<html><head><base href="x-msg://2/"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><br><div>Begin forwarded message:</div><br class="Apple-interchange-newline"><blockquote type="cite"><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px;"><span style="font-family:'Helvetica'; font-size:medium; color:rgba(0, 0, 0, 1);"><b>From: </b></span><span style="font-family:'Helvetica'; font-size:medium;">Katve-Kaisa Kontturi <<a href="mailto:katkon@utu.fi">katkon@utu.fi</a>><br></span></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px;"><span style="font-family:'Helvetica'; font-size:medium; color:rgba(0, 0, 0, 1);"><b>Date: </b></span><span style="font-family:'Helvetica'; font-size:medium;">21 December 2012 5:03:07 PM AEDT<br></span></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px;"><span style="font-family:'Helvetica'; font-size:medium; color:rgba(0, 0, 0, 1);"><b>To: </b></span><span style="font-family:'Helvetica'; font-size:medium;">"<a href="mailto:hkt-jatko-opiskelijat@lists.utu.fi">hkt-jatko-opiskelijat@lists.utu.fi</a>" <<a href="mailto:hkt-jatko-opiskelijat@lists.utu.fi">hkt-jatko-opiskelijat@lists.utu.fi</a>>, "<a href="mailto:hkt-henkilokunta@lists.utu.fi">hkt-henkilokunta@lists.utu.fi</a>" <<a href="mailto:hkt-henkilokunta@lists.utu.fi">hkt-henkilokunta@lists.utu.fi</a>>, "<a href="mailto:eetos@lists.utu.fi">eetos@lists.utu.fi</a>" <<a href="mailto:eetos@lists.utu.fi">eetos@lists.utu.fi</a>><br></span></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px;"><span style="font-family:'Helvetica'; font-size:medium; color:rgba(0, 0, 0, 1);"><b>Subject: </b></span><span style="font-family:'Helvetica'; font-size:medium;"><b>CFP Movement, Aesthetics, Ontology Conference 16-17 May 2013, Turku, Finland</b><br></span></div><br><span class="Apple-style-span" style="border-collapse: separate; font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; color: rgb(0, 0, 0); font-size: 14px; "><div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Cambria; ">* please circulate - apologies for cross-postings *</span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><b><span lang="EN-GB" style="font-family: Cambria; "><br></span></b></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><b><span lang="EN-GB" style="font-family: Cambria; ">Call for Papers</span></b></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font class="Apple-style-span" face="Cambria"><b><br></b></font></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><b><span lang="EN-GB" style="font-family: Cambria; ">MOVEMENT, AESTHETICS, ONTOLOGY<o:p></o:p></span></b></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Times; "><o:p> </o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><b><span lang="EN-GB" style="font-family: Baskerville; ">IV Annual Conference on the New Materialisms<o:p></o:p></span></b></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><b><span lang="EN-GB" style="font-family: Baskerville; "><o:p> </o:p></span></b></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><b><span lang="EN-GB" style="font-family: Baskerville; ">16–17 May 2013, School of History, Culture and Arts Studies, University of Turku, Finland<o:p></o:p></span></b></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; "><o:p> </o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; "><o:p> </o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; ">New materialist approaches are increasingly announced, articulated, exercised and contested across a gamut of often entwining research fields from art theory, media studies and feminist philosophy to sociology, gender and sexuality research, and science and environmental studies. In addition to the cross-evolving discussions in these areas, there is growing need to consider the connections but also specificity of new materialisms in relation to many contemporaneous intellectual developments, such as new forms of realism or post-human(ist) thought. Given these conditions, the fourth international conference on the new materialisms suggests that it is crucial to steer clear of “a manifesto quality” when arguing for the distinctiveness and cutting-edge relevance of new materialist approaches, a risk perceptively noted by Barbara Bolt (2013). Instead, theorists and practitioners involved in this endeavour need to inquire with insistence, rigour and creativity what might be the distinguishing<span class="Apple-converted-space"> </span><i>concepts</i><span class="Apple-converted-space"> </span>of new materialisms, accompanied by associated problems, theoretical inspirations, methodological choices, and socio-political, ethical significances.