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<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>Dear fellow colleagues,<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>Forgiving me for being a bit
self promoting, but I would like to draw your attention to my recently
published book Identity, Tradition and Globalism: Post-Cultural Revolution
Chinese Feature Films 1977- 1996 by VDM (2008). The book is available on
Amazon.Com and I include a table of contents below for your reference.
While purchasing the book for yourself and friend is certainly my sincere wish,
please do consider recommend your university/college’s library for adding
this book into its collection. (<a
href="http://www.amazon.com/Identity-Tradition-Globalism-Post-Cultural-Revolution/dp/3639111060/ref=sr_1_1?ie=UTF8&s=books&qid=1236640154&sr=1-1">http://www.amazon.com/Identity-Tradition-Globalism-Post-Cultural-Revolution/dp/3639111060/ref=sr_1_1?ie=UTF8&s=books&qid=1236640154&sr=1-1</a>)
<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>Another recent book I
co-edited, How We Became Middle-earth: A Collection of Essays on The Lord of
the Rings, is also available on Amazon.Com (<a
href="http://www.amazon.com/How-Became-Middle-earth-Adam-Lam/dp/3905703076/ref=sr_1_2?ie=UTF8&s=books&qid=1236640154&sr=1-2">http://www.amazon.com/How-Became-Middle-earth-Adam-Lam/dp/3905703076/ref=sr_1_2?ie=UTF8&s=books&qid=1236640154&sr=1-2</a>)
<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>Identity, Tradition and
Globalism <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>CONTENTS<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>Introduction <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
0.1
Preamble <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
0.2 Study Chinese film development <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
0.3 The book
layout <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
0.4 Terminology used in the
book <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>CHAPTER ONE <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>What Is Identity <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
1.1 Introduction <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
1.2 Film vs. dianying
<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
1.3 Filmic signification <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
1.4 Cultural identity vs. symbolic
order <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
1.5 The cultural identity of
film <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>CHAPTER TWO <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>Chinese Feature Films
Subject to the Traditional Chinese Symbolic Order <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
2.1 Introduction <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
2.2 Traditional Chinese values in Communist
China <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
2.3 The revolutions did not take
place <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
2.4 Film identified with traditional
Chinese performing arts <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
2.5 Film as a vehicle for
doctrine <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
2.6 Chinese narrative tradition in
contemporary Chinese films <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
2.7 Chinese operatic tradition and
film <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
2.8 Chinese films aimed for the Chinese
market <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>CHAPTER THREE<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>Xie Jin and Ling Zifeng:
Third-Generation Directors in the Contemporary Chinese Film Industry<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
3.1 Introduction <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
3.2 A legend created by Legend of Tianyun
Mountain <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
3.3 <st1:place w:st="on"><st1:PlaceName
w:st="on">Hibiscus</st1:PlaceName> <st1:PlaceType w:st="on">Town</st1:PlaceType></st1:place>:
sexual politics rather than politics <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
3.4 The debate on the “Xie Jin
Model” <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
3.5 Dramatization and cinematic achievement
of <st1:place w:st="on"><st1:PlaceName w:st="on">Hibiscus</st1:PlaceName> <st1:PlaceType
w:st="on">Town</st1:PlaceType></st1:place>
<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
3.6 The Last Aristocrats and Xie
Jin’s promoting
strategies <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
3.7 Ling Zifeng’s search of
traditional Chinese values <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>CHAPTER FOUR <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>Two Wus in Two Directions
and the Woman Director Huang Shuqin <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
4.1 Introduction <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
4.2 Wu Tianming’s Old Well and the
achievement of “the foolish old man” <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
4.3 Wu Yigong’s Evening Rain and
traditional Chinese poetic strategy <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
4.4 Wu Yigong’s My Memories of Old
Beijing—a nostalgic
poem <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
4.5 Huang Shuqin’s feminist awareness
in Woman, Demon, Human <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
4.6 Achievements and contribution of fourth
generation directors <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>CHAPTER FIVE <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>Chinese Feature Films
Subject to the Global Symbolic Order <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
5.1 Introduction <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
5.2 Alienation from tradition and poetic
misreading of “root-searching” <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
5.3 Overseas success of the fifth generation
and importation of
postmodernity <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
5.4 Hyperrealism, post-realism and other
realisms in contemporary Chinese films <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
5.5 A fatally strategic
development <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>CHAPTER SIX <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>Chen Kaige and His Success
by Surprise <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
6.1 Introduction <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
6.2 The Yellow Earth and its international
triumph <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
6.3 The debate on The Yellow Earth <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
6.4 Achievements of The Yellow
Earth <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
6.5 Chen Kaige’s philosophical search
in Life on a
String <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
6.6 Farewell My Concubine as Chen
Kaige’s turning
point <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
6.7 Chen Kaige’s portrayal of
homosexuality <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
6.8 Behind and beyond the
concubine <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
6.9 Temptress Moon: a “yellow
earth” story without yellow earth <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>CHAPTER SEVEN <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>Zhang Yimou and His Use
of Multi-Interpretable Signs <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
7.1 Introduction <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
