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<div>Apologies if this has already been posted!</div>
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<div><font>Dear IASPMites,<br>
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<font>below is the official CFP for our annual conference! Please circulate to any lists you think it should go to.
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<font>Catherine<br>
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<p style="text-align:center" align="center"><b><span style="font-size:12pt;font-family:"Times New Roman","serif"" lang="EN-US">IASPM (ANZ Branch) Conference, 2014</span></b><b><span style="font-size:12pt;font-family:"Times New Roman","serif"" lang="EN-US"></span></b></p>
<p><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US"> </span><i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Conference Title:</span></i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">
Into the Mix: People, Places, Processes <i><span> </span></i></span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US"></span></p>
<p><span style="font-size:4pt;font-family:"Times New Roman","serif"" lang="EN-US"> </span><i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Conference Dates:</span></i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">
5-7 December 2014</span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US"></span></p>
<p><span style="font-size:4pt;font-family:"Times New Roman","serif"" lang="EN-US"> </span><i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Venue:</span></i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">
St David Theatre Complex, corner of St David and Cumberland Streets, University of Otago, Dunedin, New Zealand</span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US"></span></p>
<p><span style="font-size:4pt;font-family:"Times New Roman","serif"" lang="EN-US"> </span><i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Organizing Committee:</span></i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">
Jen Cattermole, Henry Johnson and Oli Wilson </span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US"></span></p>
<p><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US"> The theme of this year</span><span style="font-size:10pt" lang="EN-US"></span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">s conference is
</span><span style="font-size:10pt" lang="EN-US"></span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Into the Mix</span><span style="font-size:10pt" lang="EN-US"></span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">.
The </span><span style="font-size:10pt" lang="EN-US"></span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">mix</span><span style="font-size:10pt" lang="EN-US"></span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">
is both literal (referring to various stages in the production of popular music, as well as important creative processes such as sampling, remixing and DJing) and an analogy for all types of musical hybridities and encounters, the fluid nature of musical meanings
and musical experiences, and the fluidity or movement of ideas, sounds and peoples. The notion of the
</span><span style="font-size:10pt" lang="EN-US"></span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">mix</span><span style="font-size:10pt" lang="EN-US"></span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">
is defined broadly; it might involve popular music production processes, a creative setting, or another space where people, places and processes are foregrounded as part of an interpretive cultural analysis. Contributions might be case-study analyses underpinned
by historical, ethnographic or critical enquiry, or focused entirely on theoretical orientations addressing music production, as well as<i>
</i>hybridity and related topics. </span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US"></span></p>
<p><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US"> Papers will be considered that address specifically the theme of the conference in connection with one or more of its broad definitions. Questions and themes paper presenters
may wish to address include, but are not limited to:</span></p>
<br>
<p class="MsoNormal"><span style="font-size:11pt" lang="EN-US"><span><span style="font:7pt "Times New Roman"">
</span></span></span><span style="font-size:10pt" lang="EN-US">How are mixes interpreted and valued by different people(s) in different places?
</span><span style="font-size:11pt" lang="EN-US"></span></p>
<p class="MsoNormal"><span style="font-size:10pt" lang="EN-US"><span><span style="font:7pt "Times New Roman"">
</span></span></span><span style="font-size:10pt" lang="EN-US">Which processes (creative, social, economic etc) are involved in creating mixes?</span></p>
<p class="MsoNormal"><span style="font-size:10pt" lang="EN-US"><span><span style="font:7pt "Times New Roman"">
</span></span></span><span style="font-size:10pt" lang="EN-US">What aesthetics underpin the production of mixes or cross-cultural musical collaborations?</span></p>
<p class="MsoNormal"><span style="font-size:10pt" lang="EN-US"><span><span style="font:7pt "Times New Roman"">
</span></span></span><span style="font-size:10pt" lang="EN-US">What are some of the cultural, social, political and/or economic effects of mixes?</span></p>
<p class="MsoNormal"><span style="font-size:11pt" lang="EN-US"><span><span style="font:7pt "Times New Roman"">
</span></span></span><span style="font-size:10pt" lang="EN-US">How are people(s), places and processes represented through the mix?</span><span style="font-size:11pt" lang="EN-US"></span></p>
<p class="MsoNormal"><span style="font-size:11pt" lang="EN-US"><span><span style="font:7pt "Times New Roman"">
</span></span></span><span style="font-size:10pt" lang="EN-US">How do movement, process and encounter influence popular music production?</span><span style="font-size:11pt" lang="EN-US"></span></p>
<p class="MsoNormal"><span style="font-size:11pt" lang="EN-US"><span><span style="font:7pt "Times New Roman"">
</span></span></span><span style="font-size:10pt" lang="EN-US">How does mixing enable and/or reflect fluidity, hybridity or eclecticism?</span><span style="font-size:11pt" lang="EN-US"></span></p>
<p class="MsoNormal"><span style="font-size:11pt" lang="EN-US"><span><span style="font:7pt "Times New Roman"">
</span></span></span><span style="font-size:10pt" lang="EN-US">How might cultural space(s) or place(s) be maintained or (re)constructed in the musical mix?
