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<p>Dear all,<br>
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<p>if you're in SE Queensland and interested in theatre, TV, and issues of liveness, please come and see John Wyver speak next Tuesday night. RSVP if you can to </p>
<p><strong><span style="text-decoration: underline;"><span style="font-size: 9pt; font-family: Arial;"><a href="mailto:b.smethills@uq.edu.au" target="_top"><span style="color: rgb(38, 133, 213);">b.smethills@uq.edu.au</span></a></span></span></strong><br>
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<p>but it is also OK if you just turn up.<br>
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<p>Cheers<br>
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<p>Lisa<br>
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<div class="PlainText">Dr Lisa Bode</div>
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Lecturer in Film and Television Studies</div>
<div class="PlainText">Deputy Director of Research</div>
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School of Communication and Arts<br>
University of Queensland<br>
Brisbane, QLD 4072<br>
+61 7 33651443</div>
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<div id="divRplyFwdMsg" dir="ltr"><font face="Calibri, sans-serif" color="#000000" style="font-size:11pt"><b>From:</b> School of Communication and Arts<br>
<b>Sent:</b> Friday, 2 September 2016 12:33 PM<br>
<b>Subject:</b> REMINDER FOR RSVPs: Lloyd Davis Public Lecture | Being There: Shakespeare, Theatre Television, and Live Cinema | 6pm, Tuesday 6 September</font>
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<p class="MsoNormal" align="center" style="text-align:center"><span style="font-size:9.0pt; font-family:Arial; color:white">Having trouble reading this email?<span class="apple-converted-space"> </span><a href="https://communication-arts.uq.edu.au/event/session/1714" target="_blank" title="View Online"><span style="color:#FFC82E; text-decoration:none">View
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<h1 style="margin:0cm; margin-bottom:.0001pt"><span style="font-size:22.5pt; font-family:Arial; color:#BDA14E; letter-spacing:-.75pt; font-weight:normal">Public Lecture</span></h1>
<h2 style="margin:0cm; margin-bottom:.0001pt"><span style="font-size:13.5pt; font-family:Arial; color:#BDA14E; font-weight:normal">School of Communication and Arts</span></h2>
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<span style="font-family:Arial; color:#555555">LLOYD DAVIS MEMORIAL PUBLIC LECTURE</span></h3>
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<span style="font-family:Arial; color:#555555">Being There: Shakespeare, Theatre Television, and Live Cinema</span></h3>
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<li class="MsoNormal" style="color:#555555"><span style="font-size:9.0pt; font-family:Arial">Tuesday 6 September 2016</span></li><li class="MsoNormal" style="color:#555555"><span style="font-size:9.0pt; font-family:Arial">Terrace Room, Sir Llew Edwards Building (#14), The University of Queensland, St Lucia
</span></li><li class="MsoNormal" style="color:#555555"><span style="font-size:9.0pt; font-family:Arial">6:00pm-7:15pm, followed by refreshments</span></li><li class="MsoNormal" style="color:#555555"><b><u><span style="font-size:9.0pt; font-family:Arial">Please RSVP by Friday, 2nd September to<span class="apple-converted-space"> </span><a href="mailto:b.smethills@uq.edu.au" target="_top"><span style="color:#2685D5">b.smethills@uq.edu.au</span></a></span></u></b><b><u></u></b></li></ul>
<p class="MsoNormal"><span style="font-size:9.0pt; font-family:Arial; color:#555555">Live screen versions of Shakespeare on stage were first imagined in the late nineteenth century and first realised in Britain before World War Two. NT Live, RSC Live from Stratford-upon-Avon,
and other live cinema initiatives, for all their appearance of novelty, develop conceptions of the hybrid forms between theatre, film, and television that have a rich and revealing history. The pleasures, perplexities, and problems of being in some way present
in a theatre, and yet at the same moment thousands of miles away in front of a screen, have long been with us and their contemporary forms can be fruitfully illuminated by considering them across the past century and more.</span></p>
<p style="margin-right:0cm; margin-bottom:7.5pt; margin-left:0cm"><span style="font-size:9.0pt; font-family:Arial; color:#555555">As producer of RSC Live from Stratford-upon-Avon, and as a writer on television and the arts, John Wyver explores both as a practitioner
and a cultural historian the past, present, and possible futures of Shakespearean live cinema. How have productions of the plays been shared with audiences beyond the auditoria for which they were staged? How have the mediating processes of production inflected
meanings and impacted audiences? And how does it change our ideas of theatre and of Shakespeare when we can sit in Brisbane’s Palace Barracks Cinema while imagining ourselves in Stratford-upon-Avon a month or more back in time?</span></p>
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<span style="font-size:10.5pt; font-family:Arial; color:#555555">About the Presenter</span></h3>
<p style="margin-right:0cm; margin-bottom:7.5pt; margin-left:0cm"><img width="137" height="155" align="left" hspace="12" src="cid:image003.png@01D20516.3397EE20"><strong><span style="font-size:9.0pt; font-family:Arial; color:#555555">John Wyver</span></strong><span style="font-size:9.0pt; font-family:Arial; color:#555555"> is
a writer and producer with Illuminations, a Media Associate with the Royal Shakespeare Company, and Senior Research Fellow at the University of Westminster. He has produced and directed numerous performance films and documentaries about the arts, and his work
has been honoured with a BAFTA, an International Emmy, and a Peabody Award.</span></p>
<p style="margin-right:0cm; margin-bottom:7.5pt; margin-left:0cm"><span style="font-size:9.0pt; font-family:Arial; color:#555555">John has produced three performance films for television with the RSC: <em><span style="font-family:Arial">Macbeth</span></em> (2000),
with Antony Sher and Harriet Walter; <em><span style="font-family:Arial">Hamlet</span></em> (2009), with David Tennant; and <em><span style="font-family:Arial">Julius Caesar</span></em> (2012). He also produced <em><span style="font-family:Arial">Gloriana,
a Film</span></em> (1999), directed by Phyllida Lloyd, and <em><span style="font-family:Arial">Macbeth</span></em> (2010), directed by Rupert Goold. In 2013, he produced the RSC’s first live-to-cinema broadcast <em><span style="font-family:Arial">Richard II
Live from Stratford-upon-Avon</span></em>, and is currently advising the RSC on its broadcasting strategy. He has written extensively on the history of documentary film, early television, and digital culture, and at the University of Westminster is Principal
Investigator on the AHRC-funded research project <em><span style="font-family:Arial">Screen Plays: Theatre Plays on British Television</span></em>. He is the author of <em><span style="font-family:Arial">Vision On: Film, Television and the Arts in Britain</span></em>
(2007). He blogs regularly at the Illuminations website (<a href="http://www.illuminationsmedia.co.uk/"><span style="color:#2685D5; text-decoration:none">www.illuminationsmedia.co.uk</span></a>), and tweets as @Illuminations.</span></p>
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