From anne.begg at otago.ac.nz Mon Feb 20 09:07:14 2017 From: anne.begg at otago.ac.nz (Anne Begg) Date: Sun, 19 Feb 2017 23:37:14 +0000 Subject: [csaa-forum] Borderlands Issue 15.1, Space, Places and Social Control Message-ID: <434dea76135d4b5fbf5b010f4fea6016@its-mail-p09.registry.otago.ac.nz> Dear All Apologies for cross-posting. I'm happy to advise that issue 15.1 of borderlands is now available online: http://www.borderlands.net.au/issues/vol15no1.html The contributions from Laura Landertinger, Rebecca Fowler, Marijn Nieuwenhuis, Louise Katz, Elizabeth Ellison and Lesley Hawkes address the concept of 'space' as a strategic resource from diverse perspectives and on a wide variety of sociopolitical issues, as we have outlined in the Introduction. Their work develops a 'return' to, or reconsideration of, space motivated by the dominance of neoliberal globalisation: an uneven, violent, and exclusionary assemblage of power and practices that is causing massive inequalities and environmental crisis. It is to this terrain of debate that this issue of Borderlands contributes. My thanks to Tony for his help and to Vijay for his valuable input and guidance in the production of this issue. My sincere thanks also to all the authors who contributed, for the commitment reflected in your writing and for your patient understanding during the publication process, it is much appreciated. Very best wishes Anne Dr Anne Begg Assistant Editor borderlands e-journal C/- Department of Media, Film and Communication University of Otago Dunedin, New Zealand Phone: 03 479 3724 Fax: 03 479 3732 anne.begg at otago.ac.nz http://www.borderlands.net.au/ From mark.gibson at monash.edu Mon Feb 20 15:09:20 2017 From: mark.gibson at monash.edu (Mark Gibson) Date: Mon, 20 Feb 2017 16:39:20 +1100 Subject: [csaa-forum] Sessional Teaching Opportunities at Monash - Supervision of minor thesis students - S1 2017 Message-ID: The School of Media, Film and Journalism at Monash is seeking sessional staff for S1 2017 interested in supervising students in the Master of Communications and Media Studies. The project essays are 9000 word supervised pieces of work, equivalent to a half Honours thesis. Each student supervision involves about 10 hours of work, involving attending an introductory class, supervising a student in one on one meetings, reading project drafts and grading a final project essay (usually one supervised by someone else). The number of supervisions would be negotiable. The minimum would be three and it would probably not be wise to take more than 10! *If you are interested, please send a short statement of interest and CV to Mark.Gibson at monash.edu * -- Associate Prof Mark Gibson Head, Communications and Media Studies Program School of Media, Film and Journalism Faculty of Arts, Monash University Caulfield East, Victoria 3145, Australia Tel: +61 3 9903 4221 Fax: +61 3 9903 4225 -------------- next part -------------- An HTML attachment was scrubbed... URL: http://lists.cdu.edu.au/pipermail/csaa-forum/attachments/20170220/664c5987/attachment.html From E.Ringle-Harris at westernsydney.edu.au Tue Feb 21 15:04:53 2017 From: E.Ringle-Harris at westernsydney.edu.au (Emily-Kate Ringle-Harris) Date: Tue, 21 Feb 2017 05:34:53 +0000 Subject: [csaa-forum] ICS Seminar Series - semester 1 schedule Message-ID: The Institute for Culture and Society's seminar series starts back on 2 March with an exciting line-up of international, national and local speakers. Seminars are held weekly on a Thursday at the Western Sydney University Parramatta campus, from 11.30am-1pm, followed by lunch. Full details at: https://www.westernsydney.edu.au/ics/events/seminars/ics_seminar_series Thursday 2 March Ken Coates (University of Saskatchewan) Interpreting Transitions and Structures in Indigenous-Newcomer Relations in Canada Thursday 9 March Nikolas Rose (King's College London) The Urban Brain: Living in the Neurosocial City Thursday 16 March Armin Beverungen (Leuphana University) High-Frequency Trading and the Costs of Consciousness Thursday 23 March Tim Strom (ICS, Western Sydney University) Maps of the Drawn Away: Technological Abstraction and Accumulation in Google Maps Tuesday 28 March (note