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<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:20.25pt'></td>
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<td width=737 colspan=13 rowspan=2 valign=top style='width:552.75pt;
padding:0cm 0cm 0cm 0cm;height:20.25pt'>
<p class=MsoNormal><span style='font-size:12.0pt;color:windowtext'><img
width=737 height=34 id="_x0000_i1026" src="cid:image002.jpg@01CB542A.EEF822F0"><o:p></o:p></span></p>
</td>
<td width=24 colspan=2 rowspan=2 valign=top style='width:17.85pt;padding:
0cm 0cm 0cm 0cm;height:20.25pt'></td>
</tr>
<tr style='height:5.25pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:5.25pt'></td>
</tr>
<tr style='height:6.75pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:6.75pt'></td>
<td width=761 colspan=15 valign=top style='width:570.6pt;padding:0cm 0cm 0cm 0cm;
height:6.75pt'></td>
</tr>
<tr style='height:185.25pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:185.25pt'></td>
<td width=5 colspan=2 rowspan=3 valign=top style='width:3.75pt;padding:0cm 0cm 0cm 0cm;
height:185.25pt'></td>
<td width=729 colspan=10 rowspan=3 valign=top style='width:546.75pt;
padding:0cm 0cm 0cm 0cm;height:185.25pt'>
<p class=MsoNormal style='text-align:justify'><span style='font-family:"Arial","sans-serif"'>A
good deal of economic, social, cultural and political analysis in the
antipodes has drawn on and engaged critically with the work of Pierre Bourdieu
in order to adapt it to the particularities of Australian and New Zealand
histories and conditions. There have been significant applications of
Bourdieu’s field theory to the organisation of antipodean literary, musical,
sports and media fields. The research that informed <i>Distinction</i> has
been replicated in a national study of the relations<br>
between the practices of cultural consumption and cultural capital in
contemporary Australia. Bourdieu’s general catagories have been revised and
extended to address the cultural capital holdings of different ethnic groups
in relation to the<br>
governmental spaces of Australia and New Zealand, and to a range of
multicultural practices and programs in the two countries. Bourdieu’s work on
the logic of art fields has informed analyses of the place of Aboriginal and
Maori art within the Australian and New Zealand art fields. Significant
contributions have also been made to the operations of cultural capital in
the relations between schools, universities and the occupational class
structures of the two countries. </span><o:p></o:p></p>
<p class=MsoNormal style='text-align:justify;text-kashida-space:50%'><span
style='font-family:"Arial","sans-serif"'> </span><o:p></o:p></p>
<p class=MsoNormal style='text-align:justify;text-kashida-space:50%'><span
style='font-family:"Arial","sans-serif"'>To date, however, no attempt has
been made to draw these different strands of inquiry together to identify the
specific qualities of antipodean economic, social, cultural and political
fields or the respects in which analysis of these requires<br>
significant revisions of Bourdieu’s central theories and concepts. This
conference will address the deficit by considering the specific theoretical
and empirical considerations that have to be taken into account in order to
apply, critique, and revise Bourdieu’s perspectives in the southern
hemisphere. </span><o:p></o:p></p>
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height:185.25pt'></td>
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<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:9.0pt'></td>
</tr>
<tr style='height:3.0pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:3.0pt'></td>
</tr>
<tr style='height:17.25pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:17.25pt'></td>
<td width=4 rowspan=17 valign=top style='width:3.0pt;padding:0cm 0cm 0cm 0cm;
height:17.25pt'></td>
<td width=722 colspan=9 valign=top style='width:541.5pt;padding:0cm 0cm 0cm 0cm;
height:17.25pt'>
<p class=MsoNormal><span style='font-size:12.0pt;color:windowtext'><img
width=722 height=23 id="_x0000_i1027" src="cid:image003.jpg@01CB542A.EEF822F0"><o:p></o:p></span></p>
</td>
<td width=35 colspan=5 valign=top style='width:26.1pt;padding:0cm 0cm 0cm 0cm;
