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<p class="MsoNormal"><b><i><span lang="EN-US" style="font-family: Helvetica; color: black; ">Studies in Australasian Cinema</span></i></b><span lang="EN-US" style="font-family: Helvetica; color: black; "> is an international refereed
scholarly journal devoted to the cinema of, and film scholarship from, the
Australian, New Zealand, and Pacific region. We would like to announce a call
for papers for the following issues:<o:p></o:p></span></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight:
normal"><span lang="EN-US" style="font-family: Helvetica; color: black; "><o:p> </o:p></span></b></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight:
normal"><span lang="EN-US" style="font-family: Helvetica; color: rgb(102, 0, 102); ">Issue 5.3
(Dec 2011): Cities and Australasian Film and Television<o:p></o:p></span></b></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight:
normal"><span lang="EN-US" style="font-family: Helvetica; color: blue; ">Issue 6.1
(Apr 2012): Imaging Religion and Spirituality<o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: Helvetica; color: black; "><o:p> </o:p></span></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight:
normal"><span lang="EN-US" style="font-family: Helvetica; color: rgb(102, 0, 102); ">5.3:
Cities and Australasian Film and Television<o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: Helvetica; color: black; ">Editor: Ben Goldsmith<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: Helvetica; color: black; "><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: Helvetica; color: black; ">Cinema has long played a leading role in
the ways in which ‘the city’, either a particular place or a composite idea,
has been imagined, created, remembered, and experienced. Similarly in
television, the city looms large as physical location, imaginative setting,
metaphorical canvas and figurative backdrop for dramatic stories. This special
issue of Studies in Australasian Cinema seeks to explore urban spaces and
stories in Australian and New Zealand film and television. Possible topics
include, but are not limited to:<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: Helvetica; color: black; "><o:p> </o:p></span></p>
<p class="MsoListParagraphCxSpFirst" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">The representation and presence of particular cities in Australian and
New Zealand<o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle"><span lang="EN-US" style="font-family: Helvetica; color: black; ">cinema and television (Sydney, Auckland,
Melbourne, Wellington, Brisbane, Gold Coast, London, Los Angeles...)<o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">Representations of the city and city life in different genres, in local
or in international productions<o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">Film and television production practices and production cultures in
particular cities<o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">Cities in non-fiction film and television <o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">Imaginary cities in Australian and New Zealand film and television<o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">The inner city and the suburbs in Australian and New Zealand film and
television<o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">Exhibition practices, filmgoing and television viewing in different
cities <o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">Film, television and the branding and promotion of cities <o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">Urban film and television tourism <o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">Film, television and urban remediation<o:p></o:p></span></p>
<p class="MsoListParagraphCxSpLast" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; "><o:p> </o:p></span></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight:
normal"><span lang="EN-US" style="font-family: Helvetica; color: black; ">Papers due:
September 2, 2011 <o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: Helvetica; color: black; ">Contact: Ben Goldsmith, Centre for Critical
and Cultural Studies, University of Queensland, Email: <a href="mailto:b.goldsmith@uq.edu.au">b.goldsmith@uq.edu.au</a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: Helvetica; color: black; "><o:p> </o:p></span></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight:
normal"><span lang="EN-US" style="font-family: Helvetica; color: blue; ">6.1: Imaging
Religion and Spirituality in Australasian Film<o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: Helvetica; color: black; ">Editors: Anthony Lambert and Holly
Randell-Moon<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: Helvetica; color: black; "><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: Helvetica; color: black; ">Issues of spirituality and religion have
long between central to the social, cultural and political rituals of many
countries and communities within the Australasian- Pacific Island and Oceanic
regions. Religion and secularism have also emerged as intense sites of
geopolitical conflict in Australasia since the initiation of a now decade-long
‘war on terror’. Cinema plays a vital role in the ways in which community,
citizenship, nationality and morality are imagined, normalised and debated. In
this special issue of Studies in Australasian Cinema we are seeking papers that
focus on filmic engagements with and representations of spirituality and
religion. Possible topics include, but are not limited to:<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: Helvetica; color: black; "><o:p> </o:p></span></p>