Tuesday date) Vincent Dubois (University of Strasbourg) Welfare Fraud and Control Over the Poor: Bureaucratic Accuracy Versus Social Justice. Insights from the French Case. Thursday 6 April Xiang Ren (Western Sydney University) Open Knowledge and Digital China: Open Access, Networked Technologies and the Transformation of Publishing and Scholarship Thursday 13 April Adrian Franklin (University of Tasmania) MONA and the Bilbao Effect Thursday 20 April Cameron Tonkinwise (UNSW) Why Transition Design? Thursday 27 April Donald McNeill (ICS, Western Sydney University) Volumetric Urbanism and the Production of Territory Thursday 4 May Katherine Gibson (ICS, Western Sydney University) Reading for Difference on the Ground and in the Archive: An(other) Economic Geography of Monsoon Asia Thursday 11 May Andrea Pollio and Ilia Antenucci (ICS, Western Sydney University) The Technopolitics of Ubuntu: City and Citizen-making in Post-apartheid Cape Town Thursday 18 May Karen Soldatic (ICS, Western Sydney University) Policy Mobilities of Exclusion: Disability, Indigeneity and Welfare Retraction in Regional Australia Thursday 25 May Ruth Lane (Monash University) Material Flows and the Circular Economy Thursday 1 June Luke Munn (ICS, Western Sydney University) Ferocious Logics: Unmaking the Algorithm Thursday 8 June Camellia Webb-Gannon (Western Sydney University) Resistance Remixed: West Papua Decolonisation Songs and Social Media Thursday 15 June Gay Hawkins, Philippa Collin, Stephen Healy, Brett Neilson (ICS, Western Sydney University) Thinking in Common Panel: Assembling Politics From Kelly.McWilliam at usq.edu.au Tue Feb 21 17:00:15 2017 From: Kelly.McWilliam at usq.edu.au (Kelly McWilliam) Date: Tue, 21 Feb 2017 07:30:15 +0000 Subject: [csaa-forum] Job opp: Lecturer in Media Studies - Uni of Adelaide Message-ID: Hi All, we are hiring in the Media Department at University of Adelaide. Full time tenurable position. Please find position description at: http://careers.adelaide.edu.au/cw/en/job/495761/lecturer-in-media Applications close April 2 2017. Position to start 3 July. cheers Sal Dr Sal Humphreys Senior Lecturer Media Faculty of Arts University of Adelaide Australia Ph +61 8 8313 5227 email sal.humphreys at adelaide.edu.au http://researchers.adelaide.edu.au/profile/sal.humphreys _____________________________________________________________ This email (including any attached files) is confidential and is for the intended recipient(s) only. If you received this email by mistake, please, as a courtesy, tell the sender, then delete this email. The views and opinions are the originator's and do not necessarily reflect those of the University of Southern Queensland. Although all reasonable precautions were taken to ensure that this email contained no viruses at the time it was sent we accept no liability for any losses arising from its receipt. The University of Southern Queensland is a registered provider of education with the Australian Government. (CRICOS Institution Code QLD 00244B / NSW 02225M, TEQSA PRV12081 ) -------------- next part -------------- An HTML attachment was scrubbed... URL: http://lists.cdu.edu.au/pipermail/csaa-forum/attachments/20170221/64165d97/attachment.html From kate.johnston at sydney.edu.au Wed Feb 22 10:50:39 2017 From: kate.johnston at sydney.edu.au (Kate Johnston) Date: Wed, 22 Feb 2017 01:20:39 +0000 Subject: [csaa-forum] Diverse Economies and Livelihoods In-Reply-To: <95DE6911AE4FFE4AB4007D1C408E6B430128C2970E@ex-mbx-pro-05> References: , <95DE6911AE4FFE4AB4007D1C408E6B430128C2970E@ex-mbx-pro-05> Message-ID: <95DE6911AE4FFE4AB4007D1C408E6B430128C2975A@ex-mbx-pro-05> May be of interest to some. Having trouble viewing this email? View online version. [The University of Sydney] Symposium [https://wordvine.sydney.edu.au/files/1900/15495/images/custom/73077_cowell%20fish%20art.jpg] Diverse Economies and Livelihoods In Making Other Worlds Possible, Gerda Roelvink, Kevin St. Martin, and J. K. Gibson-Graham explore ?economies that privilege ethical negotiation and a politics of possibility.? (2015) In this seminar featuring Kevin St Martin, we take up their challenge to continue to unearth diverse quotidian practices that actively