<html xmlns:o="urn:schemas-microsoft-com:office:office" xmlns:w="urn:schemas-microsoft-com:office:word" xmlns:m="http://schemas.microsoft.com/office/2004/12/omml" xmlns="http://www.w3.org/TR/REC-html40">
<head>
<meta http-equiv="Content-Type" content="text/html; charset=utf-8">
<meta name="Title" content="">
<meta name="Keywords" content="">
<meta name="Generator" content="Microsoft Word 15 (filtered medium)">
<style><!--
/* Font Definitions */
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;}
@font-face
{font-family:"Calibri Light";
panose-1:2 15 3 2 2 2 4 3 2 4;}
@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{margin:0cm;
margin-bottom:.0001pt;
font-size:12.0pt;
font-family:"Calibri",sans-serif;}
a:link, span.MsoHyperlink
{mso-style-priority:99;
color:#0563C1;
text-decoration:underline;}
a:visited, span.MsoHyperlinkFollowed
{mso-style-priority:99;
color:#954F72;
text-decoration:underline;}
p
{mso-style-priority:99;
mso-margin-top-alt:auto;
margin-right:0cm;
mso-margin-bottom-alt:auto;
margin-left:0cm;
font-size:11.0pt;
font-family:"Calibri",sans-serif;}
span.apple-style-span
{mso-style-name:apple-style-span;}
span.EmailStyle19
{mso-style-type:personal-reply;
font-family:"Calibri",sans-serif;
color:windowtext;}
span.msoIns
{mso-style-type:export-only;
mso-style-name:"";
text-decoration:underline;
color:teal;}
.MsoChpDefault
{mso-style-type:export-only;
font-size:10.0pt;}
@page WordSection1
{size:595.0pt 842.0pt;
margin:72.0pt 72.0pt 72.0pt 72.0pt;}
div.WordSection1
{page:WordSection1;}
--></style>
</head>
<body bgcolor="white" lang="EN-GB" link="#0563C1" vlink="#954F72">
<div class="WordSection1">
<p class="MsoNormal">The draft programme for<span style="font-size:11.0pt"> </span>
<b><span lang="EN-US" style="color:black">Future Affects: A Collaboratory on Art, Affect and Automation
</span></b><span lang="EN-US" style="color:black">is now available. <b><o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span lang="EN-US" style="color:black"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><b><span lang="EN-US" style="color:black">Please note that this event is free, but very close to capacity. RSVPs essential</span></b><span lang="EN-US" style="font-family:"Calibri Light",sans-serif;color:black">
</span><b><span lang="EN-US" style="color:black">via Eventbrite: <a href="https://www.eventbrite.com.au/e/future-affects-a-collaboratory-on-art-affect-and-automation-tickets-37481020742">
https://www.eventbrite.com.au/e/future-affects-a-collaboratory-on-art-affect-and-automation-tickets-37481020742</a>.
</span></b><span lang="EN-US" style="color:black">A flyer for the event is attached.<b><o:p></o:p></b></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color:black"> <o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-US" style="color:black">Event Description<o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-US" style="color:black">Researchers and practitioners across a wide range of disciplines have increasingly recognized the importance of working collaboratively in order to tackle the complex challenges and cultural transformations
produced by the emergence of a new data society driven by algorithms, automated technologies and artificial intelligence. What new ways of thinking are emerging in response to these transformations? What new bodies of knowledge will help us make sense of the
affective and perceptive dimensions of post- and non-human assemblages, and the new temporal and affective networks to which these are beginning to give rise? How is the future already affecting the present?
