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<p class="MsoNormal" style="margin-bottom: 12pt; "><font size="4"><span lang="EN-US" style="font-family: Verdana; ">Hello All,</span><span lang="EN-US"><o:p></o:p></span></font></p>
<div><font size="4">Apologies for cross-posting.</font></div>
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<p class="MsoNormal"><font size="4"><span lang="EN-US">The new issue of </span><b><span lang="EN-US" style="font-family: Verdana; ">Critical Race and Whiteness Studies</span></b><span lang="EN-US" style="font-family: Verdana; "> (10.1 2014) has just been released.</span><span lang="EN-US"><o:p></o:p></span></font></p>
<p class="MsoNormal"><span lang="EN-AU" style="font-family: Verdana; "><font size="4">It comprises a Special Issue on 'EDWARD SAID—INTELLECTUAL, CULTURAL CRITIC, ACTIVIST’<o:p></o:p></font></span></p>
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<p class="MsoNormal"><font size="4"><span lang="EN-AU" style="font-family: Verdana; ">and is </span><span lang="EN-US" style="font-family: Verdana; ">edited by <b>Brett Nicholls, Vijay Devadas </b>and <b>Alex Thong</b>.</span><span lang="EN-AU" style="font-family: Verdana; "><o:p></o:p></span></font></p>
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<p class="MsoNormal" style="margin-bottom: 12pt; "><font size="4"><span lang="EN-US" style="font-family: Verdana; ">Papers and book reviews can be accessed here: <a href="http://www.acrawsa.org.au/ejournal/"><span style="color: rgb(56, 110, 255); ">http://www.acrawsa.org.au/ejournal/</span></a></span><span lang="EN-US"><o:p></o:p></span></font></p>
<p class="MsoNormal" style="margin-bottom: 12pt; "><font size="4"><span lang="EN-US" style="font-family: Verdana; "> </span><span lang="EN-US"><o:p></o:p></span></font></p>
<p class="MsoNormal" style="margin-bottom: 12pt; "><font size="4"><u><span lang="EN-US" style="font-family: Verdana; ">Articles</span></u><u><span lang="EN-US"><o:p></o:p></span></u></font></p>
<p class="MsoNormal" style="margin-bottom: 12pt; "><font face="Verdana" size="4"><span lang="EN-US"><b>Brett Nicholls</b></span></font></p>
<div><font face="Verdana" size="4"><u>Introduction</u></font></div>
<p class="MsoNormal"><font size="4"><b><span lang="EN-US" style="font-family: Verdana; ">Vijay Mishra</span></b><span lang="EN-US" style="font-family: Verdana; "><o:p></o:p></span></font></p>
<p class="MsoNormal" style="margin-bottom: 8pt; "><span lang="EN-US" style="font-family: Verdana; "><font size="4"><a href="http://www.acrawsa.org.au/files/ejournalfiles/211Mishra201411.pdf"><span style="color: windowtext; text-decoration: none; ">Edward Said,
Salman Rushdie and spectres of humanism</span></a><o:p></o:p></font></span></p>
<p class="MsoNormal"><font size="4"><b><span lang="EN-US" style="font-family: Verdana; ">John Drummond</span></b><span lang="EN-US" style="font-family: Verdana; "><o:p></o:p></span></font></p>
<p class="MsoNormal" style="margin-bottom: 8pt; "><span lang="EN-US" style="font-family: Verdana; "><font size="4"><a href="http://www.acrawsa.org.au/files/ejournalfiles/213Drummond201412.pdf"><span style="color: windowtext; text-decoration: none; ">Said and
Aida: Culture, Imperialism, Egypt and Opera</span></a><o:p></o:p></font></span></p>
<p class="MsoNormal"><font size="4"><b><span lang="EN-US" style="font-family: Verdana; ">Anna Carastathis</span></b><span lang="EN-US" style="font-family: Verdana; "><o:p></o:p></span></font></p>
<p class="MsoNormal" style="margin-bottom: 8pt; "><span lang="EN-US" style="font-family: Verdana; "><font size="4"><a href="http://www.acrawsa.org.au/files/ejournalfiles/214Carastathis201413.pdf"><span style="color: windowtext; text-decoration: none; ">Is Hellenism
an Orientalism? Reflections on the boundaries of ‘Europe’ in an age of austerity</span></a><o:p></o:p></font></span></p>
<p class="MsoNormal"><font size="4"><b><span lang="EN-US" style="font-family: Verdana; ">Krista Banasiak</span></b><span lang="EN-US" style="font-family: Verdana; "><o:p></o:p></span></font></p>
<p class="MsoNormal" style="margin-bottom: 8pt; "><span lang="EN-US" style="font-family: Verdana; "><font size="4"><a href="http://www.acrawsa.org.au/files/ejournalfiles/215Banasiak201414.pdf"><span style="color: windowtext; text-decoration: none; ">Dancing
the East in the West: Orientalism, feminism, and belly dance</span></a><o:p></o:p></font></span></p>