reformulate how community is understood and lived in food producing regions. Keynote: * Kevin St Martin (Rutgers) Beyond the end of history: small scale fishing in a rights based world. * Katherine Gibson (WSU) ? Response. Diverse Fishing Communities * Kate Barclay (UTS) Working out the social and economic contributions from fishing in coastal communities (NSW). * Kate Johnston (Sydney) Sustaining more than fish: regulating tuna, tradition and trade in a Sardinian Tonnara. Everyday practices of social justice * David Scholsberg (Sydney) Environmentalism of everyday life. * Alana Mann (Sydney) The good citizen in the (un)ethical foodscape. * Isaac Lyne (WSU) Backstage transcripts: how can action research project reveal a community economy in practice? * Pryor Placino (WSU) Together with and among other things: negotiating livelihoods in informal mining communities in the Philippines. * Elspeth Probyn (Sydney) Who counts? Accounting for & relating voices. Monday 27th March 2017 2:00pm-5:00pm Sutherland Room, Holme Building The workshop will be followed by drinks in the Courtyard Caf?, Holme Building. Click here for map More information kate.johnston at sydney.edu.au With support from the Department of Gender & Cultural Studies (Sydney); Institute for Culture & Society (WSU); Sydney Environment Institute (Sydney). Funded by The Sustainable Fish Lab (ARC DP DP0987083). RSVP Kate Johnson kate.johnston at sydney.edu.au NB: Please note if you have mobility requirements in your email. [https://wordvine.sydney.edu.au/files/1900/15495/images/logo/university_sydney_logo_footer.png] Copyright ? 2017 The University of Sydney, NSW 2006 Australia. Phone +61 2 9351 2222 ABN 15 211 513 464 CRICOS Number: 00026A To make sure you continue to see our emails in the future, please add kate.johnston at sydney.edu.au to your address book or senders safe list. To unsubscribe, reply to this email with "UNSUBSCRIBE" in the subject line Disclaimer | Privacy statement | University of Sydney -------------- next part -------------- An HTML attachment was scrubbed... URL: http://lists.cdu.edu.au/pipermail/csaa-forum/attachments/20170222/1650c570/attachment-0001.html From c.chua at unsw.edu.au Thu Feb 23 10:18:02 2017 From: c.chua at unsw.edu.au (Collin Chua) Date: Thu, 23 Feb 2017 00:48:02 +0000 Subject: [csaa-forum] Seminar at UNSW, Tues 28 Feb: Changing Faces of the Expat in Hong Kong Writing, David Huddart In-Reply-To: References: Message-ID: The second SAM Seminar for 2017! View in your browser [SAM Seminar Series] [https://gallery.mailchimp.com/a98c9e57e9cf4c69871b56b36/_compresseds/f226ebd8-cb07-4b9f-b7cd-cce1af20b6f1.jpeg] Changing Faces of the Expat in Hong Kong Writing When Tuesday 28 February, 5 ? 6.30pm Where Cinema 327, Robert Webster Building, UNSW Kensington This seminar explores the difficulty in defining diasporic or expat writing in Hong Kong. Many (but importantly not all) residents of Hong Kong can apply to become permanent residents after seven years, but it is still possible to lose that status if you are not categorised as ?ethnically Chinese?. Defining the Hong Kong expat might then seem to be a question of ethnicity, and Hong Kong writing might also be understood in those terms. However, while at first glance it might appear easy to identify the writing of the non-ethnically Chinese in Hong Kong, to do so fails to acknowledge both the complex dynamism that underlies the unusually high degree of international mobility of Hong Kong?s many communities (first and foremost Chinese), and tensions between local Hong Kongers and those typically referred to as ?mainland Chinese?. This seminar considers several examples (Martin Booth, Eddie Tay, and Jingan Young) to explore core issues that sit at the heart of expat writing in Hong Kong ? the notion of authenticity, the question of readership and relevance to Hong Kong, and the drama of self-reflection that describes the supposed acclimatization process of the ?outsider?. However, these issues all arise from, and rely on, the concept of ?the local? (Hong Konger). It is not as if the concept is under-examined, as collections of Hong Kong writing frequently begin with attempts to define both writing and