">James Bennett </span>
<o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt">Hannah Hamad</span><o:p></o:p></p>
<p class="MsoNormal"><span lang="IT" style="font-size:11.0pt">Neil Ewen </span><o:p></o:p></p>
<p class="MsoNormal"><span lang="IT" style="font-size:11.0pt">Alessandro Saggioro
</span><o:p></o:p></p>
<p class="MsoNormal"><span lang="IT" style="font-size:11.0pt">Andrea Minuz </span>
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<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt">Gaston Franssen</span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt">Sean Redmond</span><o:p></o:p></p>
<p class="MsoNormal"><span style="font-size:11.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-GB" style="font-size:11.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span lang="IT" style="font-size:11.0pt"> </span><o:p></o:p></p>
<p class="MsoNormal"><span lang="EN-AU" style="font-size:11.0pt"> </span><o:p></o:p></p>
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