<p class="MsoNormal"><font size="4"><b><span lang="EN-US" style="font-family: Verdana; ">Hsu-Ming Teo</span></b><span lang="EN-US" style="font-family: Verdana; "><o:p></o:p></span></font></p>
<p class="MsoNormal" style="margin-bottom: 8pt; "><span lang="EN-US" style="font-family: Verdana; "><font size="4"><a href="http://www.acrawsa.org.au/files/ejournalfiles/216Teo201415.pdf"><span style="color: windowtext; text-decoration: none; ">American popular
culture through the lens of Saidian and post-Saidian Orientalist critiques</span></a><o:p></o:p></font></span></p>
<p class="MsoNormal"><font size="4"><b><span lang="EN-US" style="font-family: Verdana; ">Maryam Khalid</span></b><span lang="EN-US" style="font-family: Verdana; "><o:p></o:p></span></font></p>
<p class="MsoNormal" style="margin-bottom: 8pt; "><span lang="EN-US" style="font-family: Verdana; "><font size="4"><a href="http://www.acrawsa.org.au/files/ejournalfiles/217Khalid201416.pdf"><span style="color: windowtext; text-decoration: none; ">‘Gendering
Orientalism’: Gender, sexuality, and race in post-9/11 global politics</span></a><o:p></o:p></font></span></p>
<p class="MsoNormal"><font size="4"><b><span lang="EN-US" style="font-family: Verdana; ">Coeli Fitzpatrick</span></b><span lang="EN-US" style="font-family: Verdana; "><o:p></o:p></span></font></p>
<p class="MsoNormal" style="margin-bottom: 8pt; "><span lang="EN-US" style="font-family: Verdana; "><font size="4"><a href="http://www.acrawsa.org.au/files/ejournalfiles/218Fitzpatrick201416.pdf"><span style="color: windowtext; text-decoration: none; ">Said
matters: Teaching Edward Said to the non-humanities undergraduate</span></a><o:p></o:p></font></span></p>
<p class="MsoNormal" style="margin-bottom: 8pt; "><font size="4"><span lang="EN-US" style="font-family: Verdana; "> </span><span lang="EN-US"><o:p></o:p></span></font></p>
<p class="MsoNormal" style="margin-bottom: 8pt; "><font size="4"><u><span lang="EN-US" style="font-family: Verdana; ">Book Reviews</span></u><u><span lang="EN-US"><o:p></o:p></span></u></font></p>
<p class="MsoNormal"><font size="4"><b><span lang="EN-US" style="font-family: Verdana; ">Sumedha Iyer</span></b><span lang="EN-US" style="font-family: Verdana; "><o:p></o:p></span></font></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: Verdana; "><font size="4"><a href="http://www.acrawsa.org.au/files/ejournalfiles/212Iyer20141.pdf"><span style="color: windowtext; text-decoration: none; ">Elspeth Tilley. 2012. White Vanishing: Rethinking
Australia’s Lost-in-the-Bush Myth, Amsterdam: Rodopi.</span></a><o:p></o:p></font></span></p>
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<p class="MsoNormal"><font size="4"><b><span lang="EN-US" style="font-family: Verdana; ">Katherine Britton</span></b><span lang="EN-US" style="font-family: Verdana; "><o:p></o:p></span></font></p>
<font face="Verdana" size="4"><span lang="EN-US"><a href="http://www.acrawsa.org.au/files/ejournalfiles/219britton20141.pdf"><span style="color: windowtext; text-decoration: none; ">Anna Hickey-Moody & Peta Malins (eds). 2007. Deleuzian Encounters: Studies
in Contemporary Social Issues, New York: Palgrave Macmillan.</span></a></span> </font>
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<div><font size="4">Enjoy!</font></div>
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<div><font size="4">Holly.</font></div>
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Dr. Holly Randell-Moon <br>
Department of Media, Film and Communication<br>
6th Floor Richardson Building<br>
Central Campus<br>
University of Otago<br>
Dunedin 9016<br>
New Zealand<br>
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Editor<br>
<a href="http://www.acrawsa.org.au/ejournal/">Critical Race and Whiteness Studies</a></div>
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Area Chair, Religion<br>
Popular Culture Association of Australia and New Zealand, <a href="http://popcaanz.com">PopCAANZ</a><br>
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<a href="http://www.bloomsbury.com/us/television-aesthetics-and-style-9781623562496/">Television Aesthetics and Style</a></div>
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"Under Thatcher, who ruled us with an iron rod, great art was made. Amazing designers and musicians. Acid house was born. Very colourful and progressive. <br>
Now, no one’s got anything to say. Write a song? No thanks, I’ll say it on Twitter. It’s a sad state when more people retweet than buy records" - Noel Gallagher</div>
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