<o:p></o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; "><o:p> </o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; ">To encourage inquiries of this kind, the conference at the University of Turkuinvites scholars and postgraduate students of wide (trans-)disciplinary diversity to submit proposals for 20 minute presentations and for panels ofmaximum four papers in reference to<span class="Apple-converted-space"> </span><i>three concepts.<span class="Apple-converted-space"> </span></i>Variations of them seem to inform much of the research done in the name of new materialisms orlinkable with these approaches. The concepts are<span class="Apple-converted-space"> </span><i>movement, aesthetics,<span class="Apple-converted-space"> </span></i>and<i><span class="Apple-converted-space"> </span>ontology</i>. Far from serving as prescriptive closures to what new materialisms involve, the concepts are offered here as condensation points of concerns that incarnate very differently depending on the context in which they are engaged. Yet, they are among the notions that arguably bring substance and consistency to new materialist modes of thinking and intervention – in ways both currently manifest and yet to be discovered. Movement pertains, for example, to the primacy given in many new materialist pursuits to process, emergence and the vibrancy of matter, whereas aesthetics may refer to the importance of sensation, affect, inter-/amodality or new sense- and feeling-based conceptions of politics. Ontology implicates a range of neomaterialist themes and affiliations from nature–culture continua to non-representational thought.<o:p></o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; text-align: center; "><span lang="EN-GB" style="font-family: Baskerville; "><o:p> </o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; text-align: center; "><span lang="EN-GB" style="font-family: Baskerville; ">***<o:p></o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; text-align: center; "><span lang="EN-GB" style="font-family: Baskerville; "><o:p> </o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; ">We look forward to receiving contributions of theoretical, empirical, practice-based and activist orientation that somehow explore, assess, elaborate or connectthese concepts with regard to the formative stages, recent actualizations and future potential of new materialisms. The work of our distinguished keynotespeakers is exemplary of the ways in which movement, aesthetics and ontology matter to and through new materialist examinations of the arts, the body, gender, technology, entanglements of materiality and sociality, and human–non-human relations.<o:p></o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; "><o:p> </o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; ">Topics of the presentation and panel proposals may include, as well as go beyond, thefollowing:<o:p></o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; "><o:p> </o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 36pt; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; text-indent: -18pt; "><span lang="EN-GB"><span>-<span style="font: normal normal normal 7pt/normal 'Times New Roman'; "> <span class="Apple-converted-space"> </span></span></span></span><span lang="EN-GB" style="font-family: Baskerville; ">continua of theory and practice; art and philosophy; material and social<o:p></o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 36pt; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; text-indent: -18pt; "><span lang="EN-GB"><span>-<span style="font: normal normal normal 7pt/normal 'Times New Roman'; "> <span class="Apple-converted-space"> </span></span></span></span><span lang="EN-GB" style="font-family: Baskerville; ">methodologies: how to study processes, relations, affect, the new?<o:p></o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 36pt; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; text-indent: -18pt; "><span lang="EN-GB"><span>-<span style="font: normal normal normal 7pt/normal 'Times New Roman'; "> <span class="Apple-converted-space"> </span></span></span></span><span lang="EN-GB" style="font-family: Baskerville; ">new or radical empiricism: how to take account of emergence and complexity?