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<div>Dear all,</div>
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<div style="font-family: Calibri, sans-serif; font-size: 14px;"><span style="color: rgb(0, 0, 0);">Details of the first, very exciting, </span><font color="#1f497d">Melbourne Screen Studies Group</font> seminar presentation of 2016: see attached and below.</div>
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<b><span lang="EN-US" style="font-size: 12pt; font-family: Times;"><font color="#1f497d">Melbourne Screen Studies Group</font>, Presentation<o:p></o:p></span></b></p>
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<b><span lang="EN-US" style="font-size: 12pt; font-family: Times;"><font color="#1f497d">Friday February 26</font>, 2015, 3.00–5.00 pm – Theatre Room<o:p></o:p></span></b></p>
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<b><span lang="EN-US" style="font-size:12.0pt;font-family:Times;mso-bidi-font-family:
"Times New Roman";mso-ansi-language:EN-US">Deakin City Centre, 550 Bourke Street, Melbourne</span></b><b><span style="font-size:12.0pt;font-family:Times"><o:p></o:p></span></b></p>
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<span lang="EN-US" style="font-family:Times;mso-bidi-font-family:Calibri;mso-ansi-language:EN-US"> </span></p>
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<b><i><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:Calibri;mso-ansi-language:EN-US">La Trobe University Media Arts, Department of Creative Arts and English<o:p></o:p></span></i></b></p>
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<span lang="EN-US" style="font-family:Times;mso-bidi-font-family:
Calibri;mso-ansi-language:EN-US"> </span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px;"><span lang="EN-US" style="font-family: Times;"><font color="#1f497d"><b>Hester Joyce</b></font> will Chair the session and speak briefly about <span style="color: rgb(27, 27, 27);">the <i>Journal
of Screenwriting, </i>the Screenwriting Research Network and Conference, and<i> </i></span>her recent
<span style="color: rgb(27, 27, 27);">Harry Ransom Fellowship at University of Austin Texas on <i>The Aesthetics of Screenwriting<o:p></o:p></i></span></span></p>
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<span lang="EN-US" style="font-family:Times;mso-bidi-font-family:
Calibri;color:#1B1B1B;mso-ansi-language:EN-US;mso-bidi-font-style:italic"> </span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px;"><b><u><span lang="EN-US" style="font-family: Times;"><font color="#1f497d">Presentations</font><font color="#1b1b1b"><o:p></o:p></font></span></u></b></p>
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Calibri;mso-ansi-language:EN-US"> </span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px;"><b><span lang="EN-US" style="font-family: Times;">The FIVE Provocations: An Investigation into the Process of Capturing Performance on Film –
<font color="#1f497d">Angie Black</font><o:p></o:p></span></b></p>
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<span lang="EN-US" style="font-family:Times;mso-bidi-font-family:
Calibri;mso-ansi-language:EN-US">This presentation explores the researcher’s practice-based enquiry into capturing performance on film. It references contemporary practitioners who are establishing
approaches to screen content/making through using alternative artistic practices, prior to screenwriting. This research uses performance as the stimulus for artistic practice. <i>The FIVE Provocations </i>is an investigation into alternative film practice
and form. The aim of this creative project is to investigate an alternative method of film production that differs from an industrialised model, where the screenplay is seen as a blueprint for the film. Preliminary investigations into performance have led
the researcher to experiment with a Character Based Improvisation (CBI) method, used by established filmmakers such as Mike Leigh. This work specifically looks at creative practitioners using another art practice as a way to initiate a creative and collaborative
film practice, including my own as a filmmaker.<o:p></o:p></span></p>
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<i><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:Calibri;mso-ansi-language:EN-US"> </span></i></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0);">
<i><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:Calibri;mso-ansi-language:EN-US">Angie Black</span></i><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:
Calibri;mso-ansi-language:EN-US"> is a filmmaker/director and academic
with </span><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:Helvetica;mso-ansi-language:
EN-US;mso-bidi-font-weight:bold">over<b></b></span><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:Helvetica;mso-ansi-language:EN-US">twenty-years