7.2 A director’s personal style
established <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
7.3 Ceremonial scenes and narrative
strategy in Red Sorghum <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
7.4 Chineseness for the international
market <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
7.5 The Oedipus complex in
Judou <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
7.6 The functions of ceremonial scenes in
Zhang Yimou’s “red trilogy” <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
7.7 The Story of Qiuju and its resistance
to the global-cultural
influence <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>CHAPTER EIGHT <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>Tian Zhuangzhuang:
Politics and Politicization of Films <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
8.1 Introduction <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
8.2 Two minority films by Tian
Zhuangzhuang <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
8.3 “Making films for the next
century <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
8.4 Narrative structure of The Blue
Kite <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
8.5 Politics in The Blue
Kite <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
8.6 Politics around The Blue
Kite <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
8.7 Achievement of The Blue
Kite <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>CHAPTER NINE <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>Those Who Are Called the
Sixth Generation <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
9.1 Introduction <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
9.2 Zhang Yuan and <st1:place w:st="on"><st1:City
w:st="on">Beijing</st1:City></st1:place>
Bastards <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
9.3 Guan Hu and Dirt <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
9.4 Is East Palace, <st1:place w:st="on"><st1:PlaceName
w:st="on">West</st1:PlaceName> <st1:PlaceType w:st="on">Palace</st1:PlaceType></st1:place>
a Chinese film? <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>CHAPTER TEN <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>Huang Jianxin, Sun Zhou
and Jiang Wen—Those Beyond Generations <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
10.1 Introduction <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
10.2 Huang Jianxin’s Black Cannon
Incident <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
10.3 Black Cannon Incident’s differences with other
fifth-generation films <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
10.4 Huang Jianxin’s Back to Back, Face to
Face <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
10.5 Sun Zhou’s The True
Hearted <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
10.6 A Chinese answer to global-culturalism <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
10.7 Jiang Wen’s In the Heat of the
Sun <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
10.8 From mission to expression
<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>A Conclusion By any Other
Name <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
11.1 From tradition... <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
11.2 To globalism <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
11.3 The shifting of
identity <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
11.4 To conclude <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>Filmography <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
Feature Films (Mainland Chinese Filmmakers) by Year of Release <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
Feature Films (Mainland Chinese Filmmakers) by English
Title <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
Other Films and TV Productions <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>Selected Bibliography <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
Sources in English <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>
Sources in Chinese
<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'>Best regards,<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
<p class=MsoNormal style='text-autospace:none'><font size=3 face=Arial><span
style='font-size:12.0pt;font-family:Arial'>Adam Lam<o:p></o:p></span></font></p>
<p class=MsoNormal style='text-autospace:none'><font size=3 face=Arial><span
style='font-size:12.0pt;font-family:Arial'>BA (Monash) MA (HK) PhD (<st1:place
w:st="on"><st1:City w:st="on">Auckland</st1:City></st1:place>)<o:p></o:p></span></font></p>
<p class=MsoNormal style='text-autospace:none'><font size=3 face=Arial><span
style='font-size:12.0pt;font-family:Arial'> <o:p></o:p></span></font></p>
<p class=MsoNormal style='text-autospace:none'><font size=3 face=Arial><span
style='font-size:12.0pt;font-family:Arial'>Programme Director for Chinese<o:p></o:p></span></font></p>
<p class=MsoNormal style='text-autospace:none'><font size=3 face=Arial><span
style='font-size:12.0pt;font-family:Arial'>Senior Lecturer in Chinese<o:p></o:p></span></font></p>
<p class=MsoNormal style='text-autospace:none'><font size=3 face=Arial><span
style='font-size:12.0pt;font-family:Arial'>School of Languages and Cultures<o:p></o:p></span></font></p>
<p class=MsoNormal style='text-autospace:none'><st1:place w:st="on"><st1:PlaceType
w:st="on"><font size=3 face=Arial><span style='font-size:12.0pt;font-family:
Arial'>University</span></font></st1:PlaceType><font face=Arial><span
style='font-family:Arial'> of <st1:PlaceName w:st="on">Canterbury</st1:PlaceName></span></font></st1:place><font
face=Arial><span style='font-family:Arial'><o:p></o:p></span></font></p>
<p class=MsoNormal style='text-autospace:none'><font size=3 face=Arial><span
style='font-size:12.0pt;font-family:Arial'>Private Bag 4800<o:p></o:p></span></font></p>
<p class=MsoNormal style='text-autospace:none'><st1:place w:st="on"><st1:City
w:st="on"><font size=3 face=Arial><span style='font-size:12.0pt;font-family:
Arial'>Christchurch</span></font></st1:City></st1:place><font face=Arial><span
style='font-family:Arial'> 8140<o:p></o:p></span></font></p>
<p class=MsoNormal style='text-autospace:none'><st1:place w:st="on"><st1:country-region
w:st="on"><font size=3 face=Arial><span style='font-size:12.0pt;font-family:
Arial'>New Zealand</span></font></st1:country-region></st1:place><font
face=Arial><span style='font-family:Arial'><o:p></o:p></span></font></p>
<p class=MsoNormal style='text-autospace:none'><font size=3 face=Arial><span
style='font-size:12.0pt;font-family:Arial'>Telephone: (643) 364 2987 ext. 4999<o:p></o:p></span></font></p>
<p class=MsoNormal style='text-autospace:none'><font size=3 face=Arial><span
style='font-size:12.0pt;font-family:Arial'>Fax: (643) 364 2598<o:p></o:p></span></font></p>
<p class=MsoNormal style='text-autospace:none'><font size=3 face=Arial><span
style='font-size:12.0pt;font-family:Arial'>Email: adam.lam@canterbury.ac.nz<o:p></o:p></span></font></p>
<p class=MsoNormal style='text-autospace:none'><font size=3 face=Arial><span
style='font-size:12.0pt;font-family:Arial'>Mobile phone: (64 27) 328 3151<o:p></o:p></span></font></p>
<p class=MsoNormal style='text-autospace:none'><font size=3 face=Arial><span
style='font-size:12.0pt;font-family:Arial'><a href="www.lanc.canterbury.ac.nz">www.lanc.canterbury.ac.nz</a><o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 color=navy face=Arial><span lang=EN-NZ
style='font-size:12.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
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