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<p class="normal" style="text-align:justify"><b> </b><o:p></o:p></p>
<p class="normal" style="text-align:justify"><b><span style="color:#1F497D;mso-themecolor:text2">SCREENING MELBOURNE: A Three-Day Symposium<o:p></o:p></span></b></p>
<p class="normal" style="text-align:justify"><i><span style="font-size:10.0pt;line-height:115%">To be held in association with the Universities of Deakin, La Trobe, Melbourne, Monash, RMIT and Swinburne; and in partnership with the Australian Centre for the
Moving Image, the Australian Film Institute, and the ARC Centre for Excellence for the History of Emotions.<o:p></o:p></span></i></p>
<p class="normal" style="text-align:justify"><i><span style="font-size:10.0pt;line-height:115%"> </span></i></p>
<p class="MsoNormal" style="text-align:justify;line-height:normal"><b><span style="color:#1F497D;mso-themecolor:
text2">Wednesday 22nd--Friday 24th February 2017<o:p></o:p></span></b></p>
<p class="MsoNormal" style="line-height:normal"><b><span style="mso-fareast-font-family:"Times New Roman";color:#1F497D;
mso-themecolor:text2">Venues to include:</span></b> ACMI, Deakin Edge, Federation Square, State Library of Victoria, Melbourne, Australia.<span style="font-size:10.0pt;font-family:
Times;mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New Roman";
color:windowtext"><o:p></o:p></span></p>
<p class="MsoNormal" style="text-align:justify;line-height:normal"> <o:p></o:p></p>
<p class="normal" style="text-align:justify"><b><span style="color:#1F497D;mso-themecolor:text2">Confirmed keynote:</span></b> Lesley Stern, Professor Emerita University of California, San Diego.<o:p></o:p></p>
<p class="normal" style="text-align:justify"><o:p> </o:p></p>
<p class="normal" style="text-align:justify"><b><span style="color:#1F497D;mso-themecolor:text2">Selection of the best papers</span></b> to be published in
<i>Senses of Cinema</i>.</p>
</div>
</div>
</span>
<div style="font-size: 14px; color: rgb(0, 0, 0);"><br>
</div>
<div><font face="Arial"><font color="#1f497d" style="font-weight: bold;">Events include
</font>The Screening Melbourne Walking Tour, Industry Day, and new film and video work on the Federation Square Screens</font></div>
<span id="OLK_SRC_BODY_SECTION" style="font-size: 14px; color: rgb(0, 0, 0); font-family: Calibri, sans-serif;">
<div>
<div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; color: rgb(0, 0, 0); font-size: 14px; font-family: Calibri, sans-serif;">
<p class="normal" style="text-align:justify"><o:p></o:p></p>
<p class="normal" style="text-align:justify"><i> <o:p></o:p></i></p>
<p class="normal" style="text-align:justify"><b><span style="color:#1F497D;mso-themecolor:text2">Screen media</span></b> form the connective tissue of Melbourne’s cultural life. From key moments in early cinema, such as the production of the world’s first feature
film <i>The Story of the Kelly Gang</i>, to the broadcast of national events like the Melbourne Cup and AFL Grand Final, to early video game developers such as Beam Software setting up in the city, there is barely a section of Melbourne that is not illuminated
by screen culture. This three-day symposium, organised by the cross-institutional Melbourne Screen Studies Group, will chart this vibrant activity through presentations, panel discussions, industry events, and screenings.<o:p></o:p></p>
<p class="normal" style="text-align:justify"> <o:p></o:p></p>
<p class="normal" style="text-align:justify">We are inviting submissions for research papers, panels, and non-traditional research presentations for this exciting event. Industry and medium specific presentations are welcome, as well as those that adopt a broader
view of Melbourne’s screen cultures and make comparisons with national and international examples. Proposal topics might include, but are not limited to the following, areas:
<o:p></o:p></p>
<p class="normal" style="text-align:justify"> <o:p></o:p></p>
<p class="normal" style="margin-left:18.0pt;text-align:justify"><b><span style="color:#1F497D;mso-themecolor:
text2">Melbourne on Screen</span></b><span style="color:#1F497D;mso-themecolor:
text2"><o:p></o:p></span></p>
<p class="normal" style="margin-left:18.0pt;text-align:justify">From dramas like <i>
Romper Stomper</i> to suburban soap opera <i>Neighbours </i>and the superhero adventure
<i>Ghost Rider</i>, the diversity of Melbourne’s landscape, architecture, and people allow the city to tell any number of screen stories. We encourage papers that consider how Melbourne is depicted on screen for local and international audiences, as well as
proposals that explore how the city is used as an anonymous space. Related topics might include multiculturalism and migration, celebrity, authorship, special effects/affects, authenticity, emotional histories of Melbourne screen culture, Melbourne as a city
of <i>a</i>ffect, and tourism.<o:p></o:p></p>
<p class="normal" style="text-align:justify"><b> </b><o:p></o:p></p>
<p class="normal" style="margin-left:18.0pt;text-align:justify"><b><span style="color:#1F497D;mso-themecolor:
text2">Screen Cultures in Melbourne</span></b><span style="color:#1F497D;
mso-themecolor:text2"><o:p></o:p></span></p>
<p class="normal" style="margin-left:18.0pt;text-align:justify">Melbourne offers a fertile example of how a city can engage with screen culture, from historic movie palaces and film societies to public screenings and events. Proposals that examine screen cultures,
including the institutions that support them, are welcome. Explorations of the interrelated roles of gaming and advertising in citizens’ everyday and screen-related experiences of place and aesthetics are encouraged, as are proposals that address the documentary
and experimental forms. <span lang="EN-US">We also invite proposals on photography, pre-cinema screens and the use of mobile screens, especially framed in relation to film culture, narrative and/or aesthetics.
