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<p class=MsoNormal style='text-autospace:none'><b><i><span style='font-size:
11.0pt;font-family:"CenturyGothic-BoldItalic","sans-serif";color:black'>Cultural
Studies Review </span></i></b><b><span style='font-size:11.0pt;font-family:
"CenturyGothic-Bold","sans-serif";color:black'>vol. 16 no. 1 March 2010<o:p></o:p></span></b></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:11.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Rural Cultural Studies:
Research, Practice, Ethics<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:11.0pt;
font-family:"CenturyGothic","sans-serif";color:black'><o:p> </o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>—co-edited with Clifton
Evers, Andrew Gorman-Murray and Emily Potter<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'><o:p> </o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Now online @<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:14.0pt;
font-family:"HoeflerText-Regular","sans-serif"'>http://utsescholarship.lib.uts.edu.au/epress/journals/index.php/csrj</span><b><i><span
style='font-size:11.0pt;font-family:"CenturyGothic-BoldItalic","sans-serif";
color:black'><o:p></o:p></span></i></b></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'><o:p> </o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'><o:p> </o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><b><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Table of Contents<o:p></o:p></span></b></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>John Frow and Katrina
Schlunke, ‘Editorial’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'><o:p> </o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><b><span style='font-size:9.0pt;
font-family:"CenturyGothic-Bold","sans-serif";color:black'>Rural Cultural
Studies<o:p></o:p></span></b></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Clifton Evers, Andrew
Gorman-Murray and Emily Potter, ‘Introduction: Doing Rural Cultural<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Studies’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Lisa Slater, ‘Who Do I
Serve?’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Emily Potter, ‘The Ethics
of Rural Place-Making: Public Space, Poetics, and the Ontologies of<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Design’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Rob Garbutt, ‘The
Clearing: Heidegger’s </span><i><span style='font-size:9.0pt;font-family:"CenturyGothic-Italic","sans-serif";
color:black'>Lichtung </span></i><span style='font-size:9.0pt;font-family:"CenturyGothic","sans-serif";
color:black'>and The Big Scrub’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Michelle Duffy, ‘Sound
Ecologies’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Andrew Gorman-Murray, ‘An
Australian Feeling for Snow: Towards Understanding Cultural and<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Emotional Dimensions of
Climate Change’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Deb Anderson, ‘Drought,
Endurance and Climate Change “Pioneers”: Lived Experience in the<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Production of Rural
Environmental Knowledge’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Michelle Dicinoski,
Poems: 'Weights' and 'Measures'<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Kim Satchell, ‘Auto-choreography:
Animating Sentient Archives’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Tanya J. King, ‘Damming
the Flow: Cultural Barriers to Perceived ‘Procedural Justice’ in<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Wonthaggi, Victoria’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Rae Dufty, ‘Reflecting on
Power Relationships in the 'Doing' of Rural Cultural Research’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Lisa Slater, ‘“Calling
our Spirits Home”: Indigenous Cultural Festivals and the Making of a Good<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Life’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Melissa Gregg, ‘Available
in Selected Metros Only: Rural Melancholy and the Promise of Online<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Connectivity’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Ross Gibson, ‘Intimacy’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'><o:p> </o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><b><span style='font-size:9.0pt;
font-family:"CenturyGothic-Bold","sans-serif";color:black'>Poetry<o:p></o:p></span></b></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Ouyang Yu, Four Poems: ‘Bad
Blurbs’, ‘2009’, ‘“Australia”’ and ‘World Atlas: A Random<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Fragmentary Selection’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Pam Brown, ‘Windows Wound
Down’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'><o:p> </o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><b><span style='font-size:9.0pt;
font-family:"CenturyGothic-Bold","sans-serif";color:black'>Articles<o:p></o:p></span></b></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Ann Game and Andrew
Metcalfe, ‘Presence of the Gift’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Katelyn Barney, ‘Gendering
Aboriginalism: A Performative Gaze on Indigenous Australian<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Women’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Sarah Gillman, ‘Heroes,
Mates and Family: How Tragedy Teaches Us About Being Australian’<o:p></o:p></span></p>
<p class=MsoNormal style='text-autospace:none'><b><span style='font-size:9.0pt;
font-family:"CenturyGothic-Bold","sans-serif";color:black'><o:p> </o:p></span></b></p>
<p class=MsoNormal style='text-autospace:none'><b><span style='font-size:9.0pt;
font-family:"CenturyGothic-Bold","sans-serif";color:black'>Reviews<o:p></o:p></span></b></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Margaret Henderson on
Angela McRobbie, </span><i><span style='font-size:9.0pt;font-family:"CenturyGothic-Italic","sans-serif";
color:black'>The Aftermath of Feminism: Gender, Culture and<o:p></o:p></span></i></p>
<p class=MsoNormal style='text-autospace:none'><i><span style='font-size:9.0pt;
font-family:"CenturyGothic-Italic","sans-serif";color:black'>Social Change<o:p></o:p></span></i></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Adrian Martin on Stuart
Cunningham, </span><i><span style='font-size:9.0pt;font-family:"CenturyGothic-Italic","sans-serif";
color:black'>In the Vernacular: A Generation of Culture and<o:p></o:p></span></i></p>
<p class=MsoNormal style='text-autospace:none'><i><span style='font-size:9.0pt;
font-family:"CenturyGothic-Italic","sans-serif";color:black'>Controversy<o:p></o:p></span></i></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Deane Williams on Ross
Gibson, </span><i><span style='font-size:9.0pt;font-family:"CenturyGothic-Italic","sans-serif";
color:black'>The Summer Exercises<o:p></o:p></span></i></p>
<p class=MsoNormal style='text-autospace:none'><span style='font-size:9.0pt;
font-family:"CenturyGothic","sans-serif";color:black'>Dimitris Vardoulakis on
Nick Mansfield, </span><i><span style='font-size:9.0pt;font-family:"CenturyGothic-Italic","sans-serif";
color:black'>Theorizing War: From Hobbes to Badiou<o:p></o:p></span></i></p>
<p class=MsoNormal><span style='font-size:9.0pt;font-family:"CenturyGothic","sans-serif";
color:black'>Sarah Cefai on Samantha Holland (ed.), </span><i><span
style='font-size:9.0pt;font-family:"CenturyGothic-Italic","sans-serif";
color:black'>Remote Relationships in a Small World</span></i><span
style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p> </o:p></span></p>
<p style='margin-bottom:12.0pt'><span style='font-size:10.0pt'><br>
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