height:17.25pt'></td>
</tr>
<tr style='height:5.25pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:5.25pt'></td>
<td width=757 colspan=14 valign=top style='width:567.6pt;padding:0cm 0cm 0cm 0cm;
height:5.25pt'></td>
</tr>
<tr style='height:96.75pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:96.75pt'></td>
<td width=121 colspan=7 valign=top style='width:90.75pt;padding:0cm 0cm 0cm 0cm;
height:96.75pt'></td>
<td width=551 valign=top style='width:413.25pt;padding:0cm 0cm 0cm 0cm;
height:96.75pt'>
<div>
<p class=MsoNormal><b><span style='font-family:"Arial","sans-serif"'>Jane
Kenway</span></b><span style='font-family:"Arial","sans-serif"'>, Professor
of Education, Monash University</span><o:p></o:p></p>
<p class=MsoNormal style='margin-bottom:9.75pt;line-height:110%'><i><span
style='font-size:9.0pt;line-height:110%;font-family:"Arial","sans-serif"'>High
status schools, trans-national capitals and global elite formations</span></i><o:p></o:p></p>
<p class=MsoNormal><b><span style='font-family:"Arial","sans-serif"'>Conal
McCarthy</span></b><span style='font-family:"Arial","sans-serif"'>, Mus</span><span
style='font-family:"Arial","sans-serif";color:#1F497D'>e</span><span
style='font-family:"Arial","sans-serif"'>um and Heritage Studies, Victoria
University of Wellington</span><o:p></o:p></p>
<p class=MsoNormal style='margin-bottom:9.75pt;line-height:110%'><i><span
style='font-size:9.0pt;line-height:110%;font-family:"Arial","sans-serif"'>The
rules of (Mâori) art: Museums, visitors and indigenous culture in the field
of New Zealand art</span></i><o:p></o:p></p>
<p class=MsoNormal><b><span style='font-family:"Arial","sans-serif"'>Fred
Myers</span></b><span style='font-family:"Arial","sans-serif"'>, Silver
Professor of Anthropology, New York University</span><o:p></o:p></p>
<p class=MsoNormal><i><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'>Flows
of Culture, National Value, and Distinction: Papunya Tula Art in
America </span></i><o:p></o:p></p>
</div>
</td>
<td width=85 colspan=6 valign=top style='width:63.6pt;padding:0cm 0cm 0cm 0cm;
height:96.75pt'></td>
</tr>
<tr style='height:14.25pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:14.25pt'></td>
<td width=11 colspan=3 rowspan=5 valign=top style='width:8.25pt;padding:0cm 0cm 0cm 0cm;
height:14.25pt'></td>
<td width=726 colspan=10 rowspan=2 valign=top style='width:544.5pt;
padding:0cm 0cm 0cm 0cm;height:14.25pt'>
<p class=MsoNormal><span style='font-size:12.0pt;color:windowtext'><img
width=726 height=26 id="_x0000_i1028" src="cid:image004.jpg@01CB542A.EEF822F0"><o:p></o:p></span></p>
</td>
<td width=20 rowspan=2 valign=top style='width:14.85pt;padding:0cm 0cm 0cm 0cm;
height:14.25pt'></td>
</tr>
<tr style='height:5.25pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:5.25pt'></td>
</tr>
<tr style='height:6.75pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:6.75pt'></td>
<td width=746 colspan=11 valign=top style='width:559.35pt;padding:0cm 0cm 0cm 0cm;
height:6.75pt'></td>
</tr>
<tr style='height:114.75pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:114.75pt'></td>
<td width=2 rowspan=2 valign=top style='width:1.5pt;padding:0cm 0cm 0cm 0cm;
height:114.75pt'></td>
<td width=717 colspan=7 rowspan=2 valign=top style='width:537.75pt;
padding:0cm 0cm 0cm 0cm;height:114.75pt'>
<p class=MsoNormal style='margin-bottom:9.75pt;text-align:justify'><span
style='font-family:"Arial","sans-serif"'>Proposals for papers and panels addressing
the application of Bourdieusian concepts and categories to any aspect of
the economic, socio-cultural and political fields of Australia and New
Zealand are invited. Themes of specific interest include: Cultural capital
and social divisions in postcolonial contexts; Cultural fields and colonial
histories; The dynamics of postcolonial fields; Culture, nation, and
ethnicity; Capital, field, habitus: applications and revisions;
National fields in transnational perspectives.</span><o:p></o:p></p>
<p class=MsoNormal><span style='font-family:"Arial","sans-serif"'>-
Individual paper proposals (200 words) </span><o:p></o:p></p>
<p class=MsoNormal><span style='font-family:"Arial","sans-serif"'>- Panel
proposals (200 words each) </span><o:p></o:p></p>