professional practice and production experience. She is the recipient of the Film Victoria’s ‘Independent Filmmakers Fund’ and director of the award winning short film
</span><a href="http://www.blackeyefilms.com.au/cms-film/bowl-me-over.phps"><i><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:Helvetica;color:windowtext;
mso-ansi-language:EN-US">Bowl Me Over</span></i></a><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:Helvetica;mso-ansi-language:EN-US">
(2000). Having won Best Comedy at the St Kilda Film Festival in 2001, she now has more than ten short films behind her and is currently completing a creative PhD research-based film project, investigating alternative approaches to the filmmaking process -
</span><a href="http://www.blackeyefilms.com.au/cms-development/the-five-provocations.phps"><i><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:Helvetica;color:windowtext;
mso-ansi-language:EN-US">The FIVE Provocations</span></i></a><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:Helvetica;mso-ansi-language:EN-US">
is currently in postproduction.<o:p></o:p></span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0);">
<span lang="EN-US" style="font-size:12.0pt;font-family:Times;
mso-bidi-font-family:Helvetica;mso-ansi-language:EN-US"> </span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0);">
<b><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:
Calibri;mso-ansi-language:EN-US"> </span></b></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px;"><b><span lang="EN-US" style="font-family: Times;">Nostalgia in Australian Cinema –
<font color="#1f497d">Timothy Ratcliffe</font><o:p></o:p></span></b></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0);">
<span lang="EN-US" style="font-family:Times;mso-bidi-font-family:
Calibri;mso-ansi-language:EN-US">This presentation outlines research into nostalgia, in a similar vein to research conducted by Vera Dika, Pam Cook & Christine Sprengler. The work seeks to analyse
the critical potential in this film genre, and the relationship it has to Australian history, memory and identity. A short experimental film will be screened as a component of this research, created to understand the practical techniques of film nostalgia
and explore the future possibilities for engaging film audiences. <o:p></o:p></span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0);">
<span lang="EN-US" style="font-family:Times;mso-bidi-font-family:
Calibri;mso-ansi-language:EN-US"> </span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0);">
<i><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:Calibri;mso-ansi-language:EN-US">Timothy Ratcliffe</span></i><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:
Calibri;mso-ansi-language:EN-US"> is an MA candidate in Media
Arts, Department of Creative Arts and English<o:p></o:p></span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0);">
<span lang="EN-US" style="font-family:Times;mso-bidi-font-family:
Calibri;mso-ansi-language:EN-US"> </span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; line-height: 115%;">
<b><span style="font-family: Times;">The spoken and unspoken nature of child abuse in and beyond the miniseries Devil’s Playground: The Royal Commission into Institutional Responses to Child Sexual Abuse, the Catholic Church and television drama in Australia
– <font color="#1f497d">Terrie Waddell will present (Timothy Jones co writer)</font></span></b><b style="color: rgb(0, 0, 0);"><span style="font-family:Times"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0); line-height: 115%;">
<span style="font-family:Times">This paper, part of a larger screen study into cultural complexes clustered around notions of the child, will be published in MIA’s May issue.
<o:p></o:p></span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0); line-height: 115%;">
<span lang="EN-US" style="font-family:Times;mso-bidi-font-family:
Times;color:#040404;mso-ansi-language:EN-US">In a departure from Fred Schepisi’s
<i>The Devil’s Playground</i> (1976), the television sequel <i>Devil's Playground
</i>(2013), focuses on the cultural impact of priest child abuse. The prolific mainstream media coverage of these crimes before the series was made, and expected during its screening, added a sense of anticipation to the production. In focusing on Case 28 of
the Royal Commission into Institutional Responses to Child Sexual Abuse (2015), this research draws attention to the problematic nature of dramatizing priest abuse in mainstream Australian television. While victims have willingly voiced graphic details of
the sexual violence they experienced as children, it is as if networks and producers are only now awkwardly grappling with these uncomfortable realities.
