<div dir="ltr"><div style="font-size:12.8px">Dear colleagues, </div><div style="font-size:12.8px"><br></div><div style="font-size:12.8px"><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;font-size:12.8px">We are pleased to announce the first issue of the newly rebranded journal <i><b>Perfect Beat: The <u>Asia-Pacific</u> of Research into Contemporary Music and Popular Culture</b></i>. The journal has a new focus on research in the Asia-Pacific region, and a fresh editorial team. We welcome you to look through this issue (see below). Articles are restricted to subscription only status, but reviews are open access. Your institutional library should have have links to <i><b>Perfect Beat</b></i> via EBSCO, ProQuest and other databases.</p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;font-size:12.8px"><span style="font-size:12.8px"><br></span></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;font-size:12.8px"><span style="font-size:12.8px"><i style="font-weight:bold">Perfect Beat</i> now invites submissions to the journal, and we anticipate a timely turnaround for publication. <br></span><span style="font-size:12.8px">We have a strong interest in articles about contemporary/popular music.</span><span style="font-size:12.8px"> </span><span style="font-size:12.8px">Articles should be around</span><span style="font-size:12.8px"> 8,000 words and focus on music in, about, from and between the Asia-Pacific region (Australia, New Zealand, Oceania, the Pacific Islands, all Asian countries, and/or more). Our 'RIFF' section of the journal offers a unique space for other kinds of scholarship, such as Q&A interviews with key performers, and more. Please discuss your ideas in advance with the editor. We also have a lively reviews section with reviews of relevant books, online material, etc. </span></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;font-size:12.8px"><span style="font-size:12.8px"><br></span></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;font-size:12.8px"><span style="font-size:12.8px">Interested authors should, in the first instance, consult the submissions page: </span><span style="font-size:12.8px"><a href="http://www.equinoxpub.com/journals/index.php/PB/about/submissions" target="_blank">http://www.equinoxpub.com/journals/index.php/PB/about/submissions </a></span></p><p class="MsoNormal" style="margin:0cm 0cm 0.0001pt;font-size:12.8px"><span style="font-size:12.8px"> </span></p></div><div style="font-size:12.8px"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr">best wishes,</div><div dir="ltr">Mark Evans, executive editor<br>Shelley Brunt, editor</div><div>Oli Wilson, assistant editor</div><div>Catherine Strong, reviews editor</div><div dir="ltr"><br><div dir="ltr"><span style="font-family:'trebuchet ms',sans-serif;color:rgb(68,68,68)"><br></span></div><div dir="ltr"><table border="0" cellpadding="0" cellspacing="0" width="100%" style="font-size:12.8px;border-collapse:collapse;background-color:rgb(242,242,242)"><tbody><tr><td align="center" valign="top"><table border="0" cellpadding="0" cellspacing="0" width="100%" style="border-collapse:collapse;border-top-width:0px;border-bottom-width:0px;background-color:rgb(255,255,255)"><tbody><tr><td align="center" valign="top"><table border="0" cellpadding="0" cellspacing="0" width="600" style="border-collapse:collapse"><tbody><tr><td valign="top" style="padding-top:9px"><table border="0" cellpadding="0" cellspacing="0" width="100%" style="border-collapse:collapse"><tbody><tr><td valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" width="366" style="border-collapse:collapse"><tbody><tr><td 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valign="top"><table border="0" cellpadding="0" cellspacing="0" width="100%" style="border-collapse:collapse;border-top-width:0px;border-bottom-width:0px;background-color:rgb(255,255,255)"><tbody><tr><td align="center" valign="top"><table border="0" cellpadding="0" cellspacing="0" width="600" style="border-collapse:collapse"><tbody><tr><td align="left" valign="top" width="50%"><table