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<div>Dear all,</div>
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<div>Craig and I have guest edited a themed, interdisciplinary edition of <i>Refractory</i> on the topic of
<i>Eye Tracking the Moving Image</i>. Details below. </div>
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<div>‘In a landmark special edition of <i>Refractory</i>, guest editors Sean Redmond and Craig Batty draw together articles that examine - from a range of interdisciplinary perspectives - how eye tracking can be employed to make better critical sense of the
moving image. From discussions of Up! and Saving Private Ryan, to translation, subtitling and text; and from the cold eyes of Sherlock to the affecting sounds of war, the articles draw upon eye tracking data to see deeper into the moving image’.</div>
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<div>Best wishes,</div>
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<div>Sean and Craig</div>
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<h1 class="site-title" style="font-size: 14px;"><i style="font-size: 18px;">Refractory a Journal of Entertainment Media</i></h1>
<h1 class="site-title" style="font-size: 14px;"><span style="font-size: 18px;">Volume 25, 2015</span></h1>
<p><span style="font-size: 18px;"><i><strong>Themed Issue</strong>:<font color="#ff9900"> </font><font color="#7f7f7f"><b>Eye-Tracking the Moving Image</b></font></i></span></p>
<p>Guest Edited by <font color="#7f7f7f">Sean Redmond & Craig Batty</font><br>
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<p><strong>Contents:</strong></p>
<p>1. <font color="#7f7f7f"> </font><em><a title="Editorial – Seeing Into Things: Eye Tracking the Moving Image – Sean Redmond & Craig Batty" href="http://refractory.unimelb.edu.au/2015/02/06/redmond-batty/"><font color="#0000ff">Seeing into Things: Eye Tracking
the Moving Image</font></a> – </em>Sean Redmond & Craig Batty<em><br>
</em></p>
<p>2. <em><a title="Movement, Attention and Movies: the Possibilities and Limitations of Eye Tracking? – Adrian G. Dyer & Sarah Pink" href="http://refractory.unimelb.edu.au/2015/02/06/dyer-pink/">Movement, Attention and Movies: the Possibilities and Limitations
of Eye Tracking?</a> – </em>Adrian G. Dyer & Sarah Pink</p>
<p>3. <a title="How We Came To Eye Tracking Animation: A Cross-Disciplinary Approach to Researching the Moving Image – Craig Batty, Claire Perkins, & Jodi Sita" href="http://refractory.unimelb.edu.au/2015/02/06/batty-perkins-sita/"><em>How We Came To Eye Tracking
Animation: A Cross-Disciplinary Approach to Researching the Moving Image </em></a>- Craig Batty, Claire Perkins & Jodi Sita</p>
<p>4. <a title="Sound and Sight: An Exploratory Look at Saving Private Ryan through the Eye Tracking Lens – Jennifer Robinson, Jane Stadler and Andrea Rassell" href="http://refractory.unimelb.edu.au/2015/02/06/robinson-stadler-rassell/"><em>Sound and Sight:
An Exploratory Look at Saving Private Ryan through the Eye-tracking Lens </em></a>- Jenny Robinson, Jane Stadler & Andrea Rassell</p>
<p>5. <a title="Subtitles on the Moving Image: an Overview of Eye Tracking Studies – Jan Louis Kruger, Agnieszka Szarkowska and Izabela Krejtz" href="http://refractory.unimelb.edu.au/2015/02/07/kruger-szarkowska-krejtz/"><em>Subtitles on the Moving Image:
An Overview of Eye Tracking Studies </em></a>- Jan Louis Kruger, Agnieszka Szarkowska & Izabela Krejtz</p>
<p>6. <a href="http://refractory.unimelb.edu.au/2015/02/07/dwyer/" target="_blank"><em>From Subtitles to SMS: Eye-Tracking, Texting and Sherlock</em></a> – Tessa Dwyer</p>
<p>7. <a href="http://refractory.unimelb.edu.au/2015/02/07/redmond-sita-vincs/" target="_blank"> <em>Our Sherlockian Eyes: the Surveillance of Vision</em> </a>- Sean Redmond, Jodi Sita, & Kim Vincs</p>
<p>8. <a href="http://refractory.unimelb.edu.au/2015/02/07/brown/" target="_blank"><em>Politicizing Eye-tracking Studies of Film</em></a> – William Brown</p>
<p>9. <em><a title="Read, Watch, Listen: A commentary on eye tracking and moving images – Tim J. Smith" href="http://refractory.unimelb.edu.au/2015/02/07/smith/" target="_blank">Read, Watch, Listen: A commentary on eye tracking and moving images</a> – </em>Tim
J. Smith</p>
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