<o:p></o:p></span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0); line-height: 115%;">
<span lang="EN-US" style="font-family:Times;mso-bidi-font-family:
Times;color:#040404;mso-ansi-language:EN-US"> </span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0);">
<i><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:Optima;mso-ansi-language:EN-US">Terrie Waddell</span></i><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:
Optima;mso-ansi-language:EN-US"> is Associate Professor of Media
Arts, La Trobe. Her research focuses on the relationship between screen media, literature, gender, popular culture and psychology. She has authored and edited:
<i>Eavesdropping: The Psychotherapist in Film and Television</i> (co-editor Routledge, 2015),
<i>Wild/lives: Trickster, Place and Liminality on Screen</i> (Routledge, 2010), <i>
Mis/takes: Archetype, Myth and Identity in Screen Fictio</i>n (Routledge, 2006),<i> Lounge Critic: The Couch Theorist's Companion</i> (co-editor, ACMI, 2004); and
<i>Cultural Expressions of Evil and Wickedness: Wrath, Sex, Cr</i>ime (editor, Rodopi, 2003).<o:p></o:p></span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0);">
<i><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:Calibri;mso-ansi-language:EN-US">Timothy Willem Jones</span></i><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:
Calibri;mso-ansi-language:EN-US"> is Senior Lecturer in History
at La Trobe. He is interested in intersections between the histories of religion and sexuality in modern Britain and Australia. His recent publications include
<i>Sexual Politics in the Church of England, 1857-1957 </i>(OUP, 2013) <i>Love and Romance in Britain, 1918-1970</i> (Palgrave, 2015), with Alana Harris; and
<i>Material Religion in Modern Britain</i> (Palgrave, 2015), with Lucinda Matthews-Jones.</span><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:Times;color:#040404;
mso-ansi-language:EN-US"><o:p></o:p></span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0);">
<span lang="EN-US" style="font-family:Times;mso-bidi-font-family:
Calibri;mso-ansi-language:EN-US"> </span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px;"><b><span lang="EN-US" style="font-family: Times;">The Creative Practice of Australian Screen writer Jan Sardi -
<font color="#1f497d">Mark Poole </font></span></b><span lang="EN-US" style="color: rgb(0, 0, 0); font-family: Times;"><o:p></o:p></span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0);">
<span lang="EN-US" style="font-family:Times;mso-bidi-font-family:
"Times New Roman";mso-ansi-language:EN-US">This paper explores the creative practice of prominent Australian screenwriter Jan Sardi, best known for the Academy Award nominated
<i>Shine</i> (1996). <i>Shine</i> employs a complex narrative structure, covering three time periods over forty years. Sardi follows the emotional backbone of a story, and this process has been interrogated by screenwriting expert Linda Aronson (<i>Screenwriting
Updated</i>: <i>New (and conventional) Ways of Writing for the Screen</i>, 2001).<o:p></o:p></span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0);">
<span lang="EN-US" style="font-family:Times;mso-bidi-font-family:
Calibri;mso-ansi-language:EN-US"> </span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0);">
<i><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:"Times New Roman";mso-ansi-language:
EN-US">Mark Poole</span></i><span lang="EN-US" style="font-family:Times;
mso-bidi-font-family:"Times New Roman";mso-ansi-language:EN-US"><span style="color:#141414">is
the co-author of the book <i>Shining a Light: 50 Years of the Australian Film Institute</i> (2013). He was Chair of the Australian Writers’ Guild in Victoria for five years and has written and directed numerous documentaries including
<i>Fearless</i> (2007), which explored the work of Australian playwright Julia Britton. His telefeature
<i>A Single Life</i> (1987) won an AFI Award. He is currently enrolled in a PhD by Creative Practice at La Trobe University, with supervisors Dr Hester Joyce and Angie Black.</span></span><span lang="EN-US" style="font-family:Times;mso-bidi-font-family:Calibri;mso-ansi-language:
EN-US"><o:p></o:p></span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0);">
<span style="font-family:Times"> </span></p>
<p class="MsoNormal"><font face="Times">P</font><span style="color: rgb(0, 0, 0); font-family: Times; font-size: 14px;">lease contact Terrie with any questions,</span></p>
<p class="MsoNormal"><span style="color: rgb(0, 0, 0); font-family: Times; font-size: 14px;"><br>
</span></p>
<p class="MsoNormal"><font face="Times" size="3">B</font><span style="color: rgb(0, 0, 0); font-family: Times; font-size: 14px;">est,</span></p>
<p class="MsoNormal"><span style="color: rgb(0, 0, 0); font-family: Times; font-size: 14px;"><br>
</span></p>
<p class="MsoNormal"><span style="color: rgb(0, 0, 0); font-family: Times; font-size: 14px;">Sean</span></p>
<p class="MsoNormal" style="font-family: Calibri, sans-serif; font-size: 14px; color: rgb(0, 0, 0);">
<span style="font-family:Times"><br>
</span></p>
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