align="left" border="0" cellpadding="0" cellspacing="0" width="100%" style="border-collapse:collapse"><tbody><tr><td valign="top"><table border="0" cellpadding="0" cellspacing="0" width="100%" style="border-collapse:collapse"><tbody><tr><td valign="top"><table align="left" border="0" cellpadding="0" cellspacing="0" width="300" style="border-collapse:collapse"><tbody><tr><td valign="top" style="font-family:Helvetica;padding:9px 18px;color:rgb(96,96,96);font-size:15px;line-height:22.5px"><div style="text-align:center"><span style="font-size:40px"><strong>Perfect Beat</strong></span><br><br><strong>Issue 15.2 (2014) table of contents</strong><br><br><strong>Introduction- open access</strong><br>‘Lookin, searchin, seekin, findin’: A new beat<br>Shelley Brunt, Oli Wilson and Catherine Strong<br><a href="http://equinoxpub.us1.list-manage.com/track/click?u=7b079594af3b248f2afa52f65&id=9e00f87dc1&e=128c3140c0" target="_blank" style="color:rgb(109,198,221);word-wrap:break-word">http://www.equinoxpub.com/journals/index.php/PB/article/view/27738</a><br>PB 15.2 (2014) pp105–111 issn 1836-0343<br><br><strong>Articles</strong><br>Sounding the aquapelago: The cultural-environmental context of ni-Vanuatu women’s liquid percussion performance<br>Philip Hayward<br><a href="http://equinoxpub.us1.list-manage.com/track/click?u=7b079594af3b248f2afa52f65&id=05863cad94&e=128c3140c0" target="_blank" style="color:rgb(109,198,221);word-wrap:break-word">http://www.equinoxpub.com/journals/index.php/PB/article/view/23972</a><br>PB 15.2 (2014) pp 113–127 issn 1836-0343<br>No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988<br>Andrew Wright Hurley<br><a href="http://equinoxpub.us1.list-manage2.com/track/click?u=7b079594af3b248f2afa52f65&id=9645f382db&e=128c3140c0" target="_blank" style="color:rgb(109,198,221);word-wrap:break-word">http://www.equinoxpub.com/journals/index.php/PB/article/view/26718</a><br>PB 15.2 (2014) pp 129–148 issn 1836-0343<br>All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett<br>Catherine Strong<br><a href="http://equinoxpub.us1.list-manage2.com/track/click?u=7b079594af3b248f2afa52f65&id=d5045f28d9&e=128c3140c0" target="_blank" style="color:rgb(109,198,221);word-wrap:break-word">http://www.equinoxpub.com/journals/index.php/PB/article/view/18363</a><br>PB 15.2 (2014) pp 149–166 issn 1836-0343<br><br><strong>Riff article</strong><br>An interview with Tiki Taane: Expressing cultural heritage and identity through music<br>Oli Wilson<br><a href="http://equinoxpub.us1.list-manage.com/track/click?u=7b079594af3b248f2afa52f65&id=81492d743e&e=128c3140c0" target="_blank" style="color:rgb(109,198,221);word-wrap:break-word">http://www.equinoxpub.com/journals/index.php/PB/article/view/21064</a><br>PB 15.2 (2014) pp 167–174 issn 1836-0343<br><br><strong>Book Reviews- open access</strong><br>Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960–1975 by Duncan Heining<br>Reviewed by Norman Meehan<br><a href="http://equinoxpub.us1.list-manage.com/track/click?u=7b079594af3b248f2afa52f65&id=f10cadfc4c&e=128c3140c0" target="_blank" style="color:rgb(109,198,221);word-wrap:break-word">http://www.equinoxpub.com/journals/index.php/PB/article/view/25995</a><br>PB 15.2 (2014) pp 175–176 issn 1836-0343<br>James Brown by John Scannell<br>Reviewed by Anne Danielsen<br><a href="http://equinoxpub.us1.list-manage.com/track/click?u=7b079594af3b248f2afa52f65&id=ccc9120453&e=128c3140c0" target="_blank" style="color:rgb(109,198,221);word-wrap:break-word">http://www.equinoxpub.com/journals/index.php/PB/article/view/26639</a><br>PB 15.2 (2014) pp 177–179 issn 1836-0343<br>Steady Steady: The Life and Music of Seaman Dan by Henry ‘Seaman’ Dan and Karl Neuenfeldt<br>Reviewed by Bruce Johnson<br><a href="http://equinoxpub.us1.list-manage1.com/track/click?u=7b079594af3b248f2afa52f65&id=7c3c980b7b&e=128c3140c0" target="_blank" style="color:rgb(109,198,221);word-wrap:break-word">http://www.equinoxpub.com/journals/index.php/PB/article/view/27689</a><br>PB 15.2 (2014) pp 180–181 issn 1836-0343</div></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table></td><td