<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color:black"> <o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color:black">The aim of this collaboratory is to provide a discussion forum for the sharing of ideas and development of multi-disciplinary networks for those interested in these vital intersections of art, affect
and automation. Presentations will take the form of 5-minute provocations, offering works-in-progress, ideas-in-formation and concepts-in-emergence. Our desire is to think future affects together.<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color:black"> <o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color:black;background:white">This event is supported by the ARC Centre of Excellence for the History of the Emotions and ARC Future Fellowship FT170100214.</span><span lang="EN-US" style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color:black"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:14.0pt;color:black">Future Affects: Draft Programme
<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="color:black">10am-6pm, Monday November 6 2017<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="color:black">IASH Seminar Room<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="color:black">Level 4, Forgan Smith Tower<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="color:black">University of Queensland<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><span style="color:black"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><b><span style="color:black">10.00-10.15: Opening remarks <o:p>
</o:p></span></b></p>
<p class="MsoNormal"><b><span style="color:black"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><b><span style="color:black">10.15-11.00: PANEL ONE: Algorithmic Cultures<o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-US" style="color:black">Peta Mitchell and Marcus Foth</span><span lang="EN-US" style="color:black">:
</span><span style="color:black">Algorithmic futures and the future city<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Caroline Wilson-Barnao</span><span lang="EN-US" style="color:black">: The algorithmic museum and the automation of culture<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color:black">Kathryn Fox [Brimblecombe-Fox]: Militarised Imaginations<o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-US" style="color:black"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><b><span lang="EN-US" style="color:black">11.00-12.00: PANEL TWO: Automation and Affect<o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-AU" style="color:black">Dr Laini Burton: Automating the senses: Cyborg Nest’s ‘The North Sense’<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color:black">Guerrilla Knowledge Unit (Linda Knight & Jacinta Leong): ME/YOU/US + AI’</span><span lang="EN-US" style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color:black">Erika Kerruish: The expression of empathy by robots: feeling unlike you<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color:black">Lisa Bode: Towards a history of the synthespian<b><o:p></o:p></b></span></p>
<p class="MsoNormal"><b><span style="color:black"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><b><span style="color:black">12.00-12.45: LUNCH</span></b><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="color:black"> </span></b><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="color:black">12.45-1.45: PANEL THREE: Medical, Legal and Historical Perspectives</span></b><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Dolly MacKinnon: Pulse<i> </i><o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Andrew Ventimiglia: The Angel in the Machine: Divining Legal Authorship in Channelled and Computer-Generated Works<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Paul Tyson: Techne and Telos<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Russell Smith: In the Automatic Factory<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="color:black">1.45-2.30: PANEL FOUR: Affective Aesthetics and Gender</span></b><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Susan Best: Performance art and the collective body <o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Nike Sulway: Imagine me: a provocation<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Shamara Ransirini: Militant Corporealities: Gendering Affect and the Insurgent Body in Political Conflicts<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="color:black">2.30-3.00: AFTERNOON TEA</span></b><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black"> <o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="color:black">3.00-3.45: PANEL FIVE: Affective and Aesthetic Orientations</span></b><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Grayson Cooke: Remote sensing of the Earth: affective and aesthetic dimensions<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Indy Clark: The Future in the Past: Garden City Poetry, 1885–1936<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Frederico Fialho Teixeira: Affects and Percepts in Autopoietic Synesthetic Design<o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="color:black"> </span></b><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="color:black">3.45-4.45: PANEL SIX: Affect and Algorithms</span></b><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Anna Gibbs: Algorithmical, Atmospherical<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Michael Richardson: Affect and Algorithmic Politics<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Karin Sellberg: Prognostic Ontology<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Elizabeth Stephens: The Mechanical Turk: The Human(ities) in the Machine<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black"> <o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="color:black">4.45-5.00: Closing discussion</span></b><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="color:black"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><b><span style="color:black">5.00-6.00: Reception (Level 3 of the Forgan Smith Tower)<o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-US" style="color:black"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color:black"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color:black"><o:p> </o:p></span></p>
<div>
<div>
<div>
<div>
<p class="MsoNormal"><span style="color:black">Elizabeth Stephens<o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><span style="color:black">ARC Future Fellow and <span class="apple-style-span">Associate Professor in Cultural Studies</span><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><span style="color:black">Institute for Advanced Studies in the Humanities<o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><span style="color:black">University of Queensland<o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><span style="color:black">St Lucia Australia 4072<o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><span style="color:black">Webpage: <a href="http://uq.academia.edu/ElizabethStephens">http://uq.academia.edu/ElizabethStephens</a><o:p></o:p></span></p>
</div>
</div>
<div>
<p class="MsoNormal"><span lang="EN-US" style="font-size:10.5pt;color:black"> </span><span lang="EN-US" style="font-family:"Times New Roman",serif;color:black"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><span style="font-size:10.5pt;color:black"><o:p> </o:p></span></p>
</div>
</div>
</div>
</div>
</body>
</html>