<p class="MsoListParagraphCxSpFirst" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">Representations of all forms of religious and spiritual practices
whether institutionally, ethnically or individually oriented, in different
genres and conventions of filmmaking, e.g. documentary, fiction etc.<o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">Representations on any aspect of religion and spirituality from within
Aus- tralasian/ Pacific Island nations or by filmmakers from across the region.<o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">Differences between indigenous and non-indigenous conceptions of spiri-
tuality in film production and representation<o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">Postcolonial spirituality and religion in film production<o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">Filmic engagements with questions of morality and ethics or issues not normally
considered as being within the purview of ‘religion’ <o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">The influence of secular epistemologies and practices on the economies
or conventions of filmmaking <o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">Film, spirituality and tourism <o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">Post 9/11 conceptions of religious affiliation and difference in
Australasia <o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">Religious events, their mediation and/or representation in film <o:p></o:p></span></p>
<p class="MsoListParagraphCxSpMiddle" style="text-indent: -18pt; "><!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; color: black; "><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: Helvetica; color: black; ">Religion and politics/ the state, including political events and their
influence on filmic representations of religion and spirituality in local,
national or international productions<o:p></o:p></span></p>
<p class="MsoListParagraphCxSpLast"><span lang="EN-US" style="font-family: Helvetica; color: black; "><o:p> </o:p></span></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight:
normal"><span lang="EN-US" style="font-family: Helvetica; color: black; ">Papers due:
December 16, 2011<o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: Helvetica; color: black; ">Contact: Anthony Lambert, </span><span lang="EN-US" style="font-family: Helvetica; color: blue; ">anthony.lambert@mq.edu.au </span><span lang="EN-US" style="font-family: Helvetica; color: black; ">and Holly Randell-Moon, </span><span lang="EN-US" style="font-family: Helvetica; color: blue; ">holly.randell-moon@mq.edu.au<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: Helvetica; color: black; "><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: Helvetica; color: black; ">Submission
for both issues and can be made directly to the editors or via the journal
link: </span><span lang="EN-US" style="font-family: Helvetica; color: blue; ">http://www.intellectbooks.co.uk/journals/article-sub/</span></p>
<!--EndFragment--><br><span class="ecxecxecxecxApple-style-span" style="font-size: 10pt; font-family: monospace, Verdana, Arial, sans-serif; "><div><span class="ecxecxecxApple-style-span" style="font-family:Tahoma, Verdana, Arial, sans-serif"><pre style="text-indent:0in !important;white-space:normal"><span class="ecxecxApple-style-span" style="font-family:monospace, Verdana, Arial, sans-serif"><br></span></pre><pre style="text-indent:0in !important;white-space:normal"><span class="ecxApple-style-span" style="font-family:monospace, Verdana, Arial, sans-serif">Dr. Holly Randell-Moon</span><br>Department of Media, Music, Communication and Cultural Studies<br>Faculty of Arts<br>Macquarie University, NSW 2109<br>Australia</pre><pre style="text-indent:0in !important;white-space:normal"><span class="ecxecxApple-style-span" style="font-family:monospace, Verdana, Arial, sans-serif"></span></pre></span></div></span><div style="font-size: 10pt; "><span class="ecxApple-style-span"></span></div><div style="font-size: 10pt; "><span class="ecxecxecxecxecxEC_EC_Apple-style-span" style="border-collapse:separate;font-family:Tahoma, Verdana, Arial, sans-serif"><pre style="white-space:normal"><font class="ecxecxecxecxecxEC_Apple-style-span" face="Verdana, Verdana, Arial, sans-serif"><span class="ecxecxecxecxecxEC_Apple-style-span" style="font-family:Tahoma, Verdana, Arial, sans-serif"><pre style="white-space:normal">Editor<br><i>Critical Race and Whiteness Studies</i><br><span class="ecxApple-style-span" style="color:rgb(12, 12, 12)"><a href="http://www.acrawsa.org.au/ejournal/index.php" target="_blank">http://www.acrawsa.org.au/ejournal</a></span></pre><pre style="white-space:normal"><i>Mediating Faiths: Religion and Socio-Cultural Change in the Twenty-First Century</i><br><a href="http://www.ashgate.com/default.aspx?page=637&edition_id=12018&title_id=9001&calctitle=1" target="_blank">http://www.ashgate.com/default.aspx?page=637&edition_id=12018&title_id=9001&calctitle=1</a></pre><pre style="white-space:normal"><font class="ecxecxApple-style-span" face="Verdana">------</font></pre><pre style="white-space:normal"><p class="ecxecxMsoNormal"><font class="ecxApple-style-span" color="#2A2A2A" face="Tahoma, Verdana, Arial, sans-serif"><span class="ecxApple-style-span" style="line-height:18px;color:rgb(0, 0, 0);font-family:Verdana, Arial, Helvetica, sans-serif;font-size:12px">"It annoys me that the biggest political icon from the last 30 years has been Margaret Thatcher, </span></font><span class="ecxApple-style-span" style="font-family:Verdana, Arial, Helvetica, sans-serif;font-size:12px;line-height:18px">someone who tried to destroy the working class ... it freaks me out you know." - Noel Gallagher </span></p></pre></span></font></pre></span></div> </div></body>
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