writers. However, many assumptions on which these definitions rest remain rooted in a pre-1997 political and intellectual mindset. Two decades later, new ways of thinking about both expat and local are increasingly vital. David Huddart is an associate professor in literary studies at the Chinese University of Hong Kong. He is co-editor of an issue of the journal parallax, on 'Survivals of the Death Sentence', as well as The Future of English in Asia and A Companion to Mia Couto (all 2016). He is the author of Homi K. Bhabha (2006), Postcolonial Theory and Autobiography (2008), and Involuntary Associations (2014). Visit the event page. Bookings not required. Finding us Robert Webster Building is located mid-way off the UNSW main walkway. Map Reference G14. Cinema 327 is located on the third floor. More information on getting to UNSW. There is limited parking on the campus but free parking is available from 6:30pm in the car park next to NIDA accessed via Day Ave. [https://cdn-images.mailchimp.com/icons/social-block-v2/outline-dark-facebook-48.png] [https://cdn-images.mailchimp.com/icons/social-block-v2/outline-dark-instagram-48.png] [https://cdn-images.mailchimp.com/icons/social-block-v2/outline-dark-twitter-48.png] [https://cdn-images.mailchimp.com/icons/social-block-v2/outline-dark-medium-48.png] [https://cdn-images.mailchimp.com/icons/social-block-v2/outline-dark-link-48.png] Visit the School of the Arts and Media website. An email for staff and friends of the School of the Arts and Media, UNSW Australia. Update your email preferences or unsubscribe. -------------- next part -------------- An HTML attachment was scrubbed... URL: http://lists.cdu.edu.au/pipermail/csaa-forum/attachments/20170223/d2f9c2dd/attachment-0001.html From Celia.Lam at nottingham.edu.cn Thu Feb 23 13:11:48 2017 From: Celia.Lam at nottingham.edu.cn (Celia Lam) Date: Thu, 23 Feb 2017 03:41:48 +0000 Subject: [csaa-forum] CUNY CFP "Bridging Gaps: Where is the Critic in Television Journalism?" (NYC 2017) Message-ID: <1487821308851.14192@nottingham.edu.cn> Centre for Media and Celebrity Studies (CMCS) 5th International Conference Bridging Gaps: Where is the Critic in Television Journalism? CUNY School of Journalism New York City, USA August 31-September 1, 2017 Conference Keynote Speaker: Andrew Mendelson Associate Dean & Professor, CUNY Graduate School of Journalism Conference Key Media Speaker: Tim Harper Journalist & Visiting Professor, CUNY Graduate School of Journalism In broadcast journalism, the notion of the ?TV academic? is rare but important with the origins related to the Fourth Estate?s veritable position as critical government watchdogs. Similar in nature to questions on conflating the journalist with celebrity in popular discourse are those surrounding the academic and celebrity. In his case, Birmingham City University professor and broadcaster David Wilson discovered, ?The greatest tension is the growing perception by some members of the public that I am a celebrity, rather than an academic.? At the same time, he notes that the benefits of being a public scholar greatly outweigh the downsides. Mainstream TV uses social media to augment its reach, facilitating dialogues between actors and viewers. These dominant tactics further engage by mitigating the role of perceived mediators between celebrities and their on-screen personas. In an analogous way, more conversations that include academics are crucial in mainstream TV. Without them, redefining or redesigning efforts that stimulate critical faculties in the collective mind and make for good citizenry become lost amidst the noise of what postmodern French philosopher Jean Baudrillard once characterized as an era of ?more and more information, and less and less meaning?. So how can an academic produce a TV show or offer television appearances while disregarding stereotypical trappings associated with the ?celebrity academic?? How can these efforts be accomplished in ways that preserve the integrity of the academe yet also cater to mass audience within one?s area of scholarship? What are some ethical tactics and key platforms in which these voices are best and most widely heard? The Centre for Media and Celebrity