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<span lang="EN-US" style="font-family:"Cambria","serif";color:black">Philosophy Seminars 2012</span><span style="color:black"><o:p></o:p></span></p>
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<span lang="EN-US" style="font-family:"Cambria","serif";color:black">Research Centre for Writing and Society and Philosophy @ UWS</span><span style="color:black"><o:p></o:p></span></p>
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<span lang="EN-US" style="font-family:"Cambria","serif";color:black"> </span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;text-align:justify"><span lang="EN-GB" style="font-family:"Cambria","serif";color:black">Si</span><span lang="EN-GB" style="font-family:"Cambria","serif";color:black">mone Bignall</span><span style="color:black"><o:p></o:p></span></p>
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<span style="font-family:"Cambria","serif";color:black">Vice-Chancellor’s Postdoctoral Research Fellow in Philosophy
</span><span style="color:black"><o:p></o:p></span></p>
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<span style="font-family:"Cambria","serif";color:black">University of New South Wales</span><span style="color:black"><o:p></o:p></span></p>
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<span lang="EN-US" style="font-family:"Cambria","serif";color:black"> </span><span style="color:black"><o:p></o:p></span></p>
<h1 style="margin-top:0cm;text-align:justify"><span lang="EN-US" style="font-size:12.0pt;font-family:"Cambria","serif";font-weight:normal">TITLE:
</span><i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Cambria","serif";font-weight:normal">Black Swan</span></i><span lang="EN-GB" style="font-size:12.0pt;font-family:"Cambria","serif";font-weight:normal">: Cracked Porcelain and Becoming-Animal</span><span class="apple-style-span"><span style="font-size:12.0pt;font-family:"Cambria","serif";color:black;font-weight:normal"> </span></span><span style="font-family:"Tahoma","sans-serif";color:black"><o:p></o:p></span></h1>
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<span lang="EN-US" style="font-family:"Cambria","serif";color:black">TIME: October 10, 2-4pm</span><span style="color:black"><o:p></o:p></span></p>
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<span lang="EN-US" style="font-family:"Cambria","serif";color:black">PLACE: UWS Bankstown Campus, 3.G.55</span><span style="color:black"><o:p></o:p></span></p>
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<p class="MsoNormal" style="mso-margin-top-alt:auto;text-align:justify"><span lang="EN-US" style="font-family:"Cambria","serif";color:black">ABSTRACT:
</span><span lang="EN-GB" style="font-family:"Cambria","serif";color:black">The 2010 film
<i>Black Swan</i>, directed by Darren Aronofsky, provides a fruitful context for thinking about Dele</span><span lang="EN-GB" style="font-family:"Cambria","serif";color:black">uze’s conceptualisation of structural transformation as a ‘presubjective’ process
involving a critical and creative politics of engagement. Nina is a young dancer who has just secured the lead role in the New York Ballet’s new production of Swan Lake. This role not only requires her to dance the pure and innocent character of the ‘white
swan’ - a role that mirrors Nina’s character in real life, and for which she is well suited - but also as the seductive and darkly erotic character of the ‘black swan’, a role quite alien to Nina. The film traces Nina’s desperate efforts to meet the demands
of this doubled characterisation. Through new forms of engagement with her peers, she enters into a ‘becoming-swan’ that frees her from the restraints and constraints imposed by her existing self. While this transformative process enables her to realise aesthetic
perfection in her art, this comes at a heavy price: Nina not only is creatively destabilised, but ultimately is destroyed by the transformation she endures. By considering this work of cinema in light of Deleuze’s writings on ‘becoming-animal’ and ‘Porcelain
and Volcano’, this paper reflects on a crucial question underlying much of Deleuze’s political thought: how is it possible to privilege radical subjective and social transformation, without these structures of necessary coherence also ‘cracking up’ and being
destroyed in the process? </span><span style="color:black"><o:p></o:p></span></p>
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<span lang="EN-US" style="font-family:"Cambria","serif";color:black"> </span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;text-align:justify"><span lang="EN-US" style="font-family:"Cambria","serif";color:black">BIO:
</span><span style="font-family:"Cambria","serif";color:black">Simone Bignall is Vice-Chancellor’s Postdoctoral Research Fellow in Philosophy at the University of New South Wales in Sydney, Australia. She is the author of
<i>Postcolonial Agency</i>: <i>Critique and Constructivism</i> (2010), which conceptualises postcolonial transformations in terms of Deleuze’s philosophy of difference and desire. She is co-editor of
<i>Deleuze and the Postcolonial</i> (with Paul Patton, 2010) and of <i>Agamben and Colonialism</i> (with Marcelo Svirsky, 2012), all published by Edinburgh University Press.</span><span style="color:black"><o:p></o:p></span></p>
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