[csaa-forum] Feminists Making Movies: Between Theory and Practice

[Wendy Haslem]

Dear CSAA colleagues,

Please feel welcome to join us on Wednesday 19th of July for our 'Feminists Making Movies: Between Theory and Practice' Symposium<https://www.eventbrite.co.uk/e/feminists-making-movies-between-theory-and-practice-tickets-667310121537?aff=oddtdtcreator> and for Professor Sarah Keller's Keynote<https://www.eventbrite.co.uk/e/personal-private-public-political-feminist-thought-in-film-practice-tickets-667325718187?aff=oddtdtcreator> Address, 'Personal, Private, Public, Political: Feminist Thought in Film Practice'.
For colleagues joining us in person, registration for the Symposium not only includes a map which will help you find your way to our Arts West building, but also a note about dietary requirements so that we can ensure that there is something delicious for you for lunch.

kind regards,
Wendy




Wendy Haslem

Associate Professor - Screen Studies

Faculty of Arts, School of Culture + Communication

W101 John Medley Building, University of Melbourne, Parkville, Victoria, 3010.

T: +613 8344 3409     E: wlhaslem at unimelb.edu.au<mailto:wlhaslem at unimelb.edu.au>


*


Wendy Haslem, 2023. ‘Projecting the Colors of Vision’, Screen Bodies: The Journal of Embodiment, Media Arts and Technology, Special issue on Screening Perception, 8:1, 1-17.

Wendy Haslem, 2023. ‘Blonde: Redefining Marilyn Monroe as Digital Artifact’, Cinephile, New Lenses on Old Hollywood, 17:1, 28-34.

Wendy Haslem, 2023. ‘‘Defiant Access’ and ‘Cultural Revenge’: Australia Re-imagined through Archive Cinema’, Senses of Cinema, Dossier on Piracy.


*****


I respectfully acknowledge the Traditional Owners of the land where I work and live, the Wurundjeri and Bunurong people of the Eastern Kulin Nations and pay my respects to their elders past, present and emerging.




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CRICOS: 00116K

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