Studies (CMCS) Bridging Gaps conference, in association with sponsors Centre for Ecological, Social, and Informatics Cognitive Research (ESI.CORE) and WaterHill Publishing, invites academics, journalists, publicists, producers and guests to attend, speak and collaborate at the international conference Bridging Gaps: Where is the Critic in Television Journalism? Join us in NYC where the conference will uniquely combine vibrant roundtable and workshop panels with a CMCS TV proposal in a collaborative network. The format of the conference aims at being open and inclusive ranging from interdisciplinary academic scholars to practitioners involved in all areas of television journalism, including tactics related to engagement capitalizing on existing public and private television channels and evolving forms of social media?from YouTube to Vimeo, Zoom to Jing, Periscope to Google Hangout. Working papers and media productions will be considered for the conference. Extended versions of selected best papers will be published in an edited book. Registration includes: Your printed package for the complete conference, professional development workshops, coffee / tea breaks, access to evening receptions, complimentary evening drinks, consideration for publication, and the CMCS $100 best paper and $100 best screen awards. Submission guidelines: * 250-word abstract or workshop / roundtable proposal * Include a title, your name, e-mail address, and affiliation if applicable * Submit to conference Chairs Josh Nathan and Andrea Marshall at email address: celeb.studies2017 at gmail.com * Deadline for abstract submission: April 15, 2017 * Notification of acceptance: May 15, 2017 * Early bird registration deadline: June 30, 2017 * Full text due: July 30, 2017 * Conference reception and presentations: August 31 ? September 1, 2017 Celebrity Chat Video Submissions: * Video length should be 10-20 minutes * Include a title, your name, e-mail address, and affiliation if applicable * Submit to Celebrity Chat producer Dr. Jackie Raphael at email address: celeb.studies2017 at gmail.com * Deadline for abstract submission: April 15, 2017 * Notification of acceptance: May 15, 2017 * Early bird registration deadline: June 30, 2017 * Full text due: July 30, 2017 * Conference reception and presentations: August 31 ? September 1, 2017 Topics include but are not limited to: * Television Studies * TV Celebrity * Celebrity Academic * Onscreen Persona * Fandom * Audience * Publicity * News * Interviews * Social Media * Online Video * Fiction * Genre * Biography * Literature * Fashion * Photography * Performance * Life Writings * Theory and Methods * Research Agenda * Business Models * Ethics and Morality * Media Literacy * Education and Advocacy * International Relations * Community Building * Business and Community Partnerships Conference Keynote: Andrew Mendelson Conference Key Media Speaker: Tim Harper Conference Chairs: Josh Nathan and Andrea Marshall Committee Members: Nicole Bojko, Jackie Raphael and Celia Lam Conference URL: www.cmc-centre.com/nyc2017 Twitter @celeb_studies #BGCS17 Regards, Celia ___________________________________________________________ Celia Lam (PhD) Assistant Professor (Lecturer) Media and Cultural Studies School of International Communications Faculty of Humanities and Social Sciences Room 327, Trent (AB) Building The University of Nottingham, Ningbo China 199 Taikang East Road Ningbo, 315100 e: celia.lam at nottingham.edu.cn t: +86(0)574 8818 0000 - 8453 w: www.nottingham.edu.cn This message and any attachment are intended solely for the addressee and may contain confidential information. If you have received this message in error, please send it back to me, and immediately delete it. Please do not use, copy or disclose the information contained in this message or in any attachment. Any views or opinions expressed by the author of this email do not necessarily reflect the views of The University of Nottingham Ningbo China. This message has been checked for viruses but the contents of an attachment may still contain software viruses which could damage your computer system: you are advised to perform your own checks. Email communications with The University