<p class=MsoNormal><span style='font-family:"Arial","sans-serif"'> </span><o:p></o:p></p>
<p class=MsoNormal><span style='font-family:"Arial","sans-serif"'>All
proposals should be sent to Reena Dobson — </span><a
href="mailto:r.dobson@uws.edu.au"><span style='font-family:"Arial","sans-serif"'>r.dobson@uws.edu.au</span></a><span
style='font-family:"Arial","sans-serif";color:#0066FF'> </span><span
style='font-family:"Arial","sans-serif"'>by 28 February 2011.</span> <o:p></o:p></p>
</td>
<td width=27 colspan=3 rowspan=2 valign=top style='width:20.1pt;padding:0cm 0cm 0cm 0cm;
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</tr>
<tr style='height:6.75pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:6.75pt'></td>
</tr>
<tr style='height:13.5pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:13.5pt'></td>
<td width=7 colspan=2 rowspan=9 valign=top style='width:5.25pt;padding:0cm 0cm 0cm 0cm;
height:13.5pt'></td>
<td width=718 colspan=8 rowspan=4 valign=top style='width:538.5pt;padding:
0cm 0cm 0cm 0cm;height:13.5pt'>
<p class=MsoNormal><span style='font-size:12.0pt;color:windowtext'><map
name=MicrosoftOfficeMap0><area shape=Polygon
coords="279, 37, 279, 37, 146, 37, 279, 37" href="mailto:t.bennett@uws.edu.au"
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id="_x0000_i1029" src="cid:image005.jpg@01CB542A.EEF822F0"
usemap="#MicrosoftOfficeMap0"
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</td>
<td width=32 colspan=4 rowspan=3 valign=top style='width:23.85pt;padding:
0cm 0cm 0cm 0cm;height:13.5pt'></td>
</tr>
<tr style='height:3.0pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:3.0pt'></td>
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<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:1.5pt'></td>
<td width=8 colspan=2 valign=top style='width:6.0pt;padding:0cm 0cm 0cm 0cm;
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<p class=MsoNormal style='mso-line-height-alt:1.5pt'><span style='font-size:
12.0pt;color:windowtext'><img border=0 width=8 height=2 id="_x0000_i1030"
src="cid:image006.jpg@01CB542A.EEF822F0"
alt="Tony Bennett (UWS) - t.bennett@uws.edu.au John Frow (University of Melbourne) - jfrow@unimelb.edu.au Ghassan Hage (University of Melbourne) - ghage@unimelb.edu.au Greg Noble (UWS) - g.noble@uws.edu.au "><o:p></o:p></span></p>
</td>
<td width=24 colspan=2 rowspan=2 valign=top style='width:17.85pt;padding:
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</tr>
<tr style='height:46.5pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:46.5pt'></td>
<td width=9 colspan=4 rowspan=3 valign=top style='width:6.75pt;padding:0cm 0cm 0cm 0cm;
height:46.5pt'></td>
<td width=717 colspan=6 valign=top style='width:537.75pt;padding:0cm 0cm 0cm 0cm;
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<p class=MsoNormal><span style='font-size:12.0pt;color:windowtext'><map
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</td>
</tr>
<tr style='height:4.5pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:4.5pt'></td>
<td width=741 colspan=8 rowspan=2 valign=top style='width:555.6pt;padding:
0cm 0cm 0cm 0cm;height:4.5pt'></td>
</tr>
<tr style='height:9.0pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:9.0pt'></td>
</tr>
<tr style='height:45.0pt'>
<td width=0 style='width:.3pt;padding:0cm 0cm 0cm 0cm;height:45.0pt'></td>
<td width=4 rowspan=2 valign=top style='width:3.0pt;padding:0cm 0cm 0cm 0cm;
height:45.0pt'></td>
<td width=726 colspan=10 rowspan=2 valign=top style='width:544.5pt;
padding:0cm 0cm 0cm 0cm;height:45.0pt'>
<div>
<p class=MsoNormal align=center style='text-align:center'><span
style='font-family:"Arial","sans-serif"'>This conference is jointly organised
by the Centre for Cultural Research (CCR) at the University</span><o:p></o:p></p>
<p class=MsoNormal align=center style='text-align:center'><span
style='font-family:"Arial","sans-serif"'>of Western Sydney, the School of
Culture and Communication and the Department of </span><o:p></o:p></p>
<p class=MsoNormal align=center style='text-align:center'><span
style='font-family:"Arial","sans-serif"'>Anthropology, the University of
Melbourne</span><o:p></o:p></p>
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