<o:p></o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 36pt; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; text-indent: -18pt; "><span lang="EN-GB"><span>-<span style="font: normal normal normal 7pt/normal 'Times New Roman'; "> <span class="Apple-converted-space"> </span></span></span></span><span lang="EN-GB" style="font-family: Baskerville; ">revisiting aesthetics and politics<o:p></o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 36pt; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; text-indent: -18pt; "><span lang="EN-GB"><span>-<span style="font: normal normal normal 7pt/normal 'Times New Roman'; "> <span class="Apple-converted-space"> </span></span></span></span><span lang="EN-GB" style="font-family: Baskerville; ">ontologies of art, object, sex, work, medium, etc.<o:p></o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 36pt; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; text-indent: -18pt; "><span lang="EN-GB"><span>-<span style="font: normal normal normal 7pt/normal 'Times New Roman'; "> <span class="Apple-converted-space"> </span></span></span></span><span lang="EN-GB" style="font-family: Baskerville; ">neomaterialist analysis of social mobilities, activism, and economies<o:p></o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 36pt; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; text-indent: -18pt; "><span lang="EN-GB"><span>-<span style="font: normal normal normal 7pt/normal 'Times New Roman'; "> <span class="Apple-converted-space"> </span></span></span></span><span lang="EN-GB" style="font-family: Baskerville; ">multisensory/intermodal movements of thinking and knowing<o:p></o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; "><o:p> </o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; "><o:p> </o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><b><span lang="EN-GB" style="font-family: Baskerville; ">Confirmed keynote speakers</span></b><span lang="EN-GB" style="font-family: Baskerville; "><o:p></o:p></span></div><div style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; "><span> </span></span><span lang="EN-GB" style="font-family: Baskerville; "><o:p></o:p></span></div><p class="MsoNormal" style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 6pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; ">Estelle Barrett (Communication & Creative Arts, Deakin University, Australia)<o:p></o:p></span></p><p class="MsoNormal" style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 6pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; ">Barbara Bolt (Victoria College of Arts, University of Melbourne, Australia)<o:p></o:p></span></p><p class="MsoNormal" style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 6pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; ">Patricia Pisters (Media and Film Studies, University of Amsterdam, The Netherlands)<o:p></o:p></span></p><p class="MsoNormal" style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 6pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; ">Jukka Sihvonen (History, Culture & Arts Studies, University of Turku, Finland)<o:p></o:p></span></p><p class="MsoNormal" style="margin-top: 0cm; margin-right: 0cm; margin-left: 21.6pt; margin-bottom: 6pt; font-size: 12pt; font-family: Calibri, sans-serif; text-indent: -21.6pt; "><span lang="EN-GB" style="font-family: Baskerville; ">Iris van der Tuin (Gender Studies, Utrecht University, The Netherlands)<o:p></o:p></span></p><p class="MsoNormal" style="margin-top: 0cm; margin-right: 0cm; margin-left: 21.6pt; margin-bottom: 6pt; font-size: 12pt; font-family: Calibri, sans-serif; text-indent: -21.6pt; "><span lang="EN-GB" style="font-family: Baskerville; ">Cecilia Åsberg (Posthuman Hub, Linköping University, Sweden)</span><b><span lang="EN-GB" style="font-family: Baskerville; "><o:p></o:p></span></b></p><p class="MsoNormal" style="margin-top: 14pt; margin-right: 0cm; margin-left: 0cm; margin-bottom: 6pt; font-size: 12pt; font-family: Calibri, sans-serif; "><b><span lang="EN-GB" style="font-family: Baskerville; ">Proposals for panels and individual papers</span></b><span lang="EN-GB" style="font-family: Baskerville; "><o:p></o:p></span></p><p class="MsoNormal" style="margin-top: 14pt; margin-right: 0cm; margin-left: 0cm; margin-bottom: 6pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; ">Abstracts should be sent in the following