of Nottingham Ningbo China may be monitored as permitted by UK and Chinese legislation. -------------- next part -------------- An HTML attachment was scrubbed... URL: http://lists.cdu.edu.au/pipermail/csaa-forum/attachments/20170223/6041f738/attachment.html From timneale at gmail.com Fri Feb 24 15:05:27 2017 From: timneale at gmail.com (Tim Neale) Date: Fri, 24 Feb 2017 16:35:27 +1100 Subject: [csaa-forum] Deakin Anthropology Seminar Series #1: David Boarder Giles, Towards an Anthropology of Abject Economies Message-ID: Date: Thursday 2nd March Time: 4:30-6:00pm Location: Deakin Waterfront AD1.122 (also: Burwood C2.05, VMP TBC) Abstract: Where do things go when they are lost, discarded, or forgotten? What social afterlives do they lead? And perhaps more importantly, whose lives are constituted among the detritus? Through an exploration of such questions, and the larger patterns that emerge from them, I sketch out new directions for an anthropology of value, one that looks beyond the horizons of capital towards the futures that lie in its ruins. To that end, I ask what might constitute an *abject economy*?an economy built precisely on the abjection and abandonment of people, places, and things. What pathways of devalorization and desuetude might be its conditions of possibility? What emergent forms of life endure, for example, in the interstices of capital? What non-market practices and regimes of value are possible within its folds? I develop both a theoretical framework for future research, and an ethnographic description from my own work with dumpster-divers, squatters, and other scavengers in several ?global? cities in North America. These scavengers cultivate, in a very real sense, minor economies, putting into circulation those surpluses?people, places, and things alike?discarded by the prevailing markets and publics of these cities. They present us with one model of an abject economy: non-market forms of surplus value and labor, simultaneously made possible and necessary by the vicissitudes of capital accumulation. These economies are paradoxes, neither separable from, nor commensurable with the logic of market exchange. Such economies hold profound lessons for the anthropology of the twenty-first century?in which market-centric, ?neoliberal? regimes of value seem to have eclipsed so many other forms of economy. In a moment when there seems to be no ?outside? to capitalism, we may yet discover its margins, and there may we not only learn a great deal about the ontological grounds of capital itself, but also discover existing and emergent modes of valuing otherwise. Giving an account of these dynamics and paradoxes, I will argue, will be one of anthropology?s key challenges in the coming years. Biography: David Boarder Giles is a Lecturer in Anthropology at Deakin University in Melbourne, Australia. He writes about cultural economies of waste and homelessness, and the politics of urban food security and public space, particularly in "global" cities. He has done extensive ethnographic fieldwork in Seattle and other cities in the United States and Australasia with dumpster divers, urban agriculturalists, grassroots activists, homeless residents, and chapters of Food Not Bombs?a globalized movement of grassroots soup kitchens. Sign up for the seminar series newsletter here: http://eepurl.com/cBm9nb Timothy Neale Research Fellow, Alfred Deakin Institute for Citizenship and Globalisation Deakin University -------------- next part -------------- An HTML attachment was scrubbed... URL: http://lists.cdu.edu.au/pipermail/csaa-forum/attachments/20170224/d8377e1e/attachment.html From philosophy at westernsydney.edu.au Sat Feb 25 13:06:08 2017 From: philosophy at westernsydney.edu.au (PhilosophyatWesternSydney) Date: Sat, 25 Feb 2017 03:36:08 +0000 Subject: [csaa-forum] [Philosophy@Western Sydney Seminar] Helen Palmer, Queer Defamiliarisation in New Materialist Times, 1 March 2017 In-Reply-To: <9820EBB478AAE24C8BF5E9089A72DDCCDF35DC0B@hall.AD.UWS.EDU.AU> References: <9820EBB478AAE24C8BF5E9089A72DDCCDF35DC0B@hall.AD.UWS.EDU.AU> Message-ID: <139634278660844DAA9851723F723C5DB77E92F1@HIRT.AD.UWS.EDU.AU> Philosophy @ Western Sydney - Seminar Helen