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<div><i> <span style="font-size: 12px;">Apologies for cross-posting</span></i></div>
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<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US" style="color:#4F81BD;mso-themecolor:accent1">Call for Chapters: Eye Tracking the Moving Image Edited Collection<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US"> </span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><i><span lang="EN-US">We are inviting 500 word abstract submissions for a proposed anthology edited by Tessa Dwyer (University of Melbourne), Claire Perkins (Monash University), and Sean Redmond (Deakin University).<o:p></o:p></span></i></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><i><span lang="EN-US"> </span></i></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">The anthology will explore the ways in which eye tracking technology offers academics and practitioners new and innovative ways to assess and understand viewer engagement with moving images.
Inter and cross-disciplinary in approach, the editors seek submissions that either directly employ eye tracking technology in their empirical research or that assess its usefulness and limitations for the study of moving images and their audiences.<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US"> </span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">The anthology will be divided into three distinct sections: eye tracking aesthetics; eye tracking environments; and eye tracking intersections, where text, viewers and environment are brought
together under one articulating set of forces. We would ask you to indicate in your submission which section your proposed chapter is intended for.<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US"> </span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">The editors’ welcome abstracts that address (but need not be restricted to) the following themes:<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US"> </span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><b><span lang="EN-US" style="color:#4F81BD;mso-themecolor:accent1">Eye Tracking Aesthetics<o:p></o:p></span></b></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Movement and colour<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Objects<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Landscape<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Story and narrative<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Characters<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Mise-en-scene<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Text and sub-titling<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Series and seriality<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Faces<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Sound and image<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">The Leitmotif<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">The short film<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Editing – continuity, discontinuity, slow, fast,<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Performance and stardom<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US"> </span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><b><span lang="EN-US" style="color:#4F81BD;mso-themecolor:accent1">Eye Tracking Environments<o:p></o:p></span></b></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">The domestic viewing context<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Different screens and screen sizes<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Multi-plexes, Imax theatres, Arthouse and independent cinemas<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Mobile devices and mobility<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Public screens<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Surveillance screens<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Haptic environments<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Galleries, museums and immersive installations<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US"> </span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><b><span lang="EN-US" style="color:#4F81BD;mso-themecolor:accent1">Eye Tracking Intersections<o:p></o:p></span></b></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Place, space and bodies<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">The art-science nexus<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Screening brains<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Cognition and embodiment<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">New materialism<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">The phenomenology of the senses<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Haptic vision<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Neuroscience and psychology<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Media, advocacy and accessibility<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Active/passive dichotomies<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">Please contact the editors with any enquiries and/or expressions of interest. Abstracts should be submitted as a word document by
<font color="#1f497d"><b>1<sup>st</sup> September</b></font> 2015 to the editor’s email addresses:<o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US"> </span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Tessa Dwyer:
<a href="mailto:trdwyer@unimelb.edu.au">trdwyer@unimelb.edu.au</a><o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Claire Perkins:
<a href="mailto:claire.perkins@monash.edu">claire.perkins@monash.edu</a><o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US">Sean Redmond:
<a href="mailto:s.redmond@deakin.edu.au">s.redmond@deakin.edu.au</a><o:p></o:p></span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US"> </span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US"> </span></p>
<p class="MsoNormal" style="color: rgb(0, 0, 0);"><span lang="EN-US"> </span></p>
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