</span><span style="font-size:11pt" lang="EN-US"></span></p>
<span style="font-size:4pt;font-family:"Times New Roman","serif"" lang="EN-US"><span><span style="font:7pt "Times New Roman"">
</span></span></span><span style="font-size:4pt;font-family:"Times New Roman","serif"" lang="EN-US"><br>
</span>
<p><i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Keynote Speaker:</span></i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US"> To be advised.
</span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US"></span></p>
<p><span style="font-size:4pt;font-family:"Times New Roman","serif"" lang="EN-US"> </span><i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Conference Activities:</span></i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">
A variety of conference activities are planned, including a jam night and conference dinner. Dunedin has established itself as a key eco-tourism destination, hosting unique natural attractions including an albatross colony, penguin colony and a sea lion colony.
It also has a number of acclaimed breweries and top-quality restaurants.</span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US"></span></p>
<p><span style="font-size:4pt;font-family:"Times New Roman","serif"" lang="EN-US"> </span><i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Accommodation:</span></i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">
Accommodation options to suit a variety of budgets are available within short walking distance of the conference venue. Numerous places to stay can be found at:
<a href="http://www.otago.ac.nz/about/accommodation/otago000807.html" target="_blank">
http://www.otago.ac.nz/about/accommodation/otago000807.html</a>. It will be expected that most conference delegates will be able to stay within walking distance to the venue.</span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US"></span></p>
<p><span style="font-size:4pt;font-family:"Times New Roman","serif"" lang="EN-US"> </span><i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Transport:</span></i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">
Dunedin has an international airport with direct flights from major eastern Australian cities, and from Auckland, Wellington and Christchurch. The following public transport options are available to and from the city: a shuttle costs about NZ$25-35 (one way);
and a taxi is about NZ$100 (one way).</span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US"></span></p>
<p><span style="font-size:4pt;font-family:"Times New Roman","serif"" lang="EN-US"> </span><i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Registration:</span></i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">
Earlybird (before <u>1 October</u>); cut-off for late registration (before 1 November). The conference website will be active mid 2014 for registration.</span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US"></span></p>
<p><span style="font-size:4pt;font-family:"Times New Roman","serif"" lang="EN-US"> </span><i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Date for Abstracts:</span></i><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">
Abstracts should be submitted as an email attachment (Word document, plain text, 12pt Times New Roman font) to
<a href="mailto:oli.wilson@otago.ac.nz" target="_blank">oli.wilson@otago.ac.nz</a>, by
<b><u>31 May 2014</u></b>. Please use your surname and initial as the document title, as in Smith_Z.docx. Abstracts will be refereed, and successful speakers advised promptly by email. Please submit your proposal with the following information (in this order):</span></p>
<p><span style="font-size:10pt;font-family:Symbol;color:windowtext" lang="EN-US"> <span>·<span style="font:7pt "Times New Roman"">
</span></span></span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Name of author(s) (exactly as you would like it to appear in the program)</span></p>
<p><span style="font-size:10pt;font-family:Symbol;color:windowtext" lang="EN-US"><span>·<span style="font:7pt "Times New Roman"">
</span></span></span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Institution or affiliation</span></p>
<p><span style="font-size:10pt;font-family:Symbol;color:windowtext" lang="EN-US"><span>·<span style="font:7pt "Times New Roman"">
</span></span></span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Contact phone number, including international codes</span></p>
<p><span style="font-size:10pt;font-family:Symbol;color:windowtext" lang="EN-US"><span>·<span style="font:7pt "Times New Roman"">
</span></span></span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Email</span></p>
<p><span style="font-size:10pt;font-family:Symbol;color:windowtext" lang="EN-US"><span>·<span style="font:7pt "Times New Roman"">
</span></span></span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Consideration for 2013 IASPM-ANZ postgraduate prize?* (Yes/No)</span></p>
<p><span style="font-size:10pt;font-family:Symbol;color:windowtext" lang="EN-US"><span>·<span style="font:7pt "Times New Roman"">
</span></span></span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Title of paper</span></p>
<p><span style="font-size:10pt;font-family:Symbol;color:windowtext" lang="EN-US"><span>·<span style="font:7pt "Times New Roman"">
</span></span></span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">3 keywords for your paper (for programming purposes)</span></p>
<p><span style="font-size:10pt;font-family:Symbol;color:windowtext" lang="EN-US"><span>·<span style="font:7pt "Times New Roman"">
</span></span></span><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US">Abstract (300 words maximum)</span></p>
<p><span style="font-size:10pt;font-family:"Times New Roman","serif"" lang="EN-US"> *The IAPSM-ANZ postgraduate prize of AUD$250 is awarded to the best postgraduate presenter at the conference, as determined by a panel of established IAPSM-ANZ members. Only
current postgraduate students are eligible. Past winners may not apply.</span></p>
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-- <br>
<div dir="ltr">Dr Catherine Strong<br>
Lecturer in Sociology<br>
School of Social Sciences<br>
Monash University Clayton Campus,<br>
Wellington Rd Clayton, VIC 3800<br>
<a href="mailto:catherine.strong@monash.edu" target="_blank">catherine.strong@monash.edu</a><br>
Ph: <a href="tel:%2B61%203%2099050052" value="+61399050052" target="_blank">+61 3 99050052</a><br>
<br>
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