Palmer, Queer Defamiliarisation in New Materialist Times This paper will introduce some terms from new materialism in order to consider the question: what might relational, entangled, enfleshed defamiliarisation look like? I draw together Shklovsky's original provocations on defamiliarisation as a methodology for perception and Braidotti's recent positing of defamiliarisation as a 'critical distance' (2013, 88) to propose ways that we might reinvigorate, politicise and queer this term in contemporary thought. I use here the supposed 'paradox' of feminist thought, namely that feminism creates the sexual difference it seeks to eliminate, and then present the ways that this paradox is in fact affirmed within new materialist philosophies. I present defamiliarisation reinvigorated here with the added political dimensions of agency, orientation and power; as an embodied and multivalent process which is critical at the same time as it is creative. Helen Palmer is a writer, performer and lecturer at Kingston University. She is the author of Deleuze and Futurism: A Manifesto for Nonsense. She has recently published articles on new materialism and gender, and is currently writing a book called Queer Defamiliarisation and a novel called Pleasure Beach. Date/Time: Wednesday 1 March 2017, 3.30 pm - 5.00 pm Place: University of Western Sydney, Bankstown Campus, Building 3, Room 3.G.54 [How to get to Bankstown Campus] [Alumni Facebook]Connect with us on Facebook: www.facebook.com/philosophyuws For further information, please visit: www.westernsydney.edu.au/philosophy -------------- next part -------------- An HTML attachment was scrubbed... URL: http://lists.cdu.edu.au/pipermail/csaa-forum/attachments/20170225/6e070406/attachment.html -------------- next part -------------- A non-text attachment was scrubbed... Name: image001.jpg Type: image/jpeg Size: 813 bytes Desc: image001.jpg Url : http://lists.cdu.edu.au/pipermail/csaa-forum/attachments/20170225/6e070406/attachment.jpg From arts-colloquy at monash.edu Fri Feb 24 11:47:35 2017 From: arts-colloquy at monash.edu (Colloquy Journal) Date: Fri, 24 Feb 2017 13:17:35 +1100 Subject: [csaa-forum] =?utf-8?q?CFP_=E2=80=93_Colloquy=3A_text=2C_theory?= =?utf-8?q?=2C_critique_=E2=80=93_Issues_33_=26_34?= Message-ID: Dear all, Colloquy: text, theory, critique is seeking submissions for its 33rd and 34th issues, which will be general issues published late 2017 and early 2018 respectively. Colloquy is a peer-reviewed online journal published twice annually by postgraduate students in the Literary and Cultural Studies Graduate Research Program at Monash University. It publishes material in the areas of: - critical theory - continental philosophy - literary and cultural studies - film and television - media and communications theory - performance studies Articles should be between 6,000 and 10,000 words and should follow the Chicago Manual of Style with Australian spelling. Further submission guidelines can be found at http://artsonline.monash.edu.au/colloquy/submissions/ In addition to academic articles, Colloquy also publishes translations, creative writing, review articles and book reviews. All work, save book reviews, is double-blind refereed by experts in the field. The deadline for submissions is 31 May 2017, although submissions for general consideration can be made at any time. Postgraduate students and early career researchers are strongly encouraged to submit. Please forward your submissions to the Colloquy editors and provide a short abstract, up to five keywords, and your current affiliation in your email. If you have any questions, please don?t hesitate to visit our website or email us at arts-colloquy at monash.edu. Kind regards, Aisling Smith and Zachary Kendal, editors-in-chief -- *Colloquy: text theory critique* School of Languages, Literatures, Cultures and Linguistics Room W716, Building 11 Monash University Clayton, VIC 3800 Australia tel: +61 3 9905 9009 email: arts-colloquy at monash.edu http://artsonline.monash.edu.au/colloquy/ -------------- next part -------------- An HTML attachment was scrubbed... URL: http://lists.cdu.edu.au/pipermail/csaa-forum/attachments/20170224/eda178fd/attachment.html