align="left" valign="top" width="50%"><table align="right" border="0" cellpadding="0" cellspacing="0" width="100%" style="border-collapse:collapse"><tbody><tr><td valign="top"><table border="0" cellpadding="0" cellspacing="0" width="100%" style="border-collapse:collapse"><tbody><tr><td valign="top" 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style="font-family:Helvetica;color:rgb(96,96,96);font-size:15px;line-height:22.5px"><strong style="font-family:arial,helvetica,sans-serif;font-size:12.8px;line-height:normal;background-color:rgb(251,251,243)">Executive Editor</strong><br style="font-family:Arial,Helvetica,sans-serif;font-size:12.8px;line-height:normal;background-color:rgb(251,251,243)"><a href="mailto:+mark.evans@uts.edu.au" target="_blank" style="color:rgb(0,102,204);text-decoration:none;font-family:Arial,Helvetica,sans-serif;font-size:12.8px;line-height:normal;word-wrap:break-word;background-color:rgb(251,251,243)">Mark Evans</a><span style="font-family:arial,helvetica,sans-serif;font-size:12.8px;line-height:normal;background-color:rgb(251,251,243)">, University of Technology Sydney, Australia</span><br style="font-family:Arial,Helvetica,sans-serif;font-size:12.8px;line-height:normal;background-color:rgb(251,251,243)"><br style="font-family:Arial,Helvetica,sans-serif;font-size:12.8px;line-height:normal;background-color:rgb(251,251,243)"><strong style="font-family:arial,helvetica,sans-serif;font-size:12.8px;line-height:normal;background-color:rgb(251,251,243)">Editor</strong><br style="font-family:Arial,Helvetica,sans-serif;font-size:12.8px;line-height:normal;background-color:rgb(251,251,243)"><a href="mailto:+shelley.brunt@rmit.edu.au" target="_blank" style="color:rgb(0,102,204);text-decoration:none;font-family:Arial,Helvetica,sans-serif;font-size:12.8px;line-height:normal;word-wrap:break-word;background-color:rgb(251,251,243)">Shelley Brunt</a><span style="font-family:arial,helvetica,sans-serif;font-size:12.8px;line-height:normal;background-color:rgb(251,251,243)">, RMIT University, Australia</span><br style="font-family:Arial,Helvetica,sans-serif;font-size:12.8px;line-height:normal;background-color:rgb(251,251,243)"><br 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dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><font size="2"><span style="color:rgb(68,68,68)"><span style="font-family:'trebuchet ms',sans-serif">~~~~~~~~~~~~~~~~~~~~<br><span style="color:rgb(0,0,0)"><b>Dr Shelley Brunt</b></span> <br></span></span><span style="color:rgb(68,68,68)"><span style="font-family:'trebuchet ms',sans-serif"><span style="color:rgb(68,68,68)"><span style="font-family:'trebuchet ms',sans-serif">Senior Lecturer in Music and Media</span></span> | </span></span><span style="color:rgb(68,68,68)"><span style="font-family:'trebuchet ms',sans-serif"><span style="color:rgb(68,68,68)"><span style="font-family:'trebuchet ms',sans-serif">RMIT University</span></span><br>Incoming Editor 2015 | <a href="https://www.equinoxpub.com/journals/index.php/PB" target="_blank"><i>Perfect Beat </i></a>Journal<br>'Emergent Media Practices' Node Leader | <span style="color:rgb(0,0,255)"><a href="http://www.digital-ethnography.net/" target="_blank">Digital Ethnography Research Centre </a></span><br><br></span></span></font><span style="color:rgb(68,68,68);font-family:'trebuchet ms',sans-serif;font-size:small">Mail: </span><font size="2"><span style="color:rgb(68,68,68)"><span style="font-family:'trebuchet ms',sans-serif">School of Media and Communication, RMIT University, <br>GPO Box 2476, Melbourne, VIC, 3001 AUSTRALIA<br>Tel: +61 3 9925 3789 | Fax: +61 3 9925 3809 </span></span><span style="color:rgb(68,68,68)"><span style="font-family:'trebuchet ms',sans-serif"><span style="color:rgb(68,68,68)"><span style="font-family:'trebuchet ms',sans-serif"><span style="color:rgb(68,68,68)"><span style="font-family:'trebuchet ms',sans-serif">| </span></span></span></span></span></span></font><span style="font-family:'trebuchet ms',sans-serif;color:rgb(68,68,68);font-size:small">CIRCOS provider code: 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