New Issue! New Site! <br>-----<br><a href="http://sixteen.fibreculturejournal.org/" target="_blank">http://sixteen.fibreculturejournal.org/</a><br><a href="http://fibreculturejournal.org/" target="_blank">http://fibreculturejournal.org/</a><br>
<br>
many thanks to Mat Wall-Smith, who has designed and implemented the
Fibreculture Journal's new site. He has built a new discussion section
that we hope will shift the engagement with the journal. It collects
comments on articles into "discussions" at a separate part of the new
site. <br>
<br>This is called FCJ Mesh - <a href="http://mesh.fibreculturejournal.org/" target="_blank">http://mesh.fibreculturejournal.org/</a><br><br>-----<br>Counterplay<br>Issue
Edited by Tom Apperley and Michael Dieter<br><br><div style="margin-left: 40px;">
'The star player is one who modifies expected mechanisms of channeling
field-potential. The star plays against the rules but not by breaking
them' (Massumi 2002: 77).<br></div><br>Unruly innovation is an intrinsic
dimension of gaming. To claim that play is not a passive or neutral
activity is hardly a groundbreaking observation. However, we believe
that the contingent and transformative dynamics unleashed by games
demand careful analysis. The fact that play exists in excess of any
rules or parameters inevitably leads to controversies and disputes,
along with processes of economic valorisation and the extraction of
value beyond the shifting boundaries of a game. All of this requires
critical discussion and debate. In this special issue, therefore, we
have invited responses to the concept of counterplay. Referring to ludic
or playful vitality in its most transformative expressions, counterplay
speaks directly to the disruptive creation of the new through the
reiterations of gaming.<br>
-----<br><br><p><strong>The Fibreculture Journal</strong> is a peer
reviewed
international journal, first published in 2003 to explore the issues and
ideas of concern to both the Fibreculture network.</p>
<p><strong>The Fibreculture Journal</strong> now serves wider social
formations across the international community of those thinking
critically about, and working with, contemporary digital and networked
media.</p>
<p><strong>The Fibreculture Journal</strong> has an <a href="http://fibreculturejournal.org/policy-and-style/" target="_blank">international
Editorial Board and Committee</a>.</p>
<p>In 2008, <strong>the Fibreculture Journal</strong> became a part of
the <a href="http://openhumanitiespress.org/" target="_blank">Open
Humanities Press</a> , a key initiative in the development of the Open
Access journal community.</p>
The journal encourages critical and speculative interventions in the
debate and discussions concerning a wide range of topics of interest.
These include the social and cultural contexts, philosophy and politics
of contemporary media technologies and events, with a special emphasis
on the ongoing social, technical and conceptual transitions involved.<br clear="all"><br>-- <br><br>"A traveller, who has lost his way, should not ask, Where am I? What he really wants to know is, Where are the other places" - Alfred North Whitehead<br>
<br>Andrew Murphie - Associate Professor<br>School of English, Media and Performing Arts, University of New South Wales, Sydney, Australia, 2052<br>Editor - The Fibreculture Journal <a href="http://fibreculturejournal.org/">http://fibreculturejournal.org/</a>><br>
web: <a href="http://www.andrewmurphie.org/">http://www.andrewmurphie.org/</a> <a href="http://dynamicmedianetwork.org/">http://dynamicmedianetwork.org/</a><br><br>fax:612 93856812 tlf:612 93855548 email: <a href="mailto:a.murphie@unsw.edu.au">a.murphie@unsw.edu.au</a><br>
room 311H, Webster Building<br>