format:<br>(1) Title<br>(2) Presenter(s)<br>(3) Institutional affiliation<br>(4) Email<br>(5) Abstract (individual proposals: 200–300 words; panel proposals: general description of 150–200 words, 200–300 words for each paper)<o:p></o:p></span></p><p class="MsoNormal" style="margin-top: 14pt; margin-right: 0cm; margin-left: 0cm; margin-bottom: 14pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; ">Please use your surname as the document title. Abstracts for panels and twenty-minute presentations should be submitted as an email attachment to<span class="Apple-converted-space"> </span><a href="mailto:4thconference@newmaterialism.eu" style="color: blue; text-decoration: underline; ">4thconference@newmaterialism.eu</a><span class="Apple-converted-space"> </span>by<b><span class="Apple-converted-space"> </span>Monday 4 February 2013</b>. We are happy to consider both established and alternative presentation formats from academic papers to illustrations of artistic research practice, performance-talks, etc. We will advise all proposers of accepted presentations within two weeks of the deadline.<o:p></o:p></span></p><p class="MsoNormal" style="margin-top: 14pt; margin-right: 0cm; margin-left: 0cm; margin-bottom: 6pt; font-size: 12pt; font-family: Calibri, sans-serif; "><b><span lang="EN-GB" style="font-family: Baskerville; ">Attendance and accommodation</span></b><span lang="EN-GB" style="font-family: Baskerville; "><o:p></o:p></span></p><p class="MsoNormal" style="margin-top: 14pt; margin-right: 0cm; margin-left: 0cm; margin-bottom: 6pt; font-size: 12pt; font-family: Calibri, sans-serif; "><span lang="EN-GB" style="font-family: Baskerville; ">Attendance at this conference is free of charge. University of Turku cannot provide orbook accommodation for presenters, but the conference website at<span class="Apple-converted-space"> </span><a href="http://movementaestheticsontology.wordpress.com/" style="color: blue; text-decoration: underline; ">http://movementaestheticsontology.wordpress.com/</a><span class="Apple-converted-space"> </span>will include information about possible places to stay in Turku once notifications of acceptance have been posted.<b><o:p></o:p></b></span></p><p class="MsoNormal" style="margin-top: 14pt; margin-right: 0cm; margin-left: 0cm; margin-bottom: 6pt; font-size: 12pt; font-family: Calibri, sans-serif; "><b><span lang="EN-GB" style="font-family: Baskerville; ">This conference is associated with the following conference series:</span></b><span lang="EN-GB" style="font-family: Baskerville; "><o:p></o:p></span></p><p class="MsoListParagraph" style="margin-top: 14pt; margin-right: 0cm; margin-left: 35.7pt; margin-bottom: 6pt; font-size: 12pt; font-family: Calibri, sans-serif; text-indent: -17.85pt; "><span lang="EN-GB"><span>-<span style="font: normal normal normal 7pt/normal 'Times New Roman'; "> <span class="Apple-converted-space"> </span></span></span></span><span lang="EN-GB" style="font-family: Baskerville; ">The international conference series on New Materialisms. The first conference ”New Materialisms and Digital Culture” was held at Anglia Ruskin University in Cambridge in June 2010 and the second ”Naturecultures” at the Utrecht University in April 2011. The third conference ”Entanglements of New Materialisms” was organized by Linköping University in May 2012. The keynote speakers of these events have included, among others, Stacy Alamo, Donna Haraway, Vicky Kirby, Adrian MacKenzie and Anna Powell. This event is the 4<sup>th</sup><span class="Apple-converted-space"> </span>New Materialisms conference.<o:p></o:p></span></p><p class="MsoListParagraph" style="margin-top: 14pt; margin-right: 0cm; margin-left: 35.7pt; margin-bottom: 6pt; font-size: 12pt; font-family: Calibri, sans-serif; text-indent: -17.85pt; "><span lang="EN-GB"><span>-<span style="font: normal normal normal 7pt/normal 'Times New Roman'; "> <span class="Apple-converted-space"> </span></span></span></span><span lang="EN-GB" style="font-family: Baskerville; ">Rethinking Art Studies (REARS) conference series. The first conference ”Regulated Liberties: Negotiating Freedom in Art, Culture and Media” was held at the University of Turku in August 2009. Keynote speakers included Bracha Ettinger, Brian Massumi and Tiina Rosenberg. This event is the 2<sup>nd</sup><span class="Apple-converted-space"> </span>REARS conference.<o:p></o:p></span></p></div></div></span></blockquote></div></body></html>