</span>These proposals could range from research papers to practice-led approaches to capturing Melbourne’s screen memories and experiences.
<o:p></o:p></p>
<p class="normal" style="text-align:justify"><b> </b><o:p></o:p></p>
<p class="normal" style="margin-left:18.0pt"><b><span style="color:#1F497D;mso-themecolor:text2">Seeing Difference</span></b><span style="color:#1F497D;mso-themecolor:text2"><o:p></o:p></span></p>
<p class="normal" style="margin-left:18.0pt;text-align:justify">As a city, Melbourne’s identity has been actively cultivated through references to difference, political action and alternative culture. Screen texts as diverse as
<i>Annie’s Coming Out</i>, <i>Head On</i>, and <i>Please Like Me </i>are suggestive of the variety of ways in which difference has helped bring Melbourne to the screen. We invite proposals that consider these intersections between politics, identity, and difference.<o:p></o:p></p>
<p class="normal" style="text-align:justify"><b> </b><o:p></o:p></p>
<p class="normal" style="margin-left:18.0pt;text-align:justify"><b><span style="color:#1F497D;mso-themecolor:
text2">Early and Silent Melbourne</span></b><span style="color:#1F497D;
mso-themecolor:text2"><o:p></o:p></span></p>
<p class="normal" style="margin-left:18.0pt;text-align:justify">Melbourne is home to many milestones and major works of early and silent cinema, including the
<span lang="EN-US">1896 Melbourne Cup carnival</span><i>, </i>the 1900 multimedia work
<i>Soldiers of the Cross</i>, and, of course, the 1906 feature film <i>The Story of the Kelly Gang</i>. Proposals are invited that chart this energetic early period in Melbourne’s screen life. <o:p></o:p></p>
<p class="normal" style="text-align:justify"> <o:p></o:p></p>
<p class="normal" style="margin-left:18.0pt;text-align:justify"><b><span style="color:#1F497D;mso-themecolor:
text2">Melbourne on Page and Screen</span></b><span style="color:#1F497D;
mso-themecolor:text2"><o:p></o:p></span></p>
<p class="normal" style="margin-left:18.0pt;text-align:justify">Melbourne has inspired artists in a range of forms. We encourage papers that consider how Melbourne-set stories have made the transition from page to screen such as
<i>Miss Fisher's Murder Mysteries</i>, <i>On The Beach</i>, and <i>The Slap</i>, as well as texts that utilise transmedia paradigms.<o:p></o:p></p>
<p class="normal" style="text-align:justify"> <o:p></o:p></p>
<p class="normal" style="text-align:justify">Conference Organised by the <span style="color:#1F497D;mso-themecolor:text2">
Melbourne Screen Studies Group<a href="https://melbournescreenstudies.wordpress.com/"><span style="color:#1F497D;
mso-themecolor:text2;text-decoration:none;text-underline:none"></span></a></span><a href="https://melbournescreenstudies.wordpress.com/"><span style="color:#1155CC">https://melbournescreenstudies.wordpress.com/</span></a><o:p></o:p></p>
<p class="normal" style="text-align:justify"> <o:p></o:p></p>
<p class="normal" style="text-align:justify">Proposals of 250-300 words for individual presentations or full panels (3 or 4 papers, 250-300 words per paper with lead author nominated) should be sent to
<a href="mailto:screeningmelbourne@gmail.com">screeningmelbourne@gmail.com</a> by
<span style="color:#1F497D;mso-themecolor:text2">September 1st 2016</span>, along with a 150-word bio. Queries can also be directed